From Broadway To 52nd Street
On November 8, 1930 at the Alvin Theatre, the curtain rose for Music In The Air starring Walter Slezak, Natalie Hall, Tullio Carminetti and Katherine Carrington. Running for 342 performances and the tune, The Song Is You was written and composed by Jerome Kern and Oscar Hammerstein becomes a jazz classic standard.
The Story: We follow Karl who writes a song and along with his Bavarian villages trek to Munich to have it published. In Munich, Karl is pursued by a flirtatious prima donna, while composer Bruno falls in love with Karl’s sweetheart. Her indifference to Bruno only lends to fuel Bruno’s ardor and he confesses to her that no matter what melody he creates, it’s always her. The romance and high hopes prove fruitless, so all return home together.
Jazz History: Art Tatum was to become one of The Street’s brightest stars and legendary giants with a following that brought him the highest paid salary to any performer. He moved between The Onyx, The Three Deuces and The Downbeat and was always in great demand for private parties and was once paid a hundred dollars at a George Gershwin shindig to perform during his sixty-minute intermission at the club. With his vision limited to 25% in one eye, he would often ask a friend to walk him down to Hanson’s Drugstore at 51st and 7th, New York’s equivalent to Schwab’s in Hollywood, where it became a gathering place of theatre-goers, celebrities and hopefuls and where Walter Winchell regularly stopped by. Tatum always took a seat at the L-shaped counter and when it was full he would ask someone to drop a handful of coins on the counter and impress the onlookers with his acuteness of hearing by identifying each coin. Art Tatum lived, drank and died with the prodigality that characterized his keyboard pyrotechnics. Frequently he stayed up for days at a time with only catnaps to sustain him or slept long stretches only to awake instantly the moment his hand was touched. Of the 46 pianists queried after his death, 30 named him as their favorite pianist.
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Bob Dorough, born December 12, 1923 in Cherry Hill, Arkansas, he grew up in Texas. He learned to play piano and would play in an Army band during World War II. After discharge he attended North Texas State University, majoring in composition and minored in piano.
Around 1950 Bob moved to New York City and was playing piano in a Times square tap studio where he was introduced to the boxer sugar Ray Robinson, who was putting together a song and dance revue. He was hired, became the show’s music director and toured the U.S. and Europe. Leaving the revue in Paris in 1954, he recorded with singer Blossom Dearie during that time. Returning to the U.S. and moving to Los Angeles, he played various gigs, including a job between sets by comedian Lenny Bruce. Dorough released his first album, Devil May Care, in 1956 that contained a version of Charlie Parker’s “Yardbird Suite”.
Dorough penned the lyrics for Miles Davis on the Christmas song “Blue Xmas” and a few years later recorded “Nothing Like You” that is on the Sorcerer album. He worked with Allen Ginsberg, and his adventurous style influenced Mose Allison among other singers. He is perhaps best known as a voice and primary composer of many of the songs used in “Schoolhouse Rock!” during the Seventies and Eighties.
The cool jazz pianist and composer he has penned with bassist Ben Tucker the tune “Comin’ Home Baby” that earned Mel Torme two Grammy nominations and a Top 40 hit. A vocalese singer, he has released 28 vocal jazz albums as a leader, four singles and 17 as a sideman and/or guest over the last 50 years. Bob Dorough received an honorary degree from East Stroudsburg University of Pennsylvania with a Doctor of Fine Arts, was named Artist of the Year in 2002 by the Pennsylvania Governor’s Awards for the Arts. He garnered a Grammy nomination for Best Recording for Children and was inducted into the Arkansas Jazz Hall of Fame prior to passing away on April 23, 2018 in Mount Bethel, Pennsylvania at age 94.
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Diane Schuur was born December 10, 1953 in Tacoma, Washington and was blinded at birth due to retinopathy of prematurity. Encouraged by both her parents to sing, she started when she was a two-and-a-half and by age nine was getting professional gigs. Early heroines were Sarah Vaughan and Dinah Washington but while attending Washington State School for the Blind she began performing original material and by sixteen had revealed a distinctive voice and began performing.
Diane’s big break came when Stan Getz heard her at the 1979 Monterey Jazz Festival and became a positive influence. In 1982 he invited her to join him at a White House performance and Nancy Reagan invited her back to perform with Count Basie. She began recording in 1984 on her nickname titled album “Deedles” with Getz performing and on her next two albums.
