Daily Dose Of Jazz…

Joseph Barry Galbraith, born on December 18, 1919 in Pittsburgh, Pennsylvania.

Moving to New York City in the early 1940s he found work playing with Babe Russin, Art Tatum, Red Norvo, Hal McIntyre, and Teddy Powell. He played with Claude Thornhill in 1941–1942 and again from 1946–1949 after serving in the Army. In ‘53 he did a tour with Stan Kenton.

Having extensive work as a studio musician for NBC and CBS in the 1950s and 1960s, presented him with the opportunity to work with among others Miles Davis, Michel Legrand, Tal Farlow, Coleman Hawkins, George Barnes, John Lewis, Hal McKusick, Oscar Peterson, Max Roach, George Russell, John Carisi, and Tony Scott.

He accompanied on the recording of singers Anita O’Day, Chris Connor, Billie Holiday, Helen Merrill, Sarah Vaughan and Dinah Washington. He was a mentor to Ralph Patt.

In 1961, he appeared in the film After Hours. In 1963-1964 he played on Gil Evans’s album The Individualism of Gil Evans, and in 1965 he appeared on Stan Getz and Eddie Sauter’s soundtrack to the 1965 film Mickey One.

As an educator he taught for five years from 1970 to 1975 at CUNY (City University of New York) and published a guitar method book in 1982. From 1976–77 Galbraith taught guitar at New England Conservatory in Boston, Massachusetts.

Guitarist and bandleader Barry Galbraith passed away from cancer at the age of 63 on January 13, 1983 in Bennington, Vermont.

CALIFORNIA JAZZ FOUNDATION

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Buddy Cole was born Edwin LeMar Cole on December 15, 1916 in Irving, Illinois. He started his musical career in the theater, playing between movies and by age 19 he was recruited to be part of the Gil Evans band.

Moving to Hollywood, California in the second half of the 1930s, Buddy played in dance bands, including those led by Alvino Rey and Frankie Trumbauer. From the 1940s, his main work was as a studio musician, utilizing piano, electric organ, celeste, harpsichord and Novachord.

Cole worked with Henry Mancini, who used his Hammond organ for the soundtrack to the TV series Mr. Lucky. He also played most of the piano parts in the 1951 film Young Man with a Horn, subbing for Hoagy Carmichael, who appeared on screen. He also wrote the music for the television game show Truth or Consequences.

He performed on Bing Crosby’s hits In a Little Spanish Town and Ol’ Man River, and on the albums Some Fine Old Chestnuts and New Tricks. Buddy also played on Rosemary Clooney’s radio program and some recordings from the show were released on the album Swing Around Rosie.

Pianist, organist, orchestra leader, and composer Buddy Cole, who recorded several organ albums as a leader for Warner Brothers, Columbia, Alshi and Doric, passed away on November 5, 1964 in Hollywood, California.

CALIFORNIA JAZZ FOUNDATION

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Hidehiko “Sleepy” Matsumoto (松本英彦) was born on October 12, 1926 in Okayama, Japan. He attended Fuchu High School where he learned the saxophone followed by matriculation through the University of Electro-Communications.

In the late 1940s he played bebop in Japan with the group CB Nine, then joined The Six Josés and The Big Four, a group which included George Kawaguchi, Hachidai Nakamura, and Mitsuru Ono.

In 1959 he became a member of Hideo Shiraki’s small ensemble, and played with Gerald Wilson at the 1963 Monterey Jazz Festival and Toshiko Akiyoshi in 1964. Starting in 1964 Hidehiko led his own ensembles, which included sidemen Takeshi Inomata, Akira Miyazawa, George Otsuka, and Isao Suzuki.

On July 22 and 24, 1966, he played with the John Coltrane quintet in Tokyo, Japan while the group toured Japan. Tenor saxophonist and bandleader Hidehiko “Sleepy” Matsumoto passed away on February 29, 2000 in Tokyo, Japan.

THE WATCHFUL EYE

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John Wallace Carter was born on September 24, 1929 in Fort Worth, Texas and attended I.M. Terrell High School, and played music with schoolmates Ornette Coleman and Charles Moffett in the 1940s. Earning a Bachelor of Arts from Lincoln University in Jefferson, Missouri in 1949 and a Master of Arts from the University of Colorado in 1956. He also studied at the North Texas State and University of California at Los Angeles, California.

From 1961, Carter was based mainly on the West Coast. There he met Bobby Bradford in 1965, with whom he subsequently worked on a number of projects, notably the New Jazz Art Ensemble. He also played with Hampton Hawes and Harold Land. In the 1970s Carter became well known on the basis of his solo concerts.

At the New Jazz Festival Moers in 1979, he and the German clarinet player Theo Jörgensmann performed for three days. Carter received complimentary reviews and wide recognition from around the world. He and Jörgensmann met again in 1984, and played the Berlin JazzFest, both as a soloist and in duo.

Between 1982 and 1990, John composed and recorded Roots and Folklore: Episodes in the Development of American Folk Music. It was a five album set that focused on African Americans and their history, and was acclaimed by jazz critics as containing some of the best releases of the 1980s.

He recorded seventeen albums as a leader and thirteen albums with Tim Berne, Clarinet Summit, Vinny Golia, Richard Grossman, John Lindberg, James Newton and Horace Tapscott. Carter planned a clarinet quartet with Perry Robinson, Jörgensmann and Eckard Koltermann was planned for 1991, but it never came to fruition.

Clarinetist, saxophonist, and flutist John Carter passed away from a non-malignant tumor on March 31, 1991. Later that year he was inducted into the Down Beat Jazz Hall of Fame.

GRIOTS GALLERY

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Herbert Frederick Hunt was born September 21, 1923 in London, England to musician parents. A self taught pianist, he started playing at the age of 13 and played local gigs before joining the Royal Air Force.

After demobilization, he began his musical career playing semi-professionally with Mike Daniels and the Cy Laurie Four in 1951. He then became professional and went on to join the Alex Welsh Band from 1954 to 1962 and again from 1964 to 1974.

As Welsh’s primary pianist and a featured soloist, he became one of Britain’s leading trad jazz musicians. He recorded with Eddie Davis, Bud Freeman, Eddie Miller, and Ben Webster in 1967. His work with Alex Welsh did not stop him from accompanying visiting Americans, including recording with the four-tenor group, Tenor Of Jazz, featuring Ben Webster and Eddie “Lockjaw” Davis, which toured in the late 60s.

After leaving Welsh in 1974, he played in Copenhagen, Denmark and South Africa, then after 1976 split his time between Britain, Denmark and Germany. He led a trio featuring drummer Lennie Hastings from 1978 although Hastings died that year. In 1979 the German label Erus Records released a live recording titled Yesterdays, featuring the Fred Hunt Trio, with Hunt on piano, bassit Brian Mursell and drummer Roger Nobes.

In the late Seventies Hunt toured with Wild Bill Davison and played with Welsh once more in the early 1980s. He retired due to failing health after being incapacitated and confined to wheelchair, though he worked frequently at London’s PizzaExpress Jazz Club until his death. Pianist Fred Hunt, who played in both modern and trad jazz musical settings, passed away in Weybridge, Surrey, England at the age of 62 on April 25, 1986.

GRIOTS GALLERY

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