
Daily Dose Of Jazz…
Charlie Mariano was born Carmine Ugo Mariano on November 12, 1923 in Boston, Massachusetts, the son of Italian immigrants. Growing up in the Hyde Park neighborhood of Boston, after high school, he enlisted in the Army Air Corps during World War II. After his discharge, he attended Schillinger House of Music, now Berklee College of Music. He was among the faculty at Berklee from 1965–1971.
Moving to Europe in 1971, he eventually settled in Köln, Germany, with his third wife, Dorothee Zippel. He played with one of the Stan Kenton big bands, Toshiko Akiyoshi, his second wife, Charles Mingus, Eberhard Weber, the United Jazz and Rock Ensemble, Embryo and numerous other notable bands and musicians.
He was known for his use of the nadaswaram, a classical wind instrument from Tamil Nadu. He recorded thirteen albums as a leader and another sixty records as a sideman, working with Shelly Manne, Eberhard Weber, Manny Albam, Max Bennett, Chet Baker, Philip Catherine, Serge Chaloff, Peggy Connelly, Herb Ellis, Maynard Ferguson, Michael Gibbs, John Graas, George Gruntz, Chico Hamilton, Bill Harris, Bill Holman, Jackie and Roy, Elvin Jones, Quincy Jones, Mel Lewis, Arif Mardin, Toshiko Mariano, Vince Mendoza, Modern Jazz Quartet, Mike Nock, Nat Pierce, Herb Pomeroy, Irene Reid, Johnny Richards, Jimmy Ricks, Shorty Rogers, Frank Rosolino, Sal Salvador, Fredy Studer, Harvie Swartz, McCoy Tyner, Sadao Watanabe, Stu Williamson.
Alto and soprano saxophonist Carmine Mariano passed away from cancer on June 16, 2009
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Daily Dose Of Jazz…
Jeff Lorber was born November 4, 1952 into a Jewish family in Cheltenham, Pennsylvania. He started to play the piano when he was four years old and after playing in a number of R&B bands as a teen, he attended Berklee College of Music, where he developed his love for jazz. There he met and played alongside guitarist John Scofield and for several years he studied chemistry at Boston University.
Moving to Vancouver, Washington in 1972, his first group, The Jeff Lorber Fusion, released their self-titled debut album in 1977 on Inner City Records. Recording five albums under his name, these early sessions showcased a funky jazz fusion sound, and his 1980 album, Wizard Island, introduced saxophonist Kenny G. In 1982, Lorber recorded his first solo album, It’s a Fact, which explored his R&B roots with a smoother, more synthesizer-heavy sound along with vocals.
Many of his songs have appeared on The Weather Channel segments as well as their compilation albums. He has had six Grammy Award nominations and his Prototype album won for Best Contemporary Instrumental Album in 2018. Keyboardist, composer and record producer Jeff Lorber continues to produce, compose and perform.
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Daily Dose Of Jazz…
Glen Moore, born October 28, 1941 in Portland, Oregon started his performing career began at age 14 with the Young Oregonians in Portland. It was at this time where he met and played with Native American saxophonist, Jim Pepper.
Graduating with a degree in History and Literature from the University of Oregon, his formal bass instruction started after college with Jerome Magil in his hometown, James Harnett in Seattle, Washington, Gary Karr in New York City, Plough Christenson in Copenhagen, Denmark, Ludwig Streicher in Vienna, Austria, and Francois Rabbath in Hawaii.
Moore is a founding member of Oregon but worked also regularly with Rabih Abou-Khalil, Vasant Rai, Nancy King, and Larry Kar. For the past 30 years, has played a Klotz bass fiddle crafted in Tyrol circa 1715 on which he has made extensive use of a unique tuning with both a low and high C string. He has recorded ten albums as a leader, twenty~eight with Oregon, and twenty as a sideman. Double bassist Glen Moore, who also plays piano, flute, and violin continues to perform and record.
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Daily Dose Of Jazz…
Masabumi Kikuchi was born on October 19, 1939 in Tokyo, Japan and lived his early life in World War II and post-war country. He studied piano and music at the Tokyo Art College High School. After graduating, he joined Lionel Hampton’s Japanese touring band.
Known for his eclectic music that ranges from vanguard classical to fusion and digital music. Not only working with Hampton, but he also performed with Sonny Rollins, Woody Herman, Mal Waldron, Joe Henderson, McCoy Tyner, Gil Evans, Elvin Jones, Miles Davis, Gary Peacock, Paul Motian, Billy Harper, and Hannibal Peterson.
As a leader and co~leader, he recorded twenty-five albums, and as a sideman or member of other groups, he recorded twenty~eight albums. Pianist and composer Masabumi Kikuchi passed away from a subdural hematoma on July 6, 2015 at a hospital in Manhasset, New York.
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Daily Dose Of Jazz…
Masahiko Satoh was born on October 6, 1941 in Tokyo, Japan and the family home contained a piano. He started playing at the age of five, and twelve years later he began playing professionally accompanying singers, magicians, and strippers at a cabaret in the Ginza district.
By 1959 Satoh began playing in Georgie Kawaguchi’s band, together with alto saxophonist Sadao Watanabe and tenor saxophonist Akira Miyazawa. After graduating from Keio University, at the age of 26 he moved to the United States to study at the Berklee College of Music. During those two years of study, he read about composing and arranging, earned money working in a food shop, and played the piano in a hotel.
1968 had Masahiko writing and conducting the music for a series of pieces that were combined with dance and performed around New York City. After returning to Japan, he recorded Palladium, his first album as a leader, and appeared on a Helen Merrill album.
In the late 1960s and early 1970s, his career led him to perform in a free, percussive style. Masahiko played at the 1971 Berlin Jazz Festival as part of a trio, using at the time an unusual ring modulator to alter the sound. During that period he recorded with Attila Zoller, Karl Berger, and Albert Mangelsdorff. He wrote the psychedelic music for the 1973 anime film Belladonna of Sadness.
He went on to write arrangements for recordings led by, among others, Helen Merrill, Kimiko Itoh, and Nancy Wilson. He arranged for strings and quartet on Art Farmer’s 1983 album Maiden Voyage, formed a large group, named Rantooga, that combined various forms of folk music from around the world, and composed for film, television, and advertisements. By the early 1990s pianist, composer, and arranger Masahiko Satoh composed music for a choir of 1,000 Buddhist monks and now spends 70% of his time arranging and composing, the rest on playing and recording.
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