Daily Dose Of Jazz…
Frank Hewitt was born on October 23, 1935 in Queens, New York, living most of his life in Harlem. His mother was a church pianist, and he initially studied classical and gospel music but switched to jazz after hearing a Charlie Parker record. He took the bop pianists Thelonious Monk, Bud Powell, and Elmo Hope as his role models.
In the 1950s and 1960s, he worked with Howard McGhee, Cecil Payne, John Coltrane, Dinah Washington, and Billie Holiday, among others. 1961 saw him participating in the Living Theater’s production of Jack Gelber’s The Connection. He became a regular figure in the circle of the pianist Barry Harris. In the 1990s Hewitt became a central figure at New York’s Smalls Jazz Club; aside from playing there several nights a week, he sometimes also ended up using the walk-in refrigerator as a place to bunk when times were rough.
During his lifetime only one track of Hewitt’s playing was released, a version of the Kenny Dorham tune Prince Albert on the compilation Jazz Underground: Live at Smalls on Impulse in 1998. After his death, however, recordings made by Luke Kaven began to surface on Kaven’s Smalls Records label: the trio discs We Loved You, Not Afraid To Live, Fresh From The Cooler, and Out Of The Clear Black Sky, and the quintet date Four Hundred Saturdays.
Hard bop pianist Frank Hewitt, whose reputation as a neglected jazz master has steadily grown among fans of bebop piano, on September 5, 2002.
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The Quarantined Jazz Voyager
Idle Moments by guitarist Grant Green is this week’s jazz album that the quarantined jazz voyager has chosen to spotlight. It was recorded on November 4 and 15, 1963 at Van Gelder Studios in Englewood Cliffs, New Jersey, however, it wasn’t released until February 1965 on the Blue Note Records label.
The album was produced by Alfred Lion and is best known for the title piece, a slow composition in C minor which lasts for nearly 15 minutes. Pearson, who wrote the song, explains in his liner notes to the album that the tune was meant to be much shorter. Due to the musicians repeating the main melody twice, however, there was some confusion as to whether or not one chorus would consist of 16 or 32 measures.
Track Listing | 42:45
- Idle Moments (Pearson) ~ 14:56
- Jean De Fleur (Green) ~ 6:49
- Django (John Lewis) ~ 8:44
- Nomad (Pearson) ~ 12:16
Personnel
- Grant Green – guitar
- Joe Henderson – tenor saxophone
- Duke Pearson – piano
- Bobby Hutcherson – vibraphone
- Bob Cranshaw – double bass
- Al Harewood – drums
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Daily Dose Of Jazz…
Charles Fambrough was born on August 25, 1950 in Philadelphia, Pennsylvania. He originally studied classical piano but switched to bass when he was 13. In 1968, he began playing with local pit bands for musicals and after some freelancing in 1970, he joined Grover Washington, Jr.’s band, staying with him until 1974.
Moving on he worked with Airto from 1975 to 1977), followed by McCoy Tyner for two years in 1978 and then on to be a part of the Jazz Messengers under Art Blakey from 1980 to 1982. Leaving the Messengers Charles freelanced as a sideman and led three CTI recordings with Wynton and Branford Marsalis, Roy Hargrove, Kenny Kirkland, Jerry Gonzalez, Steve Turre, Donald Harrison, Kenny Garrett, Abdullah Ibrahim, Grover Washington, Jr., Jeff “Tain” Watts, Stephen Scott, Billy Drummond, Bobby Broom, and Steve Berrios.
As a sideman, he worked and recorded sixteen albums with Kei Akagi, Craig Handy, Eric Mintel, and Roland Kirk among others. Reportedly been suffering from a number of serious ailments including end-stage renal disease and congestive heart failure, and benefit concerts had been held over the preceding several years in the Philadelphia area to help the bassist and his family defray the costs of his mounting medical bills.
Bassist, composer, and bandleader Charles Fambrough passed away at the age of 60 of a heart attack at his home in Allentown, Pennsylvania on January 1, 2011.
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Daily Dose Of Jazz…
Gil Coggins was born Alvin Gilbert Coggins on August 23, 1928 in New York City to parents of West Indian heritage. His mother was a pianist and had her son start on the piano from an early age. Attending school in both New York City and Barbados, he went to the High School of Music & Art in Harlem.
In 1946, Gil met Miles Davis while stationed at Jefferson Barracks in Missouri. After his discharge he began playing piano professionally, working with Davis on several of his Blue Note and Prestige releases. He went on to record with John Coltrane, Sonny Rollins, Lester Young, Art Blakey’s Jazz Messengers, Ray Draper, and Jackie McLean.
Coggins retired from playing jazz professionally in 1954 and took up a career in real estate, only playing music occasionally. He did not record as a leader until 1990, when Interplay Records released Gil’s Mood. He continued performing through the 1990s and the early years of the 2000s.
On February 15, 2004 pianist Gil Coggins, whose second album as a leader Better Late Than Never was released posthumously, passed away from complications sustained in a car crash eight months earlier in Forest Hills, New York.
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DAily Dose Of Jazz…
Dennis Moss MBE, known as Danny in the professional world, was born on August 16, 1927 in Redhill, Surrey, England. The son of a toolmaker, his childhood was spent on the south coast, in the Brighton-Worthing area, where he attended Steyning Grammar School. At the age of thirteen, he saw a jazz band appear briefly in a Bowery Boys film, and was so inspired by the clarinet playing that he swapped his most valued possession, his ice skates, for a second-hand instrument of his own. He was self-taught on both this and the tenor saxophone, which he took up at school,
A spell of National Service at the age of eighteen saw Moss performing for three years in a Royal Air Force regional band. After leaving the forces he joined the Vic Lewis Orchestra, then moved around various bands, especially ones with the potential for a soloist. In 1952, he joined Ted Heath’s band, soon discovering novelty numbers and musical reproductions were limiting his skills as an improviser, and he left after three years.
In 1957 Moss joined John Dankworth’s orchestra. Here, with the band’s encouragement, he began to develop his characteristic saxophone sound. He left Dankworth’s band in 1962, and from here, he joined Humphrey Lyttelton’s group, continuing to hone his style for another two years. He formed his own quartet, playing a mix of club gigs, festival appearances and radio broadcasts for the BBC and continued to tour with this quartet throughout the 1970s and 1980s. He also playing and recording with high-profile singers like Tony Bennett, Ella Fitzgerald, Bing Crosby, Sarah Vaughan, and Rosemary Clooney, and appearing with Buck Clayton in the mid-’60s and Louis Armstrong on his last British tour.
Diagnosed in 2005 with pleural mesothelioma, a rare form of lung cancer caused by exposure to asbestos. Saxophonist Danny Moss passed away on May 28, 2008, aged 80.
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