Daily Dose Of Jazz…
Stanley Ernest Sulzmann was born November 30, 1948 in London, England and began on saxophone at age 13, playing in Bill Ashton’s London Youth Jazz Orchestra, later the National Youth Jazz Orchestra. He studied at the Royal Academy of Music from 1969-1972.
In the 1970s he played with the Clarke-Boland Big Band, Mike Gibbs, John Taylor, Kenny Wheeler, Volker Kriegel, Eberhard Weber, Zbigniew Seifert, Phil Woods, Clark Terry, and Gordon Beck. The 1980s saw him working with Gil Evans, Paul McCartney, the European Jazz Ensemble, the James Last Orchestra, the Hilversum Radio Orchestra, the NDR Big Band, and the London Jazz Orchestra.
Collaborations in the 1990s include with Allan Botschinsky, David Murray, Paul Clarvis, and Bruno Castellucci. Television audiences around the world have heard him as the saxophone soloist in The Belgian Detective, the theme music to ITV’s Poirot, composed by Christopher Gunning.
Saxophonist Stan Sulzmann has held teaching positions at the Guildhall School of Music, the Royal Academy of Music, and Trinity College of Music, and continues to teach, perform and record.
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Daily Dose Of Jazz…
John Lamb was born in Vero Beach, Florida on November 29, 1933 and grew up as a child who loved playing music, specializing in the tuba. He left high school to join the United States Air Force as a musician for their military band. Stationed in Texas and then Montana, the long winters left him with ample time to practice. He replaced the regular string bassist in 1951. He When the band’s usual string bass player was unavailable for a gig in 1951, the bandmaster asked Lamb if he could play the bass; Lamb immediately said yes, and before long became the band’s new string bassist.
Lamb joined Duke Ellington’s orchestra in 1964, and toured with them for three years. Lamb was more of a fan of Miles Davis and Red Garland when he was with Ellington, In 1966 Lamb performed with Ellington and Sam Woodyard for artist Joan Miró at the Fondation Maeght in Saint-Paul-de-Vence.
A later move to St. Petersburg, Florida saw him teaching music in public schools as well as St. Petersburg College. John was awarded the Jazz Club of Sarasota’s Satchmo Award for his service to jazz. Double bassist John Lamb, who recorded with the Duke Ellington Orchestra until 1975, continues to perform.
Daily Dose Of Jazz…
Joe Britton was born on November 28, 1903 in Birmingham, Alabama and following his student days under the guidance of Fess Whatley, he went to work with Bessie Smith who took him on the road from 1924 through 1926 as a member of her backing group, followed with the Fred Longshaw Orchestra and then the Bill Woods Orchestra. The next year, he jumped to Frank Bunch & the Fuzzy Wuzzies, most likely the most obscure name in the list of the groups he played for.
Settling in New York in the ’30s and immediately got into the fast-paced jazz scene working with Ellsworth Reynold’s Bostonians, Teddy Hill, the band of classic jazz drummer Kaiser Marshall, Charlie Johnson, Edgar Hayes, and the Vernon Andrade Orchestra. In the ’40s: he worked with Benny Carter from 1940-1941 and Dizzy Gillespie, while at the same time collaborating on older styles of jazz.
In the 1940s Britton worked and recorded with Jelly Roll Morton, Jay McShann, and Lucky Millinder in 1942. He would go on to be employed by Wynonie Harris showing up on a half-dozen of her R&B records, and also recorded with Sister Rosetta Tharpe.
He performed and recorded with pianist Earl Hines. The trombonist dabbled into orchestra arrangements and his work in this field is highlighted on the album Breaks, Blues and Boogies by fellow bone-man Vic Dickenson. retired from full-time professional playing in the 1950s, however, he gigged off and on into the Sixties, including a regular stint in a band led by saxophonist Wesley Fagan. Trombonist Joe Britton passed away on August 12, 1972 in New York City, New York.
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Daily Dose Of Jazz…
Wilber Morris was born on November 27, 1937 in Los Angeles, California and began playing drums as a child. Joining the Air Force in 1954, during his tour of duty of eight years switched to the bass. He would play around San Francisco, California in his off times with the likes of Pharoah Sanders and Sonny Simmons. After his discharge, he returned to Los Angeles and played with Arthur Blythe and Horace Tapscott.
Moving back to San Francisco in 1969 his jazz career didn’t really take off until he relocated to New York City nearly a decade later. By 1978 Wilber found work with violinist Billy Bang and saxophonist David Murray, the latter would become a long-standing association well into the ’90s. During the early Eighties, he formed his own trio, Wilber Force, with drummer Denis Charles and saxophonist Charles Tyler with whom he recorded.
He held various teaching positions in addition to recording and performing. He began to work outside Murray’s group and also founded the One World Ensemble. He recorded four albums as a leader and as a sideman another two dozen albums. Morris performed with such musicians as Pharoah Sanders, Sonny Simmons, Alan Silva, Joe McPhee, Horace Tapscott, Butch Morris, Arthur Blythe, Charles Gayle, William Parker, and Bob Ackerman, Charles Tyler, Dennis Charles, Roy Campbell, Avram Fefer, Alfred 23 Harth, Borah Bergman, Bobby Few, and Rashied Ali.
Double bassist and bandleader Wilber Morris, who performed mainly in the free jazz genre and was the brother of the cornetist, composer, and conductor Butch Morris, passed away on August 8, 2002 in New York City.
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Daily Dose Of Jazz…
Kiane Zawadi was born Bernard Atwell McKinney on November 26, 1932 in Detroit, Michigan into a family of ten children, several of whom also became musicians. A trombone and euphonium player, he first worked with Barry Harris and Sonny Stitt in 1951, and then played with Alvin Jackson’s band early in the decade. Toward the middle of the decade, he joined Art Blakey, and by 1959 he moved with Yusef Lateef to New York City.
The 1960s had him playing with Illinois Jacquet, James Moody, and Curtis Fuller. It was later in the Sixties that Bernard adopted the name Kiane Zawadi. By the 1970s he was performing with Archie Shepp, Carlos Garnett, Harold Vick, Frank Foster, Charles Tolliver, Abdullah Ibrahim, and McCoy Tyner.
In 1978, he played in the pit orchestra for Dancin’, a Broadway show. He also appeared at a Charlie Parker tribute at Town Hall in New York City in 1985. Other musicians Zawadi worked with include Mongo Santamaría, Dizzy Gillespie, Clark Terry, Joe Henderson, and Aretha Franklin.
As a sideman, he has recorded thirty-eight albums with Foster, Slide Hampton, Freddie Hubbard, Clifford Jordan, Yusef Lateef, Donald Byrd, Pepper Adams, James Moody, Sun Ra, Hank Mobley, Howard McGhee, Freddie Roach, Archie Shepp, Willis “Gator” Jackson, Dollar Brand, McCoy Tyner, Les McCann, Shirley Scott, Jackie DeShannon, Harold Vick, Charles Tolliver, Carlos Garnett, Kenny Vance, Ralph MacDonald, Phyllis Hyman, Cornell Dupree, Grant Green, Mickey Bass, Illinois Jacquet, Rodney Kendrick, Joe Henderson, and Patience Higgins.
Trombonist and euphonium player Kiane Zawadi, one of the few jazz soloists on the latter instrument, at 87 he continues to perform and record.
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