Daily Dose Of Jazz…

John Wallace Carter was born on September 24, 1929 in Fort Worth, Texas and attended I.M. Terrell High School, and played music with schoolmates Ornette Coleman and Charles Moffett in the 1940s. Earning a Bachelor of Arts from Lincoln University in Jefferson, Missouri in 1949 and a Master of Arts from the University of Colorado in 1956. He also studied at the North Texas State and University of California at Los Angeles, California.

From 1961, Carter was based mainly on the West Coast. There he met Bobby Bradford in 1965, with whom he subsequently worked on a number of projects, notably the New Jazz Art Ensemble. He also played with Hampton Hawes and Harold Land. In the 1970s Carter became well known on the basis of his solo concerts.

At the New Jazz Festival Moers in 1979, he and the German clarinet player Theo Jörgensmann performed for three days. Carter received complimentary reviews and wide recognition from around the world. He and Jörgensmann met again in 1984, and played the Berlin JazzFest, both as a soloist and in duo.

Between 1982 and 1990, John composed and recorded Roots and Folklore: Episodes in the Development of American Folk Music. It was a five album set that focused on African Americans and their history, and was acclaimed by jazz critics as containing some of the best releases of the 1980s.

He recorded seventeen albums as a leader and thirteen albums with Tim Berne, Clarinet Summit, Vinny Golia, Richard Grossman, John Lindberg, James Newton and Horace Tapscott. Carter planned a clarinet quartet with Perry Robinson, Jörgensmann and Eckard Koltermann was planned for 1991, but it never came to fruition.

Clarinetist, saxophonist, and flutist John Carter passed away from a non-malignant tumor on March 31, 1991. Later that year he was inducted into the Down Beat Jazz Hall of Fame.

More Posts: clarinet,flute,history,instrumental,jazz,music,saxophone

Daily Dose Of Jazz…

William Overton Smith was born on September 22, 1926 in Sacramento, California. He grew up in Oakland, California where he began playing clarinet at the age of ten. At 13 he put together a jazz group to play for dances and at the age of 15 he joined the Oakland Symphony. After high school, a brief cross-country tour with a dance band led to his giving two weeks notice for the best education he could, and he headed to New York City.

Studying at the Juilliard School of Music by day, he played in the city’s jazz clubs at night. The Juilliard faculty doing nothing for him, Bill returned home and attended Mills College in Oakland where he met pianist Dave Brubeck. He went on to study composition with Roger Sessions at the University of California, Berkeley, where he graduated with a bachelor’s and a master’s degree.

A win of the Prix de Paris gave Bill two years of study at the Paris Conservatory, and in 1957, he was awarded the prestigious Prix de Rome and spent six years in that city. After teaching at the University of Southern California, he then spent thirty years teaching at the University of Washington School of Music in Seattle, Washington, and co-led the Contemporary Group.

Smith investigated and cataloged a wide range of extended techniques on the clarinet, including the use of two clarinets simultaneously by a single performer, and compiled the first comprehensive catalogue of fingerings for clarinet multiphonics. He was among the early composers interested in electronic music, and as a performer he continued to experiment with amplified clarinet and electronic delays.

He remained active nationally, internationally, and on the local Seattle music scene until well into his 90s. Clarinetist and composer Bill Smith, who played in various Brubeck groups and who composed, recorded and premiered his jazz opera Space in the Heart, passed away at age 93 in his home from complications of prostate cancer on February 29, 2020.

More Posts: bandleader,clarinet,history,instrumental,jazz,music

Daily Dose Of Jazz…

Larry Binyon was born on September 16, 1908 in Urbana, Illinois and his mother shared some of her musical knowledge. By age eighteen he was at the University of Illinois at Urbana-Champaign,playing E flat soprano flute in the school’s concert band as well as flute and piccolo in its first regimental band during the 1926-27 school year.

After spending one year at college by 1927 he was already playing professionally in Chicago as part of Beasley Smith’s band, which also included drummer Ray McKinley and clarinetist Matty Matlock. Flute may have been his first instrument, or his primary one at school, but tenor saxophone became his main instrument for dance bands.

