Daily Dose Of Jazz…
Jimmy Jewell was born on February 18, 1945 in the United Kingdom and began his career in 1962, participating in several jazz and rhythm and blues bands including Eddie Marten and the Sabres. Going professional the following year he joined the band Kris Ryan and the Questions after the band’s drummer Geoff Wills recommended his inclusion. With Jewell’s participation, Questions shifted genres, from rock to something more soul-oriented. Owing to artistic differences with Ryan, he left the band after final gigs in Germany during 1965.
In 1966 he moved to London, England played for a while in the Freddie Mack Sound and subsequently toured Germany with Chris Andrews and the Paramounts. Jimmy joined the Magics, a Berlin band, and toured Germany. In 1967, back in London, he played gigs with Lord “Caesar” Sutch & the Roman Empire, and the joined soul band Stewart James Inspiration, with whom he toured until their dissolution 1968.
After joining the Keef Hartley Band, Jewell played Woodstock and a couple of albums were released with his saxophone sound: The Battle of North West Six and The Time Is Near. A was a prolific session musician and band member during the 1970s, he recorded during 1973 and 1974 appearing on Ronnie Lane’s Anymore for Anymore. He recorded with the Hollies on their self-titled album. In the Seventies he recorded for Maggie Bell and Andy Fairweather Low, toured with Gallagher and Lyle and appeared on two of their albums.
He recorded with Fairport Convention, Chris de Burgh, performed with Roger Daltrey, John Lodge and with the Hollies. Jimmy went on to release two albums: I’m Amazed and From the First Time I Met You. By the Eighties work became occasional, including small jazz bands and collaboration with bluesman Lonnie Brooks on the 1981 album Turn On The Night.
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Daily Dose Of Jazz…
Fred Staton was born on Valentine’s Day, February 14, 1915 in Pittsburgh, Pennsylvania. His musical life began with his mother’s player piano and 78 records of Duke Ellington and Fletcher Henderson. He began singing in his church’s gospel choir, but got introduced to playing jazz when the group’s sponsor brought in a full band’s worth of equipment, complete with charts of popular music. He first picked up the drums but having to pack up his kit left few women to flirt with as his bandmates left after the gig. This and the influence of a Johnny Hodges cut on an Ellington big band record inspired him to choose the saxophone.
He played in the first ensemble Art Blakey ever formed, alongside pianist Erroll Garner. The lack of opportunity and venues for a young black man in segregated Pittsburgh led Staton to leave the Steel City and find his fortune gigging on the East Coast. He fell in with Horace Silver and watched fellow Westinghouse High School graduates Billy Strayhorn and Ahmad Jamal pen iconic compositions.
Staton went on to become a veteran member of the Harlem Blues & Jazz Band, and toured Europe, Russia and the United States to much acclaim. He has received numerous honors and awards, and was a lifetime member and supporter of WBGO Radio. Tenor saxophonist Fred Staton continued to play jazz until his death at 102 years of age on October 25, 2017.
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Daily Dose Of Jazz…
Raymond Michael Pizzi was born January 19, 1943 in Everett, Massachusetts. His first instrument was clarinet and he attended the Boston Conservatory and Berklee College of Music in the 1960s.
Pizzi taught in Randolph, Massachusetts public schools from 1964 to 1969 before relocating to California. In the 1970s he worked with Thad Jones and Mel Lewis, Frank Zappa, Shelly Manne, Willie Bobo, Moacir Santos, Mark Levine, and Dizzy Gillespie.
The Eighties saw him accompanying Nancy Wilson and was a sideman for Milcho Leviev and Bob Florence. He worked with the American Jazz Orchestra into the early-1990s. Ray recorded as a leader, including in a quartet called Windrider.
As an educator he joined the faculty at the Henry Mancini Institute at the University of Miami in 1997.
Saxophonist, bassoonist, and flautist Ray Pizzi, nicknamed Pizza Man, died on September 2, 2021.
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Daily Dose Of Jazz…
Nguyên Lê was born Le Thanh Nguyen on January 14, 1959 in Paris, France of Vietnamese ancestry. He began playing drums at the age of 15, then took up guitar & electric bass. After graduating in Visual Arts he majored in Philosophy, writing a thesis on Exoticism. A self-taught musician, Nguyên started out playing rock, funk, jazz standards, avant-garde jazz, pop, African, Caribbean, and other world music.
Devoting himself to music, in 1983 he created Ultramarine, a multi-ethnic band whose recording DÉ has been considered 1989’s Best World Music album. He went on to record several albums and worked with such musicians as Miroslav Vitous, Trilok Gurtu, J. F. Jenny Clarke, Dewey Redman, Andy Emler, Jon Christensen, Nana Vasconcelos, Glenn Ferris, Kenny Wheeler, John Taylor and numerous others.
He has played with the O. N. J., the French National Jazz Orchestra in which he played with Johnny Griffin, Louis Sclavis, Didier Lockwood, Carla Bley, Steve Swallow, Randy Brecker, Toots Thielemans, Courtney Pine, Steve Lacy, Dee Dee Bridgewater, Gil Evans, Quincy Jones, Randy Brecker, Vince Mendoza, Carla Bley, Per Mathisen, Marc Johnson, Peter Erskine, Trilok Gurtu, Paolo Fresu and Dhafer Youssef and numerous others.
He has released albums as a leader and as a sideman. His 1996 album Tales from Viêt-Nam blends jazz and traditional Vietnamese music. In spring 2011 he released Songs of Freedom, an album with cover versions of pop hits from the 1970s.
Guitarist and composer Nguyên Lê continues to perform, record and compose.
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Daily Dose Of Jazz…
Jeremy Bacon was born in New York City, New York on December 16, 1959 into a musical family that were big jazz fans. His father sang with the New York Choral Society and The Occasional Singers, an avant-garde group led by folk singer Gil Robbins. Her uncle designed album covers for Thelonious Monk, Cannonball Adderley and numerous others for Riverside Records.
Taking piano lessons as a child he went on to study in high school at the Center for Open Education and then jazz improvisation and composition at Oberlin. After college, Jeremy became the protégé of pianist Don Pullen. He worked regularly in a trio led by bassist Charles Fambrough, which rotated drummer Jeff “Tain” Watts, trumpeters Johnny Coles and Michael Philip Mossman, saxophonists Joe Ford and Ralph Bowen, and guitarist Pat Martino.
He was musical director for Joey Arias’ Billie Holiday show at Carnegie Hall and accompanied many vocalists, including Kristin Chenoweth and Jeanie Bryson, daughter of Dizzy Gillespie. He recorded two albums as a leader Cloud Hands and Cage Free: Free Range, and Travels with the band Big Train. Bacon lent his talents to three recordings with saxophonist Joey Cavaseno, and one with vocalist Queen Esther.
Having established himself on the East Coast, a move to the Pacific Northwest in 2018 opened a new audience, performing regularly as a leader and accompanist. He taught piano on the faculty of Cornish College of the Arts, accompanied dance classes in the theater department, and performed with Seattle JazzED at many regional elementary schools.
Jazz pianist Jeremy Bacon died at Franciscan Hospice House in Tacoma, Washington on July 8, 2024, after months of treatment for metastatic colon cancer. He was 64 years old.
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