
Daily Dose Of Jazz…
Bruz Freeman was born Eldridge Freeman on August 11, 1921 in Chicago, Illinois. Also known as “Buzz” Freeman with his brothers, guitarist George Freeman and tenor saxophonist Von Freeman, he played for several years in the house band at the Pershing Hotel.
In 1950, he was a member of John Young’s trio with bassist LeRoy Jackson and recorded with Young’s orchestra backing vocalist Lurlean Hunter.
By the mid-1950s, Bruz became a member of the Hampton Hawes Quartet, with Red Mitchell and Jim Hall, and with line-ups led by Herb Geller. In 1950, with his brothers George and Von, LeRoy Jackson, and Chris Anderson, he played with Charlie Parker shortly before his death. This jam session was recorded at Bird’s apartment and was later released in 1960 by Savoy Records.
He went on to record with Clora Bryant in the late Fifties and John Carter, Bobby Bradford, Bob Thiele in the Sixties. Fro 1977-1978 he joined a short-lived band based in California led by Kenny Mann and with Britt Woodman on trombone. Drummer Bruz Freeman never recorded as a leader and passed away on November 21, 2005 at age 84 in Boulder City, Nevada.
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Daily Dose Of Jazz…
Charles Edward Haden was born on August 6, 1937 in Shenandoah, Iowa into a musical family who performed on the Haden Family radio show. He made his professional debut as a singer on the radio show when he was just two years old. He continued singing with his family until he was 15 but a bulbar form of polio affecting his throat and facial muscles sidelined him but a year earlier he had become interested in jazz after hearing Charlie Parker and Stan Kenton in concert.
Recovering from his bout with polio, Charlie began concentrating on the bass and soon set his sights on moving to Los Angeles, California to pursue his dream of becoming a jazz musician and in 1957 he realized his dream turning down a full scholarship at Oberlin College, which had no established jazz program at the time and attended Westlake College of Music.] His first recordings were made that year with Paul Bley, with whom he worked until 1959. He also played with Art Pepper for four weeks in 1957, and from 1958 to 1959, with Hampton Hawes whom he met through his friendship with bassist Red Mitchell and for a time shared an apartment with the bassist Scott LaFaro.
In May 1959, he recorded his first album with the Ornette Coleman Quartet, the seminal The Shape of Jazz to Come. Later that year, the Ornette Coleman Quartet moved to New York City, secured a six-week residency at the Five Spot Café that would represent the beginnings of free or avant-garde jazz.
By 1960, Haden’s narcotics addiction forced him to leave Coleman’s band, go into rehabilitation in 1963 in California, met his first wife and moved to the Upper West Side of New York City. He resumed his career in 1964, working with John Handy, Denny Zeitlin’s trio, performed with Archie Shepp in California and Europe and freelanced with Henry “Red” Allen, Pee Wee Russell, Attila Zoller, Bobby Timmons, Tony Scott, the Thad Jones/Mel Lewis Orchestra, Roswell Rudd, and returned to Ornette Coleman’s group in 1967.
Charlie went on to work with Keith Jarrett’s trio and his American Quartet, organized the collective Old and New Dreams, which consisted of Don Cherry, Dewey Redman, and Ed Blackwell from Coleman’s band. He founded his first band, the Liberation Music Orchestra at the height of the Vietnam War, working with arranger Carla Bley, exploring free jazz and political music. The original lineup consisted of Haden and Bley and Gato Barbieri, Dewey Redman, Paul Motian, Don Cherry, Andrew Cyrille, Mike Mantler, Roswell Rudd, Bob Northern, Howard Johnson and Sam Brown.
Over the course of his half-century career he established the Jazz Studies Program at California Institute of the Arts in Valencia, been honored as Jazz Educator of the Year and as a leader has won several Grammy Awards, recorded forty-six albums as well as 134 albums as a sideman with Geri Allen, Ray Anderson, Ginger Baker, Bill Frisell, Kenny Barron, Beck, Paul Bley, Jane Ira Bloom, Michael Brecker, Henry Butler, Alice Coltrane, John Coltrane, Robert Downey Jr., Dizzy Gillespie, Jim Hall, Tom Harrell, Joe Henderson, Fred Hersch, Laurence Hobgood, Rickie Lee Jones, Lee Konitz, Brad Mehldau, David Liebman, Abbey Lincoln, Helen Merrill, Pat Metheny, Bheki Mseleku, Yoko Ono, Joe Pass, Enrico Pieranunzi, Joshua Redman, Gonzalo Rubalcaba, John Scofield, Wadada Leo Smith, Ringo Starr and Masahiko Togashi.
Double bassist, bandleader, composer, educator and NEA Jazz Master Charlie Haden, who revolutionized the harmonic concept of bass playing in jazz passed away in Los Angeles, California on July 11, 2014, at the age of 76 after suffering from effects of post-polio syndrome and complications from liver disease.