Later that year Binyon joined bandleader Ben Pollack when he returned to Victor’s Chicago studio after a five-month hiatus. History does not reveal him as a bandleader as there is little evidence of him having led his own bands, and no recordings were ever issued under his own name. He certainly has a load of credits as a band member, however, and was adept in both big band and small group settings.

Working a variety of radio jobs during the day, one eye glued open to help recover from the previous night’s late-ending gig.During the 1920s he worked with Irving Mills’ Hotsy-Totsy Gang, Roger Wolfe Kahn & His Orchestra, and Mildred Bailey with the Tommy Dorsey Orchestra to name a few.

His widest exposure on recording is his backup work on records by the Boswell Sisters, Bing Crosby, Billie Holiday, Fats Waller & His Buddies sessions, Henry “Red” Allen, Eddie Condon, Toby Hardwicke, Gene Krupa. Saxophonist, clarinetist, and flutist Larry Binyon passed away on February 10, 1974.

More Posts: clarinet,flute,history,instrumental,jazz,music,saxophone

Daily Dose Of Jazz…

William Richard Berry was born on September 14, 1930 in Benton Harbor, Michigan. The son of a bass player in a touring dance band, he spent his early years traveling with his parents sleeping in the bass case under the bandstand when he was only a few months old. From the age of five, he took piano lessons at home in South Bend, Indiana. In high school in Cincinnati, Ohio he switched to trumpet, and played in a Midwest band led by Don Strickland, after which he served four years in the Air Force.

He studied at the Cincinnati College of Music and Berklee College of Music in Boston, Massachusetts then played trumpet with the Woody Herman and Maynard Ferguson orchestra. In 1961, he became one of the Duke Ellington orchestra’s first white members. After his working with Ellington, he played with the Thad Jones-Mel Lewis Jazz Orchestra and led his own big band in New York.

In 1965 he joined The Merv Griffin Show, where he remained for fifteen years, moving to Los Angeles, California with Griffin and reforming his group as the L.A. Big Band in 1971. Among the most successful of his own 1978 recording Shortcake, an album of jazz for small groups in the Ellington style. He appeared on many albums by other musicians, including Rosemary Clooney, Scott Hamilton, Jake Hanna, and Coleman Hawkins.

He recorded four albums as a leader and fifty-five as a sideman with Frank Capp, Duke Ellington, Maynard Ferguson, Thad Jones/Mel Lewis, Ruth Brown, Benny Carter, Ray Charles, Chris Connor, Randy Crawford, Bing Crosby, Dave Frishberg, Woody Herman, Earl Hines, Johnny Hodges, Milt Jackson, Irene Kral, Trini Lopez, Johnny Mathis, Gary McFarland, Dave Pell, Herb Pomeroy, Jimmy Rowles, Jack Sheldon, Patty Weaver, and Joe Williams.

More Posts: bandleader,history,instrumental,jazz,music,trumpet

Daily Dose Of Jazz…

Bryce Benno Rohde was born on September 12, 1923 in Hobart, Tasmania, an island state of Australia. His early influences were Art Tatum and Nat King Cole but eventually leaned towards George Russell’s Lydian Concept.

He played jazz in Adelaide, Australia early in his career before a 1953 move to Canada. In 1954 he and two other expats plus an American formed the Australian Jazz Quartet/Quintet. The group recorded several albums and toured widely in the United States, but broke up in 1958 following a tour of Australia.

Rohde led his own quartets in Australia until 1964, then moved to California in 1965. After then he based himself out of San Francisco, leading his own ensembles at times. Among those Australian musicians with whom he worked extensively are Bruce Cale and Charlie Munro.

The pianist played New York City and Chicago, and recorded for Bethlehem Records. He also published a book combining original jazz compositions and his other passion, black and white photography. It shares the title of one of his seven recordings as a leader, Turn Right At New South Wales.

Over a career in jazz spanning more than 50 years he performed with Count Basie, Miles Davis, Billie Holiday, and John Coltrane among others. He eventually settled in San Francisco, California where he continued to perform and record until his death. Pianist, composer and bandleader Bryce Rohde passed away on January 26, 2016.

More Posts: bandleader,composer,history,instrumental,jazz,music,piano