Daily Dose Of Jazz…
Pamela Wise was born on January 8, 1956 in Steubenville, Ohio. She began composing and playing piano by ear at age five and started lessosn at nine. After studying the basics she began playing for her church choir, directed by her bassist father. While in high school she formed Ohio Movement, a r&b group performing throughout the Midwest and East Coast. Eight years later she left the band and moved to Cleveland, Ohio with her brother and entered Cuyahoga Community College to further study music.
A move to Detroit, Michigan with her brother led her to play with several r&b groups in the Detroit area, meeting her future husband Wendell Harrison and eventually composing and performing for Freddie Hubbard, Woody Shaw, Leon Thomas and Eddie Harris. In 1989 she formed a group that enlisted James Carter, Dwight Adams, Jaribu Shahid, Ali Muhammad and Andrew Daniels.
Pamela has collaborated with Regina Carter, Akua Dixon Turre, and with Jerry Gonzalez produced her cd Songo Festividad. She went on to release A New Message From The Tribe, Kindred Spirits, Negre Con Leche, and Pamela’s Club projects.
Composer, pianist and music director Pamela Wise continues to perform, record, collaborate and educate.
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Daily Dose Of Jazz…
Jon Larsen was born on January 7, 1959 in Bærum, Norway and when he was in his early teens he learned rock and soul songs on an acoustic steel-string guitar. Through friends, he learned about blues, jazz, flamenco, and classical guitar. After he heard Tears by Django Reinhardt on the radio, he decided that this is how he wanted his guitar to sound. At seventeen he formed a string trio and had his first professional job.
The 1970s Jon worked mainly as a painter until 1980 when he started the Hot Club de Norvege with guitarists Per Frydenlund and bassist Svein Aarbostad. They had a hit record when they performed with pop singer Lillebjørn Nilsen. He has worked with Chet Baker, Philip Catherine, Stéphane Grappelli, Warne Marsh, Biréli Lagrène, Babik Reinhardt and Jimmy Rosenberg. He has produced more than 450 jazz records for the label he founded, Hot Club Records.
He has led a group of musicians who played with Zappa and started the label Zonic Entertainment to record musicians who played with him .including Arthur Barrow, Jimmy Carl Black, Bruce Fowler, Bunk Gardner, Tommy Mars, and Don Preston.
A documentary Symphonic Django was released in 2008 about Larsen and guitar virtuoso Jimmy Rosenberg titled Jon & Jimmy, and appeared in the documentary film Fireball: Visitors from Darker Worlds In 2012.
Gypsy jazz guitarist, record producer, painter, and amateur scientific researcher Jon Larsen, who founded the group Hot Club de Norvège and received the Buddy Award for his lifelong contribution to jazz, continues to perform, record and produce.
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Daily Dose Of Jazz…
Lowell Dwight Dickerson was born in Los Angeles, California on December 26, 1944 and grew up in the city where his influences were Horace Silver, McCoy Tyner, Kenny Barron, and Bud Powell, among others. He became active on the local jazz scene in the 1960s.
In the early Sevenites he appeared on the Chicago, Illinois tenor titan Gene Ammons’ Free Again album on Prestige, and the latter part of the decade found him being featured on a few LPs by baritone saxophonist Nick Brignola. In the 1980s Dickerson started recording as a leader when he provided his debut album, Sooner or Later, for Discovery. In 1992,
Dickerson recorded Dwight’s Rights which features Red Holloway on tenor sax for the small Night Life label. He has played as a sideman in the 1990s with saxman Rickey Woodard, singer Michael Martin and Albert “Tootie” Heath. The early 2000s saw him featured on singer David Coss’ Simple Life album.
Pianist Dwight Dickerson, who occasionally sings and plays a variety of genres ranging from hard bop, funk and soul jazz, to modal post-bop, continues to perform and record at 80.
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Requisites
Kelly Blue ~ Wynton Kelly Trio and Sextet | By Eddie Carter
This morning’s record from the library is Kelly Blue (Riverside Contemporary Series RLP 12-298/RLP 1142) by The Wynton Kelly Trio and Sextet. It hit the stores in 1959 and was his second release as a leader on the label after Piano a year earlier. Wynton Kelly was an accomplished hard-bop pianist and accompanist who collaborated with many elite musicians and vocalists over his career, appearing on some of the most unforgettable jazz albums ever recorded. Here, he’s working with a superb supporting cast: Nat Adderley on cornet, Bobby Jaspar on flute, Benny Golson on tenor sax (tracks: A1, B2), Paul Chambers on bass, and Jimmy Cobb on drums. My copy is the 1982 Original Jazz Classics U.S. Stereo reissue (Riverside OJC-033).
