Daily Dose Of Jazz…
Una Mae Carlisle was born on December 26, 1915 in Zanesville, Ohio and was trained to play the piano by her mother. Performing in public by age three, still a child, she performed regularly on radio station WHIO AM in Dayton, Ohio.
In 1932, while a teenager, Fats Waller discovered Carlisle while she worked as a live local Cincinnati performer live and on radio. Her piano style was much influenced by Waller’s, playing in a boogie-woogie stride style that incorporated humor into her sets. Una Mae played solo from 1937, repeatedly touring Europe and recording with Waller in the late 1930s.
By the 1940s Carlisle recorded as a leader for Bluebird Records with Lester Young, Benny Carter and John Kirby. She had a longtime partnership with producer/publisher/manager Joe Davis, which began after her contract with Bluebird expired. Her records during this period enlisted the talents of Ray Nance, Budd Johnson and Shadow Wilson.
As a songwriter she also found success as Cab Calloway and Peggy Lee were just two among those who covered her tunes. She had her own radio and television programs in the late 1940s Una Mae recorded her last session for Columbia Records with Don Redman early in the 1950s.
With her suffering from chronic mastoiditis that required repeated surgeries and hospitalizations, the vocalist was forced her to retire in 1952. Pianist and songwriter Una Mae Carlisle passed away of pneumonia in a Harlem hospital on November 7, 1956.
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Daily Dose Of Jazz…
Lynette Washington was born on December 11th in Brooklyn, New York and as a child listened to jazz, R&B and gospel of which can be heard in her vocal style. She began her early professional singing career performing in Russian nightclubs throughout New York City and Europe.
She has appeared with jazz drummers Buddy Williams and Anton Fig, and with Clifford Jordan, Gerry Neiwood, Alex Blake and Cameron Brown and recorded on the early GRP releases of jazz trumpeter Tom Browne. Lynette has taken her talent into the R&B/Dance world with her group Touche as well as working with Aretha Franklin, U2, Peter Gabriel, Lenny Kravitz. She has also lent her voice to national commercials for Roy Rogers, Mercedes Benz, Boy’s Town, Nescafeand Pizza Hut.
She has four projects under her belt beginning with her1999 debut solo project entitled Long, Long Ago (A Jazz Celebration of Christmas, Chanukah and Kwanzaa, Smoky Dawn, Kaleidoscope and a double CDLIVE! at Harlem’s Kennedy Center.Vocalist Lynette Washington sings in several international languages including Russian, Yiddish, French, Italian, Hebrew and Portuguese as she continues to perform, tour and record.
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Daily Dose Of Jazz…
Sylvia Syms was born Sylvia Blagman on December 2, 1917 in Brooklyn, New York. As a child she contracted polio but overcame it and by the time she was a teenager she was hanging in the infamous jazz haunts on 52nd Street. She received informal training from Billie Holiday and in 1941 she made her debut at Kelly’s Stable.
In 1948, performing at the Cinderella Club in Greenwich Village she was seen by Mae West, who gave her a part in a show she was doing. Among others who observed her in nightclubs was Frank Sinatra who considered her the “world’s greatest saloon singer.” Sinatra subsequently conducted her 1982 album, Syms by Sinatra.
Signing a redocrd deal with Decca Records in 1956, Sylvia had her major success with a recording of I Could Have Danced All Night selling over a million copies garnering a gold disc. She would appear regularly at the Carlyle in Manhattan, at times, impromptu, while enjoying a cocktail in the bar of the Carlyle, she would walk on stage and perform with the cabaret’s other regular, Bobby Short.
She had a lung removed in 1972, despite which, she shortly thereafter performed as a well received Bloody Mary in South Pacific for several months at the Chateau de Ville Dinner. Vocalist Sylvia Syms, who recorded seventeen albums, appeared in six films and guested on The Tonight Show, Merv Griffin, Dinah Shore, Mike Douglas, Dick Cavett, Playboy’s Penthouse, and American Masters, passed away of a heart attack while on stage at the Oak Room in the Algonquin Hotel in New York City at age 74 on May 10, 1992.
