Daily Dose Of Jazz…
Günter Lenz was born July 25, 1938 in Frankfurt am Main. He first taught himself guitar and studied with Carlo Bohländer, playing jazz in the clubs of the U.S. Army from 1954 onwards. During national service in 1959/1960 he switched to the bass.
In 1961 Albert Mangelsdorff picked him up as a member of the Albert Mangelsdorff Quintet. Since then Lenz has also become a member of the hr-jazz ensemble, for which he arranged and composed. 1965 saw him working in the Krzysztof Komeda Quintet, recording the album Astigmatic. Three years later he was playing with Joachim Kühn and Aldo Romano in a band led by Barney Wilen at the Berlin Jazz Days. With The German All Stars he toured internationally in 1969 and 1971.
He played with the George Russell Sextet, and with a band led by Leon Thomas. This allowed him to collect big band experience. During the 1970s he was a member of the Kurt Edelhagen Big Band and with Peter Herbolzheimer Rhythm Combination & Brass. He would go on to be engaged for their concert tours and record productions by Chet Baker, Coleman Hawkins, Oliver Nelson and Benny Bailey, as well as German musicians such as Eugen Cicero, Horst Jankowski and Volker Kriegel.
Dipping into the blues field in 1972 Günter played with Lightning Hopkins. The mid-1970s saw Lenz joining drummer Peter Giger in Clarinet Contrast, an avant garde band around the clarinetists Perry Robinson, Theo Jörgensmann, Bernd Konrad and Michel Pilz. As a member of the Manfred Schoof Quintet he recorded for ECM/Japo.
In the late 1970s Günter founded his combo, Günter Lenz Springtime, an international jazz-fusion band with members as Bob Degen, Claus Stötter, Frank St. Peter, Johannes Faber, Leszek Zadlo and Joe Nay. He recorded as part of the Berlin Contemporary Jazz Orchestra. In 1991 he recorded “Life at the Montreux Music Festival” in trio-formation with Uli Lenz and Allen Blairman
Lenz created orchestral arrangements for Plácido Domingo, and from 2001 to 2006 as a professor he taught bass at the Musikhochschule Stuttgart. During that period of education he received the Hesse state Jazz prize awarded by the State Minister for Higher Education, Research and the Arts Udo Corts.
Bassist Günter Lenz continues to perform, compose, arrange and educate.
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Daily Dose Of Jazz…
Khan Jamal was born Warren Robert Cheeseboro in Jacksonville, Florida on July 23, 1946. His father worked as an entrepreneur, his mother a stride pianist. Raised in Philadelphia, Pennsylvania and began playing the vibraphone during the later part of his teenage years in the mid Sixties. He went on to attend the Granoff School of Music and the Combs College of Music.
Jamal first played for a group called Cosmic Forces during the later part of the 1960s. He played with the Sun Ra Arkestra. After leaving the group, he teamed up with several of its former members to play with Sunny Murray’s group Untouchable Factor.
He later co-founded Sounds of Liberation with Byard Lancaster in 1970. The band released its only album titled New Horizons, two years later on its own record label Dogtown. However, it gained little impact outside Philadelphia at the time. In addition to leading his own groups, Jamal performed with Ronald Shannon Jackson’s Decoding Society in the 1980s, Joe Bonner, Billy Bang, Charles Tyler and others. His first solo album was Drum Dance to the Motherland, a live recording that was held in a small café in his hometown and first released in 1973.
His style connected the two contrasting forms of free jazz and jazz fusion. He was also known for his skill of shifting modes and moods. Vibraphone and marimba player Khan Jamal suffered from kidney failure prior to his transition on January 10, 2022, at the Chestnut Hill Hospital in Philadelphia. He was 75.