Pianist and vocalist Diane Schuur has performed with Quincy Jones, Stan Getz, B.B. King, Dizzy Gillespie, Maynard Ferguson, Ray Charles, Joe Williams, Barry Manilow, Alan Broadbent, Harvey mason, Peter Erskine and Stevie Wonder among others. She has been nominated five times and won two Grammy Awards, and her catalogue of recordings is too extensive to enumerate. Her staying power is evident in her continual performance, touring and recording of both studio and live performances.
From Broadway To 52nd Street
Girl Crazy opened on October 14, 1930 at the Alvin Theatre with a run of 272 performances starring Ethel Merman and Ginger Rogers singing music composed by the Gershwin Brothers. Two songs emerged from this musical to become jazz classics – Embraceable You and I Got Rhythm.
The Story: A tale where Danny Churchill, in an attempt to flee nightclubs, gambling casinos and women, hires a NY taxi driver to take him to Custerville, Arizona. There he hopes to rest on a dude ranch. Before long he has transformed the ranch into a club with gambling rooms and bevies of girls. He woos and wins the heart of one of the girls, Ginger, who is the daughter of the local saloonkeeper.
Broadway History:Though the Depression was in full swing, stars were still being made as musicals and revues continued to emerge on Broadway. From 1931 – 42 this decade made stars of Ray Bolger and Bert Lahr, who went on to fame as the Scarecrow and Cowardly Lion in The Wizard Of Oz; the double act of Gaxton & Moore, who were part of the comic backbone of vaudeville, got their individual starts on Broadway when Gaxton, having mastered the character of a loveable, oblivious bumbler resembling Elmer Fudd with a Porky Pig personality, performed in George M. Cohan’s Forty-Five Minutes From Broadway in 1906, and the much younger Moore was the romantic lead in Rodgers and Hart’s A Connecticut Yankee in 1927. They were paired in Gershwin’s “Of Thee I Sing” and continued their successful partnership well into the ‘40s. The tradition of the double act was later upheld by the likes of Abbott & Costello, Lewis & Martin and Burns & Allen.
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Sammy Davis Jr. was born Samuel George Davis, Jr. on December 8, 1925 to Cuban American parents in New York City. Starting as a child vaudevillian at age three, he toured for years nationally with the Will Masten Trio, and after military service, returned to the trio. He became an overnight sensation following a nightclub performance at Ciro’s in 1951 and with a trio became a recording artist.
As his father and uncle aged, Davis broke out to achieve success on his own and he released several albums that led to being hired to sing the title track for the Universal Pictures film “Six Bridges to Cross” in 1954. He amassed a catalogue of several dozen recordings for Decca, Reprise, Verve, Motown, MGM and 20th Century, consistently kept alive the Great American Songbook from Broadway accompanied by orchestras and big bands and had two #1 hits – “I Gotta Be Me” and The Candy Man.
Sammy starred in four Broadway musicals from 1956 to 1978 in Mr. Wonderful, Golden Boy, Sammy and Stop The World I Want To Get Off. His film career spanned nearly six decades with important roles and appearances in A Man Called Adam, Porgy & Bess, Anna Lucasta, Sweet Charity, Cannonball Run, Moon Over Parador and Tap. As a charter member of the Rat Pack he did several movies with them beginning with Oceans 11.
Not to let television escape his grasp in 1966 had his own variety show, The Sammy Davis Jr. Show, would appear on Archie Bunker, I Dream of Jeannie, The Rifleman, Charlie’s Angels, One Life To Live, General Hospital and the Cosby Show to name a few.
With his career slowing in the late sixties, by 1972 he was a star in Las Vegas earning him the nickname Mister Show Business. In 1987 Sammy toured internationally with Frank Sinatra, Dean Martin and Liza Minelli. He was awarded NAACP’s Spingarn Medal, won a Golden Globe and an Emmy, two-time recipient of the Kennedy Center Honors, has a star on the Hollywood Walk of Fame, was inducted into the Grammy Hall of Fame and posthumously awarded the Grammy Lifetime Achievement Awards.
Singer, tap dancer, impersonator and musician Sammy Davis Jr. passed away in Beverly Hills, California on May 16, 1990, of complications from throat cancer. On May 18, 1990, two days after Davis’ death, the neon lights of the Las Vegas Strip were darkened for ten minutes, as a tribute to him.
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