
From Broadway To 52nd Street
As the decade of despair opens, Broadway opens another musical to lift the spirits of a theatre going society on February 18, 1930 the Ziegfeld Theatre unveils Simple Simon, starring Ed Wynn as a waif who dreams in fairy tales. Wynn played Ziegfeld Follies until butting heads with W.C. Fields who let the back end of a pool cue down on Wynn’s head with a mighty thwack. He went on to sprout into his repertoire inane inventions like a pair of eyeglasses with a windshield to protect you when you ate grapefruit. But from the play Simple Simon, which ran for 135 performances, came the song Dancing on the Ceiling and He Was Too Good For Me composed by Richard Rodgers and Lorenz Hart. The two songs, however, were dropped from the show before the New York opening but get their perpetual encores as jazz standards.
Jazz History: Before the Onyx Club came to life on 52nd Street, Joe Helbock, who may justly claim to be the grandfather of The Street, was bootlegging there in 1927 and ’28 and sold to notables such as Teddy Roosevelt, Babe Ruth, Will Rogers, Marilyn Miller and Jimmy Walker. He hung out with Jimmy Dorsey, Paul “Pops” Whiteman and Roy Bargy at a “speak” called Plunkett’s where all the musicians hung out. In 1927 he opened the Onyx on the parlor floor in the rear of the brownstone at 35 W. 52nd with his partner Fred Hoetter, giving the club its name because of the black marble bar. They started with Art Tatum, Maxine Sullivan, Louis Prima and Stuff Smith. It wasn’t until 1933 that The Onyx put a steady pianist on payroll for the cocktail hour however Willie “The Lion” Smith disputes this claim. As the story goes, one day in 1930, Joe approached Willie saying “Lion, why don’t you stop by every day around five and I’ll give you a little salary for your trouble?” That deal, the Lion emphasizes, established an engagement of the cocktail hour that launched 52nd Street as the Cradle Of Swing.
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Daily Dose Of Jazz…
Matt Dusk was born Matthew-Aaron Dusk on November 19, 1978 in Toronto, Ontario, Canada and from an early age wanted to become a performer. At seven, he was accepted into St. Michael’s Choir School and for the next eleven years performed opera and classical music. It wasn’t until hearing Tony Bennett and Sarah Vaughan records at age 17 that he began to change his musical style and direction.
In 1998 Matt won the top spot in the Canadian National Exhibition Rising Star Competition, entered York University for economics but a year later change to music studying jazz theory and jazz vocal, graduating with honors in 2002.
Dusk recorded four independent CDs before his major record deal, making his mark on the MP3 web circuit. This was followed by a 2003 record deal with Decca Records, the next year played Las Vegas at the Golden Nugget, and became the house entertainer for the reality TV show Casino.
Matt has recorded with Capitol Records, worked with a 58-piece orchestra, is the first jazz artist in Japanese history to reach #1 on the pop radio charts, recorded the soundtrack for the TV series Call Me Fitz, and has shot a live DVD concert special with a 17-piece band and has six albums to his credit alongside his independent project. He currently performs, tours and records.

From Broadway To 52nd Street
The music composed by Richard Rodgers and Lorenz Hart seven months earlier for a new two act musical called Spring Is Here opened at the Alvin theatre on March 11, 1929 and ran for 104 performances. It starred Dick Keene, Inez Courtney and John Hundley. Adapted from the play Shotgun Wedding, from this production came two songs destined to become a classic in the jazz world, With A Song In My Heart and Spring Is Here.
The Story: Terry loves Betty, Betty falls for Stacy and attempt to elope but are stopped by her father. Terry flirts with other girls to make Betty jealous. It works and she returns to his arms for the happy ending.
Broadway History: The “Great White Way” is a nickname for a section of Broadway in the midtown section of the borough of Manhattan, specifically the portion that encompasses the Theatre District, between 42nd and 53rd Streets, and encompassing Times Square. However, this was not always the location of the theatre district. In 1880, a stretch of Broadway between Union Square and Madison Square was illuminated by Brush arc lamps, making it among the first electrically lighted streets in the United States.
By the 1890s, the portion from 23rd to 34th Street was so brightly illuminated by electrical advertising signs, that people began calling it The Great White Way. When the theatre district moved uptown, the name was transferred to the Times Square area. The phrase Great White Way has been attributed to Shep Friedman, columnist for the New York Morning Telegraph in 1901, who lifted the term from the title of a book about the Arctic by Albert Paine. The headline “Found on the Great White Way” appeared in the February 3, 1902, edition of the New York Evening Telegram.
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Daily Dose Of Jazz…
Diana Jean Krall was born on November 16, 1964 in Nanaimo, British Columbia, Canada. At age four she was playing piano and playing jazz in a local restaurant at 15. She went to the Berklee College of Music on scholarship before heading out to Los Angeles, California.
In 1993, Krall released her debut album, Stepping Out, with John Clayton and Jeff Hamilton. Her sophomore project hit the stands two years later followed by a third, a dedication to Nat King Cole in 1996. She teamed up with guitarist Russell Malone and bassist Christian McBride on her next release Love Scenes that quickly became a hit recording in 1997.
Diana has been on tour with Tony Bennett, teamed up with Claus Ogerman, incorporated orchestral arrangements by Johnny Mandel, performed closing credit music for the DeNiro film The Score, joined Ray Charles on his Genius Loves Company, featured in a Lexus ad campaign, produced Barbra Streisand’s Love Is The Answer album.
She has been awarded the Order of British Columbia, an honorary doctorate from the University of Victoria, inducted into the Canadian Walk of Fame, has had a plaza named after her, has won two Grammy and eight Juno awards. Pianist and contralto vocalist Diana Krall continues to perform, record and tour.

From Broadway To 52nd Street
It’s now May 9, 1928 and the crowd is anxiously awaiting the rise of the curtain in the Liberty Theatre to witness The Blackbirds of 1928 – the first of four American editions incorporating a series of revues with Black casts produced by Lew Leslie in London and New York. This revue starred Bill “Bojangles” Robinson, Adelaide Hall and Aida Ward with music composed by Jimmy McHugh and Dorothy Fields. This first offering ran for 518 performances and gave the world the classic standard “I Can’t Give You Anything But Love”
The Story: The shows, relatively simple in mounting, emphasized song and dance and the small amount of comedy present represented the stereotypical black humor of the era.
Jazz History: One may wonder where the name “speakeasy” originated. Well it is said that the term comes from a patron’s manner of ordering alcohol without raising suspicion – a bartender would tell a patron to be quiet and “speak easy”. Though an integral part of Prohibition, the term predates the era by some thirty years. Samuel Hudson, a newspaperman, said he heard the word used for the same purpose in Pittsburgh in the 1880’s by an old Irish woman who sold liquor without a license.
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