Daily Dose Of Jazz…
Nat Janoff was born on July 13, 1970 in New Jersey and began his musical education on the piano before switching to bass. After hearing Eddie Van Halen he settled on the guitar. Growing up in the 80’s his musical interests were all things rock and metal and soon earned a reputation for being one of the best shred guitarist in the area. However, seeking a platform to improvise longer than a standard rock riff led him to jazz and hearing the Mahavishnu Orchestra’s Birds of Fire for the first time.
He pursued jazz earning his Bachelor of Music degree in Jazz Performance from William Paterson University in 1996 and set to work forging his own musical path.
Recording his debut album, Looking Through, he enlisted the talents of electric bassist, Matthew Garrison and drummer Gene Lake, that showcased him as a player and a composer. Two more albums as a leader followed, a live acoustic date and a studio session, then contributing to the ESC tribute album Mahavishnu Redefined II.
In addition to playing with his own groups, Janoff has performed with Joe, David “Pic” Conley, Norman Simmons and drummer Victor Jones’ group Culturversy, Debelah Morgan, and Roland Clark.
Guitarist, composer and educator Nat Janoff teaches guitar privately, has been a guest instructor at the annual William Paterson University summer jazz camp, and continues to perform and record.
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Daily Dose Of Jazz…
Ken Hyder was born June 29, 1946 in Dundee, Scotland. He began playing jazz in his native Scotland before moving south to London, England where he studied under John Stevens and played at the Little Theatre Club at Garrick Yard, an avant garde haunt, run by Stevens.
Over the course of a 40 year career Hyder has worked with and recorded with Elton Dean, Chris Biscoe, Tim Hodgkinson, Paul Rogers, Maggie Nicols, Don Paterson and Frankie Armstrong, just to name a few in a long list.
He composes music and has produced more than three dozen albums of original material. In 1970, Hyder formed Talisker and during the decade began moving away from jazz and into collaborations with musicians from different musical backgrounds, including Irish, South African and South American players. This led him to explore spiritual aspects of music with spiritual practitioners like Tibetan and Japanese Buddhist monks, and Siberian shamans.
As an author he has published three e-books based on shamanism in Siberia, cyber crime and cyber terrorism, and a memoir. Jazz fusion drummer and percussionist Ken Hyder, best known for combining folk, ethnic and Celtic music with jazz, continues to perform and record.
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Daily Dose Of Jazz…
Rico Belled was born in the Netherlands on May 9, 1970 to Spanish/Swiss parents. Growing up in a multicultural environment, with a pianist father, he was exposed to many styles of music. He started playing piano at age 11, exploring everything from classical music to jazz. At 15 he started playing gigs with local bands doing pop and blues, while slowly getting interested in the bass, which he started practicing at age 17.
In 1989, while studying electrical engineering at the TU Delft, Rico met Roy Cruz in The Hague and joined his weekly Sunday night band at De Pater, exploring the world of Funk and Jazz playing Fender Rhodes. During these sessions they broke down all stylistic walls from playing Weather Report tunes to full on James Brown Funk, featuring as many as 10 people on the little stage. Here he got an education in the art of jamming.
Realizing music was his passion, in 1992 Belled gave up engineering and moved to Los Angeles, California and attended the Musicians Institute in Hollywood. Post graduation he was already playing with a few different groups in the Los Angeles area and in the following years made a name for himself as a bass and keyboard session musician. His breakthrough came when he joined Wrecking Crew pianist Don Randi and the house band at the Baked Potato in 1994. A two year residency offered the opportunity to lead his own group performing his original music at the club.
This led to him performing and recording with Marc Antoine, The Dan Band, Sound Assembly, Jeff Robinson, Leslie Paula’s Latin Soul Band, Liza Minelli, Chris Standring, Scott Grimes, Keiko Matsui and many others. He has co-written and published music with Mindi Abair and Jeff Robinson. All this led to him being asked to join the Rippingtons, starting with recording the album ‘Modern Art’, for which he received a Grammy Nomination in 2010. Still a member, bassist Rico Belled remains one of the top bassists in Los Angeles, known for his deep groove and versatility, staying busy live and in the studio.
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