Daily Dose Of Jazz…
Bill Mays was born William Allen Mays on February 5, 1944 in Sacramento, California. Coming from a musical family he learned to play piano and at sixteen he became interested in jazz after attending an Earl Hines concert.
From 1969 to the early 1980s Bill worked Frank Sinatra, Al Jarreau, Dionne Warwick, Anita O’Day, Mark Murphy and accompanied other vocalists in Los Angeles with Sarah Vaughan, while also working sessions with such luminary musicians as Art Pepper, Shelly Manne, Bud Shank, Red Mitchell, and Bobby Shew to name a few from an esteemed list of luminaries.
In 1984, Mays moved to New York and became best known as a sideman or accompanist, but starting in the 1990s he began to do more work as a bandleader, composer, and arranger. As far back as the 70’s on, he recorded over two-dozen albums under his own name, in different configurations, and has been heard as a sideman on many more. He continues to perform, record and tour.
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Daily Dose Of Jazz…
Sonny Stitt was born Edward Stitt on February 2, 1924 in Boston, Massachusetts but grew up in Saginaw, Michigan in a musical family and was given a strong musical background as a child. His father was a college music professor, his mother a piano teacher and his brother was a classically trained pianist.
Meeting Charlie Parker in 1943, the two found their styles extraordinarily similar, due in part to Stitt’s emulation. Considered on of Parker’s greatest disciples he was also influenced by Lester Young, both helping Sonny develop his own style, which would later influence John Coltrane.
Nicknamed the “Lone Wolf” by jazz critic Dan Morgenstern, attributing his relentless touring and devotion to jazz, Stitt recorded over 100 albums in his lifetime. His earliest recordings were with Stan Getz in 1945, he played in swing bands like Tiny Bradshaw’s big band and replaced Charlie Parker in Dizzy’s band, and sat alongside bop pioneers Dexter Gordon and Gene Ammons in Billy Eckstine’s big band in the forties.
Sonny began to develop a far more distinctive sound on tenor playing with other bop musicians Bud Powell and Eddie “Lockjaw” Davis. In the fifties he teamed up with Thad Jones and Chick Corea and experimented with Afro Cuban jazz. He joined Miles Davis briefly in 1960 but was fired for an excessive drinking habit he developed.
Stitt went on to record a number of albums with his long-time friend Gene Ammons, regarded as some of their best work of dueling partnerships; then ventured into soul jazz with Booker Ervin, recorded with Ellington alumnus Paul Gonsalves and was a regular at Ronnie Scott’s in London during the sixties.
By the 1970s, Sonny slowed his recording output slightly, experimenting with an electric saxophone called the “Variphone” heard on the album “Just The Way It Was – Live At The Left Bank” in ’71 and returning to the alto to record the classic “Tune Up” in 1972. Sonny joined the Giants Of Jazz along with Art Blakey, Kai Winding, Dizzy Gillespie, Thelonious Monk and Al McKibbon, and continued to record throughout the seventies.
A fiery tenor with enthusiastic solos, he was equally effective with blues and ballads, whether he was playing the alto, tenor or baritone. Sadness fell upon the jazz world on July 22, 1982 when Sonny Stitt passed away in Washington, D.C. after suffering a heart attack.
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Daily Dose Of Jazz…
Joshua Redman was born February 1, 1969 in Berkeley, California to tenor saxophonist Dewey Redman and dancer Renee Shedroff. As a child he was exposed to various kinds of music at the Center for World Music in Berkeley and received early lessons in music and improvisation. Upon graduating from high school he matriculated through Harvard graduating summa cum laude. He then turned down an opportunity to study law at Yale to become a professional musician.
His career kicked into high gear after winning the Thelonious Monk International Jazz Saxophone Competition in 1991 and began focusing on developing his style beginning as a sideman alongside Javon Jackson on Elvin Jones’ Youngblood recording. He followed up with an appearance on his father’s 1992 album Choices. After a short apprenticeship period Redman began recording for Warner Brothers, first with his self-titled project and then Wish with Pat Metheny, Charlie Haden and Billy Higgins.
With successive albums from ’93 to ’96, Joshua briefly joined Chick Corea, recording and touring. From 1998 – 2002 he returned to recording as a leader bringing the world such albums as Beyond, Passage of Time and Elastic, the later bringing a more adventurous and playful Redman to the fore with the later including pianist/organist Sam Yahel and drummer Brian Blade.
