Daily Dose Of Jazz…
Marlene Ver Planck was born Marlene Paula Pampinella on November 11, 1933 in Newark, New Jersey. She grew up listening to Frank Sinatra and Ella Fitzgerald on the radio and started singing at age 19., working with Tex Beneke and Charlie Spivak in the Fifties, the latter band is where she met her husband, composer, arranger and conductor Billy Ver Planck.
Her first big break came in 1955 at the age of 21 when she teamed up with pianist Hank Jones, flutist Herbie Mann, trumpeter Joe Wilder, bassist Wendell Marshall and drummer Kenny Clarke and recorded I Think Of You With Every Breath I Take for Savoy Records. Singing went on to sing with the Dorsey Brothers Orchestra in New York City and after Tommy’s death pursued studio work with Sinatra, Perry Como, Tony Bennett, Antonio Carlos Jobim, Blood Sweat & Tears and Kiss.
Marlene’s voice was recognizable by millions of people outside the jazz world doing jingles in the ’60s: “Weekends were made for Michelob… Yeah!”, “Winston tastes good like a cigarette should!” and “Mmm good, mm-mm good, that’s what Campbell’s Soups are/mm mm good.” After thousands of commercial jingles and hours and hours of studio session work in New York, she decided to settle down with her husband in their house in Clifton, New Jersey and began performing and recording together.
They would go on to work with composer Loonis McGlohon, Alec Wilder, Mel Torme, Eileen Farrell, Glenn Miller Orchestra, George Shearing and Marian McPartland among others. Over the course of her career she recorded two-dozen albums and appeared on several television shows.
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Daily Dose Of Jazz…
Patricia Barber was born on November 8, 1955 in Chicago, Illinois to professional musician parents and raised in South Sioux City, Iowa. She began playing classical piano at age six and by the time she graduated high school jazz was completely in her blood.
She enrolled in the University of Iowa with a double major of classical music and psychology but the jazz voice in her head grew louder. In 1984 she returned to Chicago and landed a five night week gig at the Gold Star Sandine Bar and since the mid-90s performs regularly at the Green Mill.
Starting her professional career as a pianist, as Barber’s stock rose, she then began to add vocals to her repertoire, centered in a fairly low register and a traditional blues-jazz style. Mixing original compositions and standards with classic rock covers, she has recorded and released a dozen compact discs, including a three CD box set covering her 1994-2007 years. She has released a classic Cole Porter collection of his songbook in her unique way of interpretation.
Vocalist, pianist and songwriter Patricia Barber has been awarded a Guggenheim Fellowship and teaches master classes worldwide in between her performing, touring and recording.
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Daily Dose Of Jazz…
Kitty Margolis was born November 7, 1955 in San Mateo, California. As a child she listened to underground radio to hear the sounds of Ramsey Lewis, Beach Boys, John Lee Hooker and Santana, and Tower of Power was a local band playing at her high school dances. She would go to the Fillmore and Winterland and hear Miles Davis, Grateful Dead, Otis Redding, Janis Joplin, Jimi Hendrix, John McLaughlin, Charles Lloyd to name a few. But an outing with her uncle to the Village Vanguard and it was a Rahsaan Roland Kirk performance that changed her life.
She went on to San Francisco State and studied jazz and recording studio arts and was soon gigging with her teachers John Handy and Hal Stein. Hanging out at Todd Barkan’s Keystone Korner she met all the heavyweights, Dexter Gordon, Art Blakey, McCoy Tyner, Betty Carter, Cedar Walton, Freddie Hubbard, Flora Purim, Airto, Horace Silver, Red Garland and many more. She even had the oppoertunity to sing Charlie Parker’s solo on Billie’s Bounce and got thumbs up from her idol Eddie Jefferson. In 1989, she made her well-received debut at the legendary Monterey Jazz Festival.
