Daily Dose Of Jazz…

Ben Williams was born on December 28, 1984 in Washington, D.C. and began playing bass at age 10. He graduated from Duke Ellington School of the Arts. He received a Bachelor of Arts in Music Education from Michigan State University and a Master of Music in Jazz Studies at the Juilliard School.

In 2009, he won the prestigious Thelonious Monk International Jazz Bass Competition as judged by Ron Carter, Charlie Haden, Dave Holland, Robert Hurst, Christian McBride, and John Patitucci. The honor included a recording contract with Concord Records through which Ben released his debut album, State of Art, in 2011. The album featured saxophonist Marcus Strickland, guitarist Matthew Stevens, pianist Gerald Clayton, drummer Jamire Williams, and percussionist Etienne Charles.

Williams’ 2015 album Coming of Age brought together sidemen Marcus Strickland on tenor and soprano saxophones, Matthew Stevens on electric guitar, Christian Sands on piano, and John Davis on drums.

By 2020, Ben contributed to the live streamed recording of the singer Bilal’s EP Voyage-19, created remotely during the COVID-19 lockdowns. It was released the following month with proceeds from its sales going to participating musicians in financial hardship from the pandemic.

He was a member of guitarist Pat Metheny’s Unity Band, which won a Grammy Award for Best Jazz Instrumental Album for Unity Band at the 2013 award show. He was introduced as one of the “25 for the Future” by DownBeat magazine in 2016. Double bassist Ben Williams continues to compose, perform and record.

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Daily Dose Of Jazz…

Pekka Juhani Pöyry was born on December 10, 1939 in Helsinki, Finland and became interested in jazz music at school and began studying the violin and clarinet. However, he was more taken with playing the alto saxophone, having been inspired by Charlie Parker. In addition, he played the flute and soprano saxophone.

After graduating with a Master of Laws in 1966, Pöyry decided to become a professional musician. In the same year he represented YLE, Finland’s national public broadcasting company at EBU’s concert in London, England. By the mid-1960s, he had his own quartet with pianist Eero Ojanen, bassist Teppo Hauta-aho and drummer Reino Laine. Joining the group was Norwegian-Finnish singer Pia Skaar to form a quintet, going on to perform at festivals and gain recognition from the likes of Bill Evans.

Increasingly interested in progressive rock and jazz fusion in the late 1960s and 1970s, with his later groups he attempted an international breakthrough, including the Reading Festival in England in 1973. However, his band Tasavallan Presidentti, broke up in 1974.

By 1975, Pekka was touring northern Europe with the North Jazz Quintet, later joining the orchestra of Heikki Sarmanto, later the UMO Jazz Orchestra, playing in what was then Yugoslavia, as well as,  Poland, Czechoslovakia, Cuba, the Soviet Union, Britain and the United States with other bands.

Saxophonist and flutist Pekka Pöyry, was part of the Pekka Pöyry Quartet and Quintet, being a manic depressive committed suicide and transitioned in Helsinki on August 4, 1980. The Pekka Pöyry Award is named in his honor and given to young, talented saxophonists in Finland since the early-1980s.

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Daily Dose Of Jazz…

Terry Shannon was born on November 5, 1929 in London, England and started playing as a young child and was completely self-taught. He relied on gleaning from records rather than academic training. Never a good sight reader, he played local gigs with the likes of Les Condon but also worked in an office after leaving school. Finally in 1955 he gave up security for music and joined clarinetist Vic Ash, joining his quartet.

He first recorded with Jimmy Deucher and became a regular on Tempo records in the 1950s working with Dizzy Reece, Ronnie Scott, Tubby Hayes and Victor Feldman. His harmonic sense and his superb sense of time led him to become a favored pianist. Joining the Jazz Couriers in 1957 he stayed until the group broke up two years later, but continued working with Tubby’s various groups for the next five years. During this period he became a member of the Jazz Makers, had his own trio for a period and by 1965 was a part of the Keith Christie/Jimmy  Deuchar Five.

Emerging from this period of performance as a consistent player, his career began to falter in the late Sixties through a combination of jazz vices and bitterness. A stint with the Phil Seamen Trio, leading his own trio, and a long illness eventually removed him from the jazz scene for years. He returned to jazz in the Eighties freelancing occasional gigs before moving to South Humberside in 1988. Moving back to London five years later, Shannon regularly played in various groups.

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Daily Dose Of Jazz…

Samuel D. Margolis was born on November 1, 1923 in Boston, Massachusetts. Early in his career he played locally with Shad Collins, Vic Dickenson, Bobby Hackett, Nat Pierce, and Rex Stewart.

Between 1954 and 1958 Sam worked extensively with Ruby Braff and as sidemen for other musicians, including Pee Wee Russell. He would continue working intermittently with Braff for several decades.

In 1970 Margolis appeared briefly in the parade scene in the Dick Van Dyke movie Some Kind of a Nut. Throughout the 1970s and 1980s, he played often in the New York area, with Ed Polcer, Buzzy Drootin, Max Kaminsky, Roy Eldridge, Tony Bennet, Claude Hopkins, Dill Jones, Vic Dickenson, and Red Balaban.

Clarinetist and saxophonist Sam Margolis, who near the end of his life moved to Deerfield Beach, Florida, transitioned from prostate cancer on March 27, 1996.

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Daily Dose Of Jazz…

Graham Burbridge was born on October 1, 1933 in Stepney, London, England. He started drumming about the age of six, playing things like British Grenadiers with Boy Scouts Bands. It was only after the war when he was around twelve that he found jazz and progressed from Spike Jones through Spanier, Bunk Johnson to Lennie Tristano. It was a fairly rapid musical education that  sat him on the modern side of the fence in his genre choice.

Graham played drums in the RAF with a Military Band, but also managed to get into the dance band. Back in civilian life in 1954 he worked a daytime job and played in a trio in the evening with Pete Elderfield and Maurice Hinson. His early interests in jazz led him to all the clubs, sitting in whenever he could. One night in Humph’s he was invited to play with the Sandy Brown Band and the next day was asked to join the band full time, and his professional career took off. He played with Brown until Sandy retired.

Joining the Chris Barber Band in 1957 was fortuitous, as the relationship lasted nearly two decades. Off stage Burbridge’s interests ran towards new and antique guns, and building model aircraft, something that had been a part of his life for a long time. His interest in guns was a new endeavor but also helped to re-energize and replace the nervous energy used on stage.

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