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Daily Dose Of Jazz…
Hoagy Carmichael was born Howard Hoagland Carmichael on November 22, 1899 in Bloomington, Indiana. He was named Hoagland after a circus troupe “The Hoaglands” who stayed at the Carmichael house during his mother’s pregnancy. His mother was a versatile pianist who played accompaniment at silent movies and for parties and by age six, he started to sing and play the piano, easily absorbing his mother’s keyboard skills.
Never having formal piano lessons by high school, the piano was the focus of his after-school life, and for inspiration he would listen to ragtime pianists Hank Wells and Hube Hanna. By eighteen he was living in Indianapolis, working in manual jobs in construction, a bicycle chain factory, and a slaughterhouse to help out the family’s income. During this period he befriended the Black bandleader and jazz pianist Reg DuValle, the elder statesman of Indiana and Rhythm King, who taught his jazz improvisation.
Carmichael went on to attend Indiana University and Indiana University School of Law graduating with a bachelor degree and law degree, respectively. He played with Bix Beiderbecke who introduced him to future collaborator, Louis Armstrong.
He began to compose song like Washboard Blues, Boneyard Shuffle and Riverboat Shuffle. In 1927 Hoagy composed and recorded Stardust, one of his most famous songs. His first major song with his own lyrics was Rockin’ Chair recorded by Armstrong and Mildred Bailey. He recorded it himself in 1930 with Beiderbecke, Bubber Miley, Benny Goodman, Tommy Dorsey, Bud Freeman, Eddie Lang, Joe Venuti and Gene Krupa.
He would go on to team up with Johnny Mercer and Frank Loesser, composing Georgia On My Mind, Up A Lazy River, In The Still Of The Night, Skylark, I Get Along Without You Very Well, The Nearness Of You and Baltimore Oriole among some many other jazz standards.
With his financial and social condition improved dramatically he began hobnobbing with George Gershwin, Fred Astaire, Duke Ellington and other music giants in the New York scene. He appeared in fourteen films, always performing one of his songs, appeared in numerous television roles, hosted musical variety radio and television programs, received Academy Awards for Best Original Song, was awarded an honorary doctorate in music by Indiana University, inducted into the Gennett Records Walk of Fame, recorded with Annie Ross and Georgie Fame, and penned two autobiographies.
Composer, pianist, singer, songwriter and actor, Hoagy Carmichael, passed away of heart failure in Rancho Mirage, California on December 27, 1981.
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Daily Dose Of Jazz…
Born Mary Louise Tobin on November 14, 1918 in Aubrey, Texas and at age fourteen in 1932 she won a CBS Radio Talent Contest. Following a tour with society dance orchestras in Texas, she joined Art Hicks and his Orchestra in 1934. At that time, Harry James was playing first trumpet in the band and a year later she and James were married.
Tobin brought Frank Sinatra to James’ attention in 1939 after hearing him sing on the radio. James subsequently signed Sinatra to a one-year contract at $75 a week. While she was singing with trumpeter Bobby Hackett at Nick’s in the Village, jazz critic and producer John Hammond heard her and brought Benny Goodman to a performance and soon joined the Goodman band.
Louise went on to record There’ll Be Some Changes Made, Scatterbrain, Comes Love, Love Never Went To College, What’s New? and Blue Orchids. Johnny Mercer wrote Louise Tobin Blues for her while she was with Goodman and was arranged by Fletcher Henderson. In 1940 Tobin recorded Deed I Do and Don’t Let It Get You Down with Will Bradley and His Orchestra.
By 1945 Tobin was recording with Tommy Jones and His Orchestra, Emil Coleman and His Orchestra and through the decade performed and recorded with Skippy Anderson’s Band at the Melodee Club in Los Angeles, and with Ziggy Elman and His Orchestra.
Taking a long hiatus to raise her children, Louise came back in 1962 at the Newport Jazz Festival, met second husband Peanuts Hucko, acquired a regular gig at Blues Alley on Washington, DC and moved to Denver, Colorado and opened the Navarre Club as co-owners. They would go on to lead and sing with the Glenn Miller Orchestra, touring worldwide with Louise singing and recording various numbers with the band.
In 2008 Tobin donated her extensive collection of original musical arrangements, press clippings, programs, recordings, playbills and photographs to create the Tobin-Hucko Jazz Collection at Texas A&M University-Commerce.
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