She released her debut studio album Evolution in 1993 and with guest performers Joe Henderson and Joe Louis Walker made a name for herself in the jazz community. On the heels of this album release Kitty won honor of Talent Deserving Wider Recognition in that year’s Down Beat critics’ poll, which she would repeat in 1995 and 1997. Her sophomore album, 1997’s Straight Up With a Twist, was her most eclectic outing yet, featuring quirky interpretations of standards, plus guest appearances by Roy Hargrove and Charles Brown.
Recording in between continuous performance and touring vocalist and record producer Kitty Margolis has taken time to co-found her own record label Mad Kat with Madeline Eastman. She has subsequently released five albums with a couple of live dates in San Francisco among them.
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Daily Dose Of Jazz…
Roger Kellaway was born November 1, 1939 in Waban, Massachusetts. He matriculated through the New England Conservatory and one of his earliest mentors was piano teacher and director of the summer music camp Encore in Marblehead, Massachusetts.
In 1964 Kellaway was a piano sideman for bandleader-producer Boris Midney’s group The Russian Jazz Quartet’s album Happiness on the ABC/Impulse jazz records label. He has written and played the closing theme, Remembering You for the TV sitcom All In The Family and its spinoff Archie Bunker’s Place.
Roger has composed commissioned works for orchestra and jazz big band as well as for film, television, ballet and stage productions. He has served as band leader and pianist for Van Morrison’s Astral Weeks Live at the Hollywood Bowl concerts, been nominated for an Oscar for Best Adaptation Score for the 1976 film A Star Is Born, and a Grammy Award for Best Instrumental Arrangement for Eddie Daniels’ album Memos From Paradise.
He has played with Grady Tate, Jay Berliner, Igor Berukshtis, George Ricci, Ruby Braff, Chuck Domanico, Emil Richards, Edgar Lustgarten, Joe Pass, Red Mitchell, Gene Bertoncini, Jan Allan and Michael Moore among others. He has more than a dozen albums as a leader, and has arranged for Carmen McRae, Diane Schuur, Liza Minelli, Robben Ford, Gary Lemel, Kenny Burrell, J. J. Johnson, Kai Winding, Herbie Mann, Mark Murphy, Oliver Nelson, Clark Terry, Lalo Schifrin, Sonny Rollins, Sonny Stitt, Ben Webster and Jimmy Witherspoon. Pianist Roger Kellaway continues to perform, compose, arrange and record.
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Gary McFarland was born in Los Angeles, California on October 23, 1933. An influential composer, arranger, vibraphonist and vocalist, he made a name for himself on Verve and Impulse Records during the Sixties, making one of the more significant contributors to orchestral jazz. He attained a small following after working with Bill Evans, Gerry Mulligan, Johnny Hodges, John Lewis, Stan Getz, Bob Brookmeyer and Anita O’Day.
His debut as a leader came in 1961 with the Jazz Version of How To Succeed In Business Without Really Trying. Gary recorded for Skye, Buddah and Cobblestone Records through the 1960s into the early Seventies. As well as eighteen of his own albums as a leader and arrangements for other musicians such as Lena Horne, Steve Kuhn, Gabor Szabo, John Lewis, Shirley Scott, Zoot Sims and Gary Burton, he composed the scores to the films Eye of the Devil in 1968 and Who Killed Mary What’s ‘Er Name in 1971.
By the end of the 1960s McFarland was moving away from jazz towards an often wistful or melancholy style of instrumental pop, as well as producing the recordings of other artists on his Skye Records label, run in partnership with Szabo and Cal Tjader until its bankruptcy in 1970.
Gary McFarland and Louis Savary wrote the classic song Sack Full Of Dreams that was first released by Grady Tate in 1968. He was considering a move into writing and arranging for film and stage when on November 3, 1971 he was poisoned with methadone in a New York City bar at the tender age of 38. In tribute Bill Evans performed Gary’s Waltz in 1979, shortly before his own death.
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