Daily Dose Of Jazz…

Eddie Henderson was born on October 26, 1940 in New York City. His mother was an original Cotton Club dancer and his father sang with a popular singing group of the day, Billy Williams and The Charioteers. At the age of nine he got an informal lesson by Louis Armstrong and continued his study of the instrument as a teenager at the San Francisco Conservatory of Music, after his family moved there in 1954. As a young man, he performed with the San Francisco Conservatory Symphony Orchestra. In 1957 he met Miles Davis, a friend of his parents and played a gig together when he was just 17.

After three years in the Air Force, Henderson enrolled at the University of California, Berkeley graduating with a B.S. in zoology in 1964. He then studied medicine at Howard University, then went back to the Bay area undertook his residency in psychiatry in 1968, he practiced general medicine from 1975 to 1985 in San Francisco part-time for about four hours a day working at a small clinic.

His break in music came when he took a weeklong gig with Herbie Hancock’s Mwandishi band that led to a three-year job. It was during this period in the early 70s that her recorded three albums with the group but more importantly came out as a leader and recorded his debut album Realization followed by Inside Out.

After leaving Hancock, Eddie worked extensively with Pharoah Sanders, Mike Nock, Norman Connors, and Art Blakey’s Jazz Messengers. He joined Latin jazz band Azteca, recorded with Charles Earland and fronted his own bands, both jazz and rock-oriented. However, recognized for his work with Hancock, his own records were considered too commercial.

By the 1990s, Henderson returned to playing acoustic hard bop, touring with Billy Harper while also working as a physician. He recorded at Miles tribute album So What? with Bob Berg, Dave Kikoski, Ed Howard and Victor Lewis. He has collaborated with his wife Natsuko who composed Tender You, Precious Moment, Around the World in 3/4 and Be Cool.

As an educator trumpet and flugelhorn player Eddie Henderson has been a faculty member of Juilliard since 2007 and is Associate Professor of Trumpet at the Oberlin Conservatory Jazz Department, beginning in 2014. He has recorded 23 albums as a leader, has released two anthologies, and recorded nearly four-dozen sessions as a sideman with Benny Golson, Mulgrew Miller, Richard Davis, Gary Bartz, Leon Thomas, Billy Hart, McCoy Tyner, Mal Waldron, Stanley Cowell, Grover Washington, Jr., Kenny Barron, Joe Farnsworth and the Mingus Big Band to name a few.

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Daily Dose Of Jazz…

Rick Margitza was born in Dearborn, Michigan on October 24, 1961. His paternal grandfather, a Hungarian Gypsy violinist taught him to play the violin at the age of four. Following this he played piano and oboe, and settled on tenor saxophone while at Fordson High School.

After attending several colleges, Wayne State University, Berklee College of Music, University of Miamiand Loyola University in New Orleans, Rick toured with Maynard Ferguson and Flora Purim in the 1980s. A move to New York City presented him the opportunity to playwith Miles Davis.

Between 1989 and 1991, Margitza released three sessions for Blue Note Records, his debut being Color followed by Hope and This Is New. He has recorded copiously for EMI, Challenge, Steeplechase, Palmetto, snd Nocturne Jazz record labels as well as a sideman with Eddie Gomez, Tony Williams, Bobby Hutcherson, Maria Schneider, McCoy Tyner, Chick Corea, Stanley Cowell, Steve Masakowski, Andy Laverne, .

In 2003 Rick Margitza moved to Paris and has performed with Martial Solal, Francois Moutin, ri Hoenig, Franck Amsallem, Jean-Michel Pilc and Manuel Rocheman. He composed a saxophone concerto and two symphonies for orchestra and the tenor saxophonist continues to perform, compose and record.

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Daily Dose Of Jazz…

Steve Swallow was born October 4, 1940 in Fair Lawn, New York. As a child, he studied piano and trumpet before turning to the double bass at age 14. While attending a prep school, he began trying his hand in jazz improvisation. While attending Yale and studying composition he left oin 1960, settled in New York and began playing in Jimmy Guiffre’s trio with Paul Bley. By 1964 he was with Art Farmer’s quartet where he began to write and during this period his long association with Gary Burton’s various bands commenced.

