Daily Dose Of Jazz…
Britt Woodman was born on June 4, 1920 in Los Angeles, California. A childhood friend of Charles Mingus, he first worked with Phil Moore and Les Hite. After serving in World War II he played with Boyd Raeburn before joining with Lionel Hampton in 1946.
During the 1950s he worked with Duke Ellington. As a member of Ellington’s band he can be heard on twenty-five recorings such as 1957’s Such Sweet Thunder, Ella Fitzgerald Sings the Duke Ellington Song Book, and 1958’s Black, Brown, and Beige and Ellington Indigos.
1960 saw Britt departing from Ellington to work in a pit orchestra. He went on to later work with Mingus and can be heard on the album Mingus Mingus Mingus Mingus Mingus released in 1963. In the 1970s he led his own octet and recorded with pianist Toshiko Akiyoshi. In 1989, he was part of the personnel for the album Epitaph dedicated to the previously unrecorded music of Charles Mingus.
He recorded Playing For Keeps and In L.A. as a leader, and leaves a sideman recording catalogue of ninety-three albums with Toshiko Akiyoshi – Lew Tabackin Big Band, Bill Berry, Ella Fitzgerald, Lionel Hampton, Johnny Hodges, Jimmy Smith, Gene Ammons, Ray Brown, Ruth Brown, Frank Capp, Nat Pierce, Benny Carter, Rosemary Clooney, John Coltrane, Randy Crawford, Tadd Dameron, Miles Davis, Booker Ervin, John Fahey, Dizzy Gillespie, Benny Golson, Chico Hamilton, Jimmy Hamilton, Hank Jones, Oliver Nelson, Philly Joe Jones, Jon Lucien, Galt MacDermot, Teo Macero, Junior Mance, The Manhattan Transfer, Wade Marcus, Blue Mitchell, Grover Mitchell, James Moody, Maria Muldaur, Oliver Nelson, Oscar Peterson, Zoot Sims, Billy Taylor, Clark Terry, Teri Thornton, Jimmy Woode
Trombonisit Britt Woodman died in Hawthorne, California at the age of 80, having suffered severe respiratory problems on October 13, 2000.
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Daily Dose Of Jazz…
John Troy was born on June 3, 1989 in Buffalo, New York. He began playing the saxophone at age twelve. After showing exceptional ability in the classical realm throughout middle school, with the tutelage of William Eicher, his attention gradually turned toward the study of Jazz Saxophone. He honed his skills with lead alto saxophone for Concert and Jazz All-County Ensembles, and New York All-State Bands as well.
John played both lead alto and tenor in the Fredonia Jazz Ensemble, student big band. He can be heard on the 2009 release of the FJE’s, Still Kickin’ and his debut album All Ahead Flank. He led his own small groups, Jazz Quintessential, and an organ trio, the JT Trio both with significant success.
He has performed and/or studied with the likes of Eric Alexander, Grant Stewart, Ralph Lalama, Todd Coolman, Tim Armacost, Chris Potter, Tom Harrell, Stacy Dillard, Hal Galper, Arturo O’ Farrell, and Pete Malinverni, among others.
Tenor saxophonist John Troy continues to find his musical way through performance and recording in the hard bop genre..
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Daily Dose Of Jazz…
Steve Holt was born on May 9, 1954 in Montreal, Quebec, Canada and exhibited musical ability in early childhood, playing piano at the age of four. By the time he was a teenager he was a regular on the Montreal club scene.
He was self-taught until he entered McGill University where he was taught by pianist Armas Maiste, whose bebop playing influenced him. Becoming a student of Kenny Barron he regularly traveled to New York City for private lessons. Holt graduated from McGill in 1981 with that university’s first Bachelor of Music major in Jazz Performance, and went on to teach jazz improvisation there.
His 1983 debut album, The Lion’s Eyes, was nominated for a Juno Award. He has worked with jazz musicians Larry Coryell, Eddie Henderson, and Archie Shepp. He moved to Toronto, Canada in 1987 and worked as an equity analyst and for a while Steve continued playing clubs at night.
In the Nineties he released three albums then decided to concentrate on music full-time. Three years later, his fifth album, The Dream, was released. Moving into music production he stopped performing jazz live until 2014. Following a move to the countryside, his interest in jazz performance returned.
In 2017, he opened a health food store in Warkworth, Ontario, Canada that operates as a jazz venue once a week. After a twenty year absence from the recording field, pianist Steve Holt released Impact, his new album in 2025 under the new band, The Steve Holt Jazz Impact Quintet.
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Daily Does of Jazz…
Jerry Rusch was born on May 8, 1943 in St. Paul, Minnesota and studied at the University of Minnesota from 1962 to 1964, then played in an Army Reserve band before moving to Los Angeles, California in 1966.
Becoming a fixture in the city he played with Gerald Wilson from 1967, Ray Charles, Clifford Jordan, Joe Henderson, Willie Bobo, Louie Bellson, Teddy Edwards, Frank Foster, and Thad Jones/Mel Lewis. In Europe he played with Joe Haider’s Orchestra from 1982 to 1984.
As a sideman he recorded extensively among his credits are work with Charles Kynard, Benny Powell, Henry Franklin, Eddie “Cleanhead” Vinson and Stan Kenton, as well as Gladys Knight, the Rolling Stones, Smokey Robinson, Diana Ross, the Temptations, and many others.
Trumpeter Jerry Rusch, who was also credited as Jerry Rush and performed in the hard bop and post bop genres, died of liver cancer in Las Vegas, Nevada on May 5, 2003 at the age of 59, three days shy of his 60th birthday.
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Daily Dose Of Jazz…
Andrea Ventriglia was born in Capua, Italy on April 29, 1953 and studied the saxophone with the masters Franco Florio in Salerno and Eraclio Sallustio at the GB Martini Conservatory in Bologna, Italy. He later studied the flute with Aldo Ferrantini.
His professional career began while he was still a music student around the end of the 1960s, following the rhythm & blues and soul of James Brown, Wilson Pickett, Aretha Franklin, Ray Charles and Joe Cocker in fashion at that time and still today. At a very young age he was part of the best and
As a soldier Andrea was part of the National Band of the Italian Army. He moved to Verona, Italy in the mid 1970s and began playing in small bands in night clubs. He was invited to join the Big Band Citta’ di Verona directed by Maestro Mario Pezzotta, in the first tenor saxophone. At the same time he performed in Fernando Brusco’s small orchestra as an arranger and saxophonist.
Moving to the United States he initially played in small bands that performed on cruise ships where he met among others Count Basie, Mercer Ellington, Sarah Vaughan, Harry James and Bob Crosby. Settling first in San Francisco, then in Los Angeles, California he played on the road with small bands collaborating with Harry James and Bob Crosby in the latter city.
Back in Italy he gained membership into Franco Rosselli’s orchestra and did the night club circuit in Florence, San Remo and Riviera Romagnola. Leaving Roselli he toured with Bobby Solo throughout Italy. His passion for jazz and big band led him to the Luciano Fineschi Orchestra, again sitting in the first tenor saxophone and flute chair.
After the orchestra disbanded Ventriglia went on to play in other big bands, duos, artistic partnerships, and guest appearances. For a decade he was a professor of saxophone at the Giuseppe Martucci Music High School in his hometown. He trained musicians currently working with famous artists or with their own groups and some of whom practice the profession of musician in the USA.
By the Eighties the public became more sensitive towards jazz, so Andrea led quartets performing in various Italian jazz clubs. that sprung up a bit everywhere in Italy. During his career and for professional reasons, saxophonist and flutist Andrea Ventriglia has performed on nearly every continent and continues to perform, tour and record.
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