Redman became the artistic director for San Francisco’s SF Jazz Collective from 2004-2007, made several television appearances including Reading Rainbow with Levar Burton and performed on the soundtrack for the Mia Farrow Story. On his album, Back East Redman paid tribute to Sonny Rollins 1957 album Way Out West, teaming up with musicians including Brian Blade, Christian McBride, Al Jackson, Joe Lovano, and his late father.
Joshua Redman is an inaugural member of the Independent Music Awards judging panel to support independent arts and continues to compose, tour and record.
Daily Dose Of Jazz…
Tubby Hayes was born Edward Brian Hayes on January 30, 1935 in London and started playing the violin at the age of 8, changed to the tenor at twelve and started playing professionally at fifteen. His early influences were Charlie Parker, Sonny Rollins and Stan Getz. In 1951 he joined Kenny Baker and playing in the big bands of Ambrose, Vic Lewis and Jack Parnell.
Tubby led his own octet in 1956 and encourage by Victor Feldman he started playing the vibes in December of that year. Following his octet, Tubby co-led the Jazz Couriers with Ronnie Scott from ’57 to ’59 and toured Germany with Kurt Edelhagen. His international reputation grew rapidly and he was the first British contemporary to appear regularly in the U.S. at the Blue Note, the Boston Jazz Workshop and Shelly Manne’s Manne-Hole.
In 60’s London he led his own big bands, hosted his own TV show, sat in with Duke Ellington’s orchestra, and with Charles Mingus, Dave Brubeck and others. Tubby appeared in All Night Long, and with his own quintet in The Beauty Jungle and House of Horrors.
Hayes was a virtuoso musician on tenor and flute, an excellent vibist, and a composer/arranger of rare talent. He toured extensively through Europe playing the major festivals, such as Antibes, Lugano, Vienna and Berlin. He was one of the few Brits that recorded as a leader of all-American groups with Clark Terry, Roland Kirk and James Moody.
Plagued with heart trouble he underwent open-heart surgery in the late Sixties, putting him out of action until 1971. Working again was brief and while undergoing a second heart operation, Tubby Hayes died on June 8, 1973 in Hammersmith, London, England. He was just 38 years old.
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Daily Dose Of Jazz…
Tenor saxophonist Ronnie Scott was born Ronnie Schatt on the east side of London on January 28, 1927. He grew up in a single parent household after his father, dance band saxophonist Jock Scott separated from his mother shortly after his birth. His introduction to music was on a cornet he purchased from a local junk shop, then moved on to the soprano saxophone and finally settling into the tenor by his teens. Ronnie first starting playing in public performing with aspiring drummer Tony Crombie and was soon playing an occasional professional gig. After a stint with bandleader Carlo Krahmer and touring with trumpeter Johnny Claes, Ronnie joined the popular big band of Ted Heath in 1946.
However, changing economics made big bands increasingly unfeasible, and as bebop crossed the pond to the U.K., he and Crombie traveled to New York City to explore the source firsthand. Scott regularly returned to New York after signing on to play the Queen Mary’s transatlantic voyages alongside alto saxophonist Johnny Dankworth. Despite his travels Scott remained a cornerstone of the growing London bop scene, and in late 1948 he co-founded Club Eleven, the first U.K. club devoted to modern jazz. During this time he developed the lyrical but harmonically complex style that would remain the hallmark of his career.
In 1953 Scott formed a nine-piece group that made its public debut in conjunction with a London appearance by Norman Granz’s Jazz at the Philharmonic touring revue and working from arrangements by trumpeter Jimmy Deuchar, the Scott band’s debut proved to be a landmark moment in the history of British jazz heralding the true starting point of the postwar era. Yet in 1955, assembling a full-size big band proved creatively and commercially disastrous but left him a household name throughout Britain. In ‘57 he co-founded the Jazz Couriers with fellow tenor saxophonist Tubby Hayes, scaling to even greater heights of fame.
1959 saw Scott looking to create a jazz club emulating those of New York’s famed 52nd Street and on October 31st, with borrowed money, he opened Ronnie Scott’s Club at 39 Gerrald Street. Over the next two years as popularity grew, Scott hosted the likes of Dexter Gordon, Roland Kirk, Stan Getz, Sonny Stitt, Ben Webster and Sonny Rollins. By 1965 he moved the club to it’s present location on Frith Street, becoming the epicenter of London’s jazz community and bringing to the stage everyone from Ella Fitzgerald to Albert Ayler over the next decade.
At the time of his death on December 23, 1996, Ronnie Scott’s Club was perhaps the most famous jazz venue in all of Europe.
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