The early 1970s saw Swallow switching exclusively to the five-string electric bass guitar, encouraged by his favorite drummer Roy Haynes. Along with Monk Montgomery and Bob Cranshaw was one of the firsts to do so. He was an early adopter of the high C string and use of the upper register.

In 1974-76 Steve taught at the Berklee College of Music, contributed several of his compositions to the Berklee students who assembled the first edition of The Real Book. He later recorded an album of the same name, with the picture of a well-worn, coffee-stained Real Book on the cover. By 1978 he became an essential and constant member of Carla Bley’s band and her romantic partner since the 1980s. He toured extensively with John Scofield in the early Eighties, returning to this collaboration several times over the years.

Swallow has consistently won the electric bass category in Down Beat yearly polls, both Critics’ and Readers’, since the mid-80s. His compositions have been covered by, among others, Bill Evans, Chcick Corea, Stan Getz, Gary Burton and Jim Hall, who recorded his very first tune, Eiderdown. He has performed or recorded with Don Ellis, Dave Douglas, Steve Kuhn, Pete La Roca, Joe Lovano, Michael Mantler, Gary McFarland, Pat Metheny, Paul Motian, Jimmy Raney, Zoot Sims, Tore Johansen and George Russell.

Bassist Steve Swallow, who performs in the genres of cool, fusion, avant-garde, free, post-bop and hard bop jazz, has fourteen albums to his credit as a leader an co-leader and continues to perform, compose, record and tour.

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Daily Dose Of Jazz…

Mike Clark was born on October 3, 1946 in Sacramento, California. Most noted for playing in the Headhunters band headed up by Herbie Hancock since the mid-1970s. His performance on Hancock’s 1974 Thrust album and particularly the song “Actual Proof”, is often cited as one of the finest examples of the linear funk style of drumming.

Clark was also a member of the UK jazz-fusion outfit Brand X alternating behind the kit with Phil Collins between 1978-80. He has performed with Chet Baker, Vince Guaraldi, Fred Wesley, Woody Shaw, Wallace Roney, Eddie Henderson, Michael Wolff, Tony Bennett, Joe Henderson and Charlie Hunter, just to name a few.

Mike is known as one of the most sampled drummers in contemporary music and his beats have appeared on records by Prince, N.W.A., De La Soul and Janet Jackson, among others.

In addition to leading his own group, jazz, funk and fusion drummer Mike Clark is currently co-leader of a two-drummer band with Lenny White and is currently co-leading and touring with The Wolff and Clark Expedition. As an educator he continues to run clinics around the world.

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Daily Dose Of Jazz…

Jeremy Steig was born September 23, 1942 in New York City in Greenwich Village. He studied flute in his childhood but at nineteen a motorcycle accident left him paralyzed on side and for some years afterward, he played the flute with the help of a special mouthpiece.

Starting in mainstream jazz Jeremy recorded with Bill Evans and Denny Zeitlin and then became an early force in the jazz-rock fusion experiments of the late Sixties and early 70s. He record Energy with Warren Bernhardt, Eddie Gomez and Adrian Guiliary, with a reissue of additional material featuring Jan Hammer and Gomez.

He has played flute on Peter Walker’s Rainy Day Raga, has been sampled by the Beastie Boys, performed the role of The Pied Piper in the film Shrek Forever After. He has recorded 29 albums as a leader and has performed and/or recorded with Walter Bishop Jr., Tommy Bolin, Hank Crawford, Art, Farmer, Urbie Green, Idris Muhammad, Lalo Schifrin, Johnny Winter and Paul Winter.

Flautist Jeremy Steig, who plays the entire battery of the flute family of instruments from piccolo to bass flute continues to perform, record, compose and tour.

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