Daily Dose Of Jazz…
Arthur Shapiro was born on January 15, 1916 in Denver, Colorado, and began on trumpet at age 13, ultimately picking up bass as his prominent instrument at 18. By the late 1930s he was playing with Wingy Manone, Joe Marsala, Eddie Condon, and Chu Berry. From 1938 to 1940 he played with Paul Whiteman, then returned to play with Marsala in addition to working with Bobby Hackett.
Moving to Hollywood, California in the early 1940s, Artie started playing with Jack Teagarden and Joe Sullivan before serving in the United States Army. In 1947 he returned to music, playing with Benny Goodman.
As an accompanist, he worked with, among others, Billie Holiday, Peggy Lee, Anita O’Day, Doris Day, Bing Crosby and Frank Sinatra. His list of recording credits runs to more than 100 during his period of activity, stretching into the late 1960s. Bassist Artie Shapiro transitioned in Los Angeles, California on March 24, 2003.
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The Quarantined Jazz Voyager
I can only appeal to your sense of fair play that you quarantine, social distance and wear masks whenever you are out around people during this period of increased variants. It is a responsible person who takes the effort to protect others even when they do not have the desire to protect themselves.
This week I’m pulling from the stacks one of Tony Bennett’s highest selling albums of his career I Left My Heart In San Francisco. Released in 1962 on Columbia Records, it peaked at #5 on the Billboard pop albums chart, and has been certified platinum by the RIAA. Tony Bennett won two 1962 Grammy Awards for the title song: Record of the Year and Best Solo Vocal Performance, Male.
The album was produced by Ernie Altschuler and assembled around unused singles from earlier sessions. The previously released songs included the Cy Coleman/Carolyn Leigh songs The Best Is Yet to Come/Marry Young as well as Close Your Eyes/Rules of the Road, which were A&B sides respectively. Candy Kisses and Have I Told You Lately? were recorded in 1961. Tender Is the Night was later used in the 1962 film, while Charlie Chaplin’s Smile from Modern Times peaked at #73 on the Billboard Hot 100. It was the only other single that charted with San Francisco.
Three additional tracks were taken from sessions spanning 1957 to 1960. Taking a Chance on Love from the musical Cabin in the Sky, Love for Sale from The New Yorkers, and I’m Always Chasing Rainbows” from Oh, Look!. Bennett’s rescue of Once Upon a Time from All American gave him San Francisco instead, his signature song.
Tracks | 32:20
Side 1
- I Left My Heart In SanFrancisco (Douglass Cross, George Cory) ~ 2:52
- Once Upon A Time (Charles Strouse, Lee Adams) ~ 2:57
- Tender Is The NIght ( Sammy Fain, Paul Francis Webster) ~ 2:38
- Smile (Charlie Chaplin, Geoffrey Parsons, John Turner) ~ 2:49
- Love For Sale (Cole Porter) ~ 3:09
- Taking A Chance On Love (Cy Coleman, Carolyn Leigh) ~ 2:28
Side 2
- Candy Kisses (George Coleman) ~ 2:25
- Have I Told You Lately (Harold Rome) ~ 2:39
- Rules Of The Road (Cy Coleman, Carolyn Leigh) ~ 2:42
- Marry Young ((Cy Coleman, Carolyn Leigh) ~ 2:20
- I’m Always Chasing Rainbows (Harry Carroll, Joseph McCarthy) ~ 2:40
- The Best Is Yet To Come ((Cy Coleman, Carolyn Leigh) ~ 2:28
- Tony Bennett ~ vocals
- Ralph Sharon ~ piano; arrangements on Love for Sale
- Candido Camero, Sabu Martinez, Billy Exiner ~ percussion on Love for Sale
- The Count Basie Orchestra ~ instruments and arrangements on Taking A Chance on Love
- Marty Manning ~ arrangements on San Francisco, Once Upon A Time, Tender is the Night, Candy Kisses, Have I Told You Lately?
- Cy Coleman ~ arrangements on Marry Young, The Best Is Yet to Come
- Ralph Burns ~ arrangements on Smile, Rules of the Road
- Frank De Vol ~ arrangements on I’m Always Chasing Rainbows
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Daily Dose Of Jazz…
Jeanie Lambe was born on December 23, 1940 in Glasgow, Scotland. Her mother was a singer and her father played the accordion in the musical act Douglas, Nicol & Lamb. Her first public performances were with her parents and when she was seventeen, she became a member of the Clyde Valley Stompers.
