Daily Dose Of Jazz…
Louiz Banks was born Dambar Bahadur Budaprithi to Nepali parents on February 11, 1941 in Calcutta, West Bengal, British India and grew up in his hometown of Darjeeling. His early music education was at the hands of his father, a trumpeter, and his neighbour Mrs. Myers. He did his schooling at St. Roberts School, Darjeeling and around age thirteen he became interested in western music and he started playing the guitar and the trumpet. His father gave him piano lessons and played in his band. He went to college at St. Joseph’s College in Darjeeling, where he continued to study piano.
After college Banks moved to Kathmandu, Nepal with his father’s band and decided to become a full-time musician, it was there he discovered jazz music. In the late 1960s he had a three year residency at the Soaltee Hotel in Kathmandu. Moving back to Calcutta in 1971 he met singer Pam Craine and saxophonist Braz Gonsalves and formed The Louis Banks Brotherhood. They played hotel rooms and night clubs and he got work composing advertisement jingles and stage musicals.
In 1977 Louiz was in Mumbai with the R.D. Burman troupe and got introduced to world music. Popularizing live jazz he cemented his place and reputation in the city. Two years later along with Goan saxophonist Braz Gonsalves he formed the Indo-Jazz Ensemble, composing music on Indian classical scales and Jazz rhythms, incorporating Indian instruments like ghatam and thavil. In 1980, he was a member of the jazz quartet which was part of the orchestra to perform with Ravi Shankar in his noted suite Jazzmine at the ‘Jazz Yatra’ Festival.
He would go on to form several groups with vocalists, tabla and sitar. In addition he has composed music for several short films. He has performed at various concerts and with well-known jazz artists such as Radha Thomas and Joe Alvares. He worked on a progressive fusion jazz album titled Labyrinth with his son’s band Nexus.
He collaborated as co-producer, arranger and pianist and keyboards on the album Miles From India, a tribute to the founder of modern jazz Miles Davis was nominated for the 2008 Grammy Awards in the Best Contemporary Jazz Album category. In the same category, John McLaughlin’s fusion album Floating Point was also nominated, Banks was the featured keyboardist on the album.
Keyboardist, singer, film composer, record producer Louiz Banks, who has often been acknowledged as the Godfather of Indian Jazz, continues to perform, compose and produce.
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Daily Dose Of Jazz…
Hector Rivera was born on January 26, 1933 in New York, New York. He had been playing for over a decade, beginning in the early 1950s when he joined the band of Elmo Garcia as a teenager. Making his recorded debut as a bandleader in 1957 when Garcia didn’t have enough material prepared, Mercury Records asked if he had any music. Wanting to record a solo album Mercury offered to record him as a solo artist, issuing his debut, Let’s Cha Cha Cha.
Over the next few years, Rivera would be known mostly as a sideman to bandleaders Joe Cuba, Pacheco, and vocalist Vincento Valdez. He made his biggest splash as a bandleader with the 1966 album At the Party, with a large band featuring several trumpet players and percussionists, as well as bassist Cachao.
Dividing his approach between instrumentals and vocals, he employed several singers, including David Coleman who is most heard on the At the Party album. The success of the title cut enabled Hector to cut several more albums, along with continuing to write and arrange. He would go on to participate in projects for Ray Barretto, Machito, and Tito Puente among others.
Pianist, arranger, composer, bandleader and producer Hector Rivera who was one of the more renowned performers of the Latin soul genre, died on January 8, 2006 in his hometown.
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Daily Dose Of Jazz…
Lowell Dwight Dickerson was born in Los Angeles, California on December 26, 1944 and grew up in the city where his influences were Horace Silver, McCoy Tyner, Kenny Barron, and Bud Powell, among others. He became active on the local jazz scene in the 1960s.
In the early Sevenites he appeared on the Chicago, Illinois tenor titan Gene Ammons’ Free Again album on Prestige, and the latter part of the decade found him being featured on a few LPs by baritone saxophonist Nick Brignola. In the 1980s Dickerson started recording as a leader when he provided his debut album, Sooner or Later, for Discovery. In 1992,
Dickerson recorded Dwight’s Rights which features Red Holloway on tenor sax for the small Night Life label. He has played as a sideman in the 1990s with saxman Rickey Woodard, singer Michael Martin and Albert “Tootie” Heath. The early 2000s saw him featured on singer David Coss’ Simple Life album.
Pianist Dwight Dickerson, who occasionally sings and plays a variety of genres ranging from hard bop, funk and soul jazz, to modal post-bop, continues to perform and record at 80.
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Daily Dose Of Jazz…
Jan Hammer was born in Prague, Czechoslovakia on April 17, 1948 to a mother who was a well-known Czech singer, and his doctor father who worked his way through school playing vibraphone and bass guitar. He began playing the piano at the age of four with formal instruction starting two years later. He aspired to follow his father into medicine until a family friend convinced him to develop his musical talents instead.
Forming a jazz trio in high school, he performed and recorded throughout Eastern Europe at the age of fourteen. Upon entrance to the Prague Academy of Musical Arts, he completed many compulsory classes including harmony, counterpoint, music history, and classical composition. He moved to the United States and resolved to become a citizen after receiving a scholarship at Berklee School of Music in Boston, Massachusetts. Upon completion of his studies, Jan spent a year touring with Sarah Vaughan, recorded with Elvin Jones and Jeremy Steig, then moved to New York City in 1971 and joined the original lineup of the Mahavishnu Orchestra.
Though he previously recorded as a leader and sideman, his debut solo album, The First Seven Days, dropped in 1975. He formed the Jan Hammer Group in 1976 to support the album tour, which received good reviews from both jazz and rock critics. During the mid 70s to early 80s he recorded and played with Joni Mitchell, Billy Cobham, Santana, Tommy Bolin, Harvey Mason and Stanley Clarke.
Returning to solo work he recorded an album in 1978, formed a new band, known as Hammer, and wrote theme song for a British television series. He formed Schon & Hammer, played benefit concerts, and has received three Grammys and an Emmy nomination. By the Nineties and well into the new millennium, he continued to score and compose for film and television. In 2018 he released his first album of new material in over 10 years: Seasons – Part 1.
Keyboardist, drummer, composer, and record producer Jan Hammer continues to produce and perform.
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Daily Dose Of Jazz…
Stuart Wayne Goldberg was born on July 10, 1954 in Malden, Massachusetts but was raised in Seattle, Washington. He attended the University of Utah, taking his bachelor’s in music in 1974, then relocated to Los Angeles, California.
The following year Goldberg played with the Mahavishnu Orchestra and subsequently worked through the 1970s with Al Di Meola, Freddie Hubbard, Alphonse Mouzon, Michal Urbaniak, and Miroslav Vitous.
Booking a European tour in 1978 as a solo keyboardist, Stu released several albums under his own name and with Toto Blanke’s Electric Circus. Returning to Los Angeles in 1985 he worked extensively in film soundtracks with Lalo Schifrin and Ira Newborn. He also worked as a studio musician.
Keyboardist Stu Goldberg, who played with Ray Brown at the Monterey Jazz Festival in 1971, continues to perform and record.
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