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Daily Dose Of Jazz…
Ahmad Alaadeen was born in Kansas City, on July 24, 1934 and grew up listening to all styles of music not limited to the Philharmonic, Lester Young, T-Bone Walker and Eddie “Cleanhead” Vinson. He began playing the saxophone when he was in sixth grade, in time mastering flute, clarinet and oboe. He studied at R.T. Coles High School under the tutelage of Leo H. Davis, a well respected music instructor reported to have taught Charlie Parker.
Alaadeen debuted as a professional with Davis’ concert band playing e-flat horn when he was 14 and his first major job was playing baritone sax with pianist-bandleader Jay McShann. In later years he would rejoin McShann on tenor. He studied at the Kansas City Conservatory of Music, St. Mary’s University and DePaul University. Serving in the military during 1957-59, being the jazz saxophonist and principal oboist with the 4th Army Band, after his discharge he spent time in Chicago, playing in a program led by pianist-composer Richard Abrams that was the beginning of the AACM – the Association for the Advancement of Creative Musicians that included members Lester Bowie and Malachi Favors.
Returning to Kansas City, Ahmad continued to play, teach and lead the Deans of Swing in the 1990s, and the ensemble was picked in 1996 as Musician Magazine’s Best Unsigned Band. He started the ASR label to document his music, was awarded the Kansas City’s Jazz Heritage Award, the Missouri Humanities Council’s Community Heritage Award, the Missouri Arts Award and Kansas City’s Lifetime Achievement Award. Saxophonist, composer and educator Ahmad Alaadeen, whose swing and hard bop style passed away of cancer on August 15, 2010 at the age of 76.
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Daily Dose Of Jazz…
Ben Riley was born July 17, 1933 in Savannah, Georgia and his family moved to New York City when he was three years old. In high school he played drums in the school band, and after graduation he joined the Army, where he was a paratrooper, and also played with the Army band. After his discharge in 1954 he returned to New York City where he began playing jazz professionally in 1956. It was with Johnny Griffin he made his recording debut in 1961.
Ben played with such musicians as Randy Weston, Mary Lou Williams, Sonny Rollins, Woody Herman, Randy Weston, Sonny Stitt, Ray Bryant, Stan Getz and Billy Taylor.. But it was four years playing, recording and touring with Thelonious Monk that established his name and helped direct his career to success.
During the 1970s he was a member of the New York Jazz Quartet and the hard bop drummer has recorded three albums as a leader. Riley has recorded no less than another three dozen albums as a sideman working with the above-mentioned musicians as well as Alice Coltrane, Woody Herman, Eddie “Lockjaw” Davis, Ahmad Jamal, Kenny Barron, Ron Carter, Bennie Green, Michael Franks, Andrew Hill, Sam Jones, Junior Mance, Roseanna Vitro, Horace Tapscott, Jim Hall, Abdullah Ibrahim and as a member of the group Sphere.
Drummer Ben Riley passed away in West Islip, New York on November 18, 2017 at the age of 84.
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Daily Dose Of Jazz…
Garry Dial was born on July 2, 1954 in Montclair, New Jersey. He began piano lessons at the age of 10 with Elston Husk and his mother, a pianist helped him practice. His 7th grade teacher gave him his first jazz record The Oscar Peterson Trio which instilled in him the love of jazz. Entering high school at St. Benedict’s Prep in Newark, New Jersey where the priests at St. Benedict’s supported his love of jazz. While in church he met Mary Lou Williams who offered him free lessons, took him under her wing and for the next few years went into Harlem to study with her. It was there he learned of Miles, Monk, Bud Powell and Cecil Taylor.
As a junior in high school Garry took the Summer Jazz Workshop at Berklee College Of Music and realized that music and jazz would be his calling. After high school graduation he returned to Berklee where he met his teacher of 37 years, the late Charlie Banacos. After one year at Berklee fellow musician Kenny Werner recommended him for a gig in Bermuda as the pianist at The Princess Hotel from 1975 to 1978.
A move to New York saw Dial playing with Charli Persip, performing at Frank Sinatra’s private parties, joining Gerry Mulligan’s Big Band, the Mel Lewis Quartet and Joe Morello Quintet. He was enlisted by Ruth Ellington Boatwright, Duke’s sister, to perform and record on tape each composition in the entire Ellington archive, as many were never recorded or played by the composer and would have been lost to history. Shortly afterward, he met Red Rodney and where he first came to fame as an important modernizing force with the Red Rodney-Ira Sullivan Quintet. After a ten-year association Sullivan departed and was replaced by saxophonist Dick Oatts, and they eventually formed the group Dial & Oatts, recording for the DMP label. Garry has also recorded with his own trio for the Continuum label.
As an educator he has leant his talent and knowledge to the students at the Manhattan School of Music and the New School, has given private lessons with Stefon Harris, Jacob Sacks, Mary J. Blige, Bette Midler, Alexa Joel and Amanda Brecker, to name a few. Hard bop and post bop pianist Garry Dial continues to perform, record, tour and educate.
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