She was the vocalist with the Alex Sutherland Sextet at Elgin’s Two Red Shoes Ballroom, where she kicked off the Two Red Shoes dances at age 19. Moving to London, England in 1960 Jeanie worked with a variety of jazz bands in the area, including those led by Alex Welsh, Kenny Ball and Charlie Galbraith. In 1964 she married tenor saxophonist Danny Moss and became more well known through her extensive performances at international jazz festivals.
Lambe has performed with modern and mainstream jazz musicians including Cliff Hardie and the UK All Stars Orchestra, Bobby Rosengarden, Monty Alexander, Ben Webster, Budd Johnson, Oscar Peterson, Wild Bill Davison, Kenny Davern, Joe Pass and Buddy Tate.
Suffering ill health, vocalist Jeanie Lambe, who recorded seven albums as a leader, passed away on May 29, 2020 in Perth, Australia at the age of 79.
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From Broadway To 52nd Street
Ridin’ High is a 1936 popular song, composed and written by Cole Porter, for the stage in his musical Red, Hot and Blue, with book by Howard Lindsay and Russel Crouse. It premiered on Broadway in 1936 and the song was introduced by Ethel Merman.
The musical also introduced the popular song It’s De-Lovely as a romance duet sung by Ethel Merman and Bob Hope, in which they trace their romance from first kiss to marriage to a baby.
The StoryNails O’Reilly Duquesne is a newly wealthy young widow. Loud and brassy, Nails is a former manicurist. She organizes a benefit for her favorite cause, the rehabilitation of ex-convicts. Together with her sidekick (an “ex-con” himself), Policy Pinkle, and her “square” boyfriend, lawyer Bob Hale, she embarks on a nationwide search for Bob’s old girlfriend, which is really the reason for the enterprise. The girlfriend, 18 years earlier, had sat upon a hot waffle iron and so had a unique “imprint”. However, the national lottery that Nails starts gets the attention of the Finance Committee, and they wind up in Washington DC in an even more complicated situation. The Supreme Court declares the lottery unconstitutional, because it would benefit the people.
History
During the out-of-town tryouts, the book was too long and did not blend with the music. The producer Vinton Freedley made numerous suggestions for overhauling the show, which were accepted by all except Porter, until he finally relented. Additional conflicts arose when Freedley assembled the cast and creative team behind the musical Anything Goes, hoping to repeat that show’s success. William Gaxton was part of that cast, however, he withdrew because Ethel Merman’s part was so large, so Bob Hope was cast. The next conflict came over billing for Jimmy Durante and Merman, which was resolved by having their names crisscrossed above the title.
The musical was first titled But Millions!, then Wait for Baby!, before settling on Red, Hot And Blue. The Broadway musical has no connection to the 1949 film musical of the same name with songs by Frank Loesser.
Notable RecordingsBenny Goodman, Chris Connor, Ella Fitzgerald, Michel Legrand, Kate Smith, Mark Murphy, Jeri Southern, Peggy Lee, Teresa Brewer, Carol Lawrence, Doris Day, Johnny Mathis, Cleo Laine, Sue Raney, Hod O’Brien, Robert Palmer, Rebecca Martin, Fay Claassen, and Stevie Holland.
Daily Dose Of Jazz…
Joseph Barry Galbraith, born on December 18, 1919 in Pittsburgh, Pennsylvania.
Moving to New York City in the early 1940s he found work playing with Babe Russin, Art Tatum, Red Norvo, Hal McIntyre, and Teddy Powell. He played with Claude Thornhill in 1941–1942 and again from 1946–1949 after serving in the Army. In ‘53 he did a tour with Stan Kenton.
Having extensive work as a studio musician for NBC and CBS in the 1950s and 1960s, presented him with the opportunity to work with among others Miles Davis, Michel Legrand, Tal Farlow, Coleman Hawkins, George Barnes, John Lewis, Hal McKusick, Oscar Peterson, Max Roach, George Russell, John Carisi, and Tony Scott.
He accompanied on the recording of singers Anita O’Day, Chris Connor, Billie Holiday, Helen Merrill, Sarah Vaughan and Dinah Washington. He was a mentor to Ralph Patt.
In 1961, he appeared in the film After Hours. In 1963-1964 he played on Gil Evans’s album The Individualism of Gil Evans, and in 1965 he appeared on Stan Getz and Eddie Sauter’s soundtrack to the 1965 film Mickey One.
As an educator he taught for five years from 1970 to 1975 at CUNY (City University of New York) and published a guitar method book in 1982. From 1976–77 Galbraith taught guitar at New England Conservatory in Boston, Massachusetts.
Guitarist and bandleader Barry Galbraith passed away from cancer at the age of 63 on January 13, 1983 in Bennington, Vermont.
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