Side One opens with the title tune, Kelly Blue, by Wynton Kelly. Bobby, Paul, and Jimmy introduce this mid-tempo blues with a three-instrument dialogue. The remaining ensemble joins in as the melody unfolds. Wynton begins the opening solo with a relaxing reading. Bobby exhibits some exciting twists and turns next. In the following presentation, Nat raises the temperature slightly with precise articulation. Benny delivers a gorgeous statement with a rich, warm tone as smooth as a sled on new snow before the close. Softly, As In a Morning Sunrise by Sigmund Romberg and Oscar Hammerstein II begins with the trio introducing the melody. Kelly sets the solos in motion with a performance that cooks. Chambers’s bass compliments him with a concise solo that is to the point ahead of the climax.
Green Dolphin Street by Bronislaw Kaper and Ned Washington is one of the prettiest jazz standards in The Great American Songbook. The trio gives this old favorite a lively sprucing up on the opening chorus, highlighting Wynton’s ability to captivate the listener in an impeccable performance until the closing ensemble returns. Side Two starts with Ann Ronell’s classic Willow Weep For Me. Chambers gets the nod and brings the song to life in a bluesy, slow-tempo introduction, and then Kelly and Cobb come in to complete the dreamy theme. The pianist opens with an effortlessly elegant solo. Paul expands on that feeling with reflective beauty next. Wynton has another memorable moment, leading to the finale.
Wynton Kelly’s Keep It Moving is an uptempo-blowing session that swings out of the gate with the front line returning for their second and final appearance. Wynton cuts loose on the opening solo vigorously. Benny takes his turn next and keeps the groove going, and then Nat turns in a captivating reading. Bobby makes the following point with a spirited statement. Paul has the last word with an excellent improvisation preceding the song’s conclusion. The trio wraps the album with Wynton Kelly’s Old Clothes. Kelly is up first after a leisurely melody with a light-hearted opening statement. Chambers makes his presence felt in the following reading. Cobb speaks with the leader in a concise conversation before the melody’s restatement.
Orrin Keepnews produced the session, and Jack Higgins was the recording engineer. The album’s sound quality is excellent, transporting the musicians to your listening room as if they were playing before you. Wynton Kelly was also a talented composer, and the level of good spirits demonstrated by him and his colleagues here is incredibly endearing. Kelly Blue is an album characterized by the pianist’s contagious enthusiasm, with everyone in top form. The music will also keep you hooked from start to finish. On your next record-shopping trip, I invite you to check out Kelly Blue by The Wynton Kelly Trio and Sextet. It’s not just a great album; it’s an excellent introduction to his music and a must-listen for any jazz enthusiast!
~ Piano (Riverside RLP 12-254) – Source: Discogs.com
~ On Green Dolphin Street, Willow Weep For Me – Source: JazzStandards.com
~ Softly, As In a Morning Sunrise – Source: Wikipedia.org
© 2024 by Edward Thomas Carter
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Daily Dose Of Jazz…
Andy LaVerne was born on December 4, 1947 in New York City, and studied at Juilliard School of Music, Berklee College, and the New England Conservatory. He also took private lessons from jazz pianist Bill Evans.
LaVerne has worked with Frank Sinatra, Stan Getz, Woody Herman, Dizzy Gillespie, Chick Corea, Lionel Hampton, Michael Brecker and Elvin Jones. As a leader he has recorded more than 50 albums including a duo with saxophonist Jerry Bergonzi.
An educator, Andy has released a series of instructional videos, Guide to Modern Jazz Piano, Vols. 1 &, 2, and Jazz Piano Standards, and In Concert with guitarist John Abercrombie.
He has authored several books that has included his own compositions as well as the Handbook of Chord Substitutions, Tons of Runs, Bill Evans Compositions 19 Solo Piano Arrangements, and is the pianist on The Chick Corea Play-Along Collection. He is a frequent contributor to several jazz, music and piano publications.
Besides receiving being a recipient of several fellowships and awards, holding numerous clinics, masterclasses and performances worldwide, pianist Andy LaVerne currently is Professor of Jazz Piano at The Hartt School on the campus of the University of Hartford in Connecticut and on the faculty of the Aebersold Summer Jazz Workshops.
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