Daily Dose Of Jazz…
Erik Parker was born July 13, 1918 in Århus, Denmark. By 1938 he became a member of the Svend Asmussen Orchestra and from 1939 to 1945 was involved in Leo Mathisen’s Orchestra, where he performed both as an instrumentalist and a vocalist.
He worked as a club manager, and from 1945-1951 he was an actor. In 1953 he emigrated to the United States, where he settled in Los Angeles, California where he became a restaurateur and trumpet teacher.
Throughout his career he was a member of the All Danish Starband, Henry Hagemann & His Full Brass, Henry Hagemann’s Sextet, Kai Ewans And His Swinging 16, Leo Mathisens Band, Leo Mathisens Orkester, Leo Mathisens Ønskeorkester, and Roger Henrichsen Trio.
Trumpeter and vocalist Erik Parker, who is considered one of the most significant Danish jazz musicians and a distinguished representative of golden age jazz, died in 2003.
Daily Dose Of Jazz…
Seger Pillot Ellis was born on July 4, 1904 in Houston, Texas and began his career as pianist playing live for a local Houston radio station in the early 1920s. In 1925, he was added to the orchestra of Lloyd Finlay for a recording session for Victor Records, and was also allowed to cut two piano solos. This led to Ellis being invited to Victor’s regular recording studio in Camden, New Jersey, to cut a number of piano solos, all or most of them compositions of his own. These were among the earliest records Victor made using the new electric microphone and recording equipment.
After his first recording experiences, Ellis returned to Houston and radio work as well as playing in vaudeville theaters. During this period Seger began adding singing to his piano playingwhich led to an invitation to New York City to make vocal test recordings. His first issued vocal record was “Sunday” on the Columbia label, then a string of records for Okeh Records.
Ellis selected many of the best jazz musicians of the time, including Tommy and Jimmy Dorsey, Joe Venuti, Eddie Lang, Andy Sannella and Louis Armstrong. His first recording career ended in 1931, however, in the late Thirties he returned to conducting and singing with his own big band, Choirs of Brass Orchestra. Later in his career, he focused more on songwriting, but recorded sporadically as well as playing the piano.
In 1939, Ellis reorganized and his new band featured the conventional four-man reed section. He disbanded in 1941, and was enlisted in the United States Army Air Forces in 1942. After his discharge he moved back to Texas and began to be less active as a performer and more a songwriter and composer. His compositions were recorded by Harry James, Gene Krupa, Bing Crosby, Count Basie with a Mills Brothers vocal.
Pianist and vocalist Seger Ellis, who made a few brief film appearances in collaboration with director Ida Lupino, died on September 29, 1995 in a Houston retirement home.
Acquaint an inquisitive mind with a dose of a Houston pianist who is in the company of musical genius around the world as a member of the jazz canon…
Seger Ellis: 1904~1995 | Piano, Vocal
More Posts: bandleader,history,instrumental,jazz,music,piano,vocal
Requisites
The very first time I heard Shirley Horn sings and play piano was in the 1970s at the Bohemian Caverns in Washington, D.C. and I fell in love with her voice and style. By then she had recorded five albums and when I was on the radio she became a part of my regular playlist. Here’s To Life is a studio album recorded in September 1991 by the vocalist, and released in 1992. The album was arranged by Johnny Mandel who composed three of the songs on the album. He also received a Grammy Award for Best Instrumental Arrangement Accompanying Vocals on this album. It’s a quiet album of ballads that once again showcases Shirley’s talent. Johnny Mandel arranged and conducted the recording session for the Verve label.
The album opens with the title track with Here’s To Life which became her signature song. The music was written by Artie Butler and the poignant lyrics were written by Phyllis Molinary. The lyric, known world-wide as one of her finest works and the song is considered a modern day jazz standard. She followed with a medley of Come A Little Closer/Wild Is the Wind. The former song is about New Yorkers, the city and the cell phone that disputes a couple’s marriage. The song is paired with Wild Is The Wind which was written as the theme song for the 1959 film of the same name and recorded by Johnny Mathis. It was nominated for an Oscar for Best Song.
How Am I to Know? by Jack King and Dorothy Parker takes the third slot on the album. A Time for Love was written for the 1966 film An American Dream. The Begman/ Mandel tune, Where Do You Start tells the story of a couple breaking up and undecided about what belongs to whom. The next song You’re Nearer is a Lorenz Hart/Richard Rodgers composition for the Broadway musical Too Many Girls. Our next entry in Return to Paradise was written for the 1953 film of the same name by Dimitri Tiomkin and Ned Washington. Isn’t It A Pity was composed by the Gershwins for the unsuccessful 1933 musical Pardon My English, however, the song became a part of the Great American Songbook.
Quietly There is taken from the noir film Harper that starred Paul Newman as a detective. If You Love Me is an English adaptation of the popular French song “Hymne à l’amour of Hymn To Love. The album closes with Summer is the first English version of the Italian standard Estate. She ordered English lyrics after hearing Joao Gilberto’s version, which spread the song to worldwide fame.
Shirley Horn sings and plays piano and is joined by bassist Charles Ables and dummer Steve Williams as her core trio. She invited trumpeter Wynton Marsalis – to play on A Time For Love and Quietly There. Richard Todd plays the French horn on the title track. Reminding me of how precious life is and how much we should live and love, this has become my favorite album by this vocalist. I hope you enjoy it just as much as I.
More Posts: choice,classic,collectible,collector,history,instrumental,jazz,music,vocal
Daily Dose Of Jazz…
Clora Larea Bryant was born on May 30, 1927 in Denison, Texas to Charles and Eulila Bryant, the youngest of three children. As a young child she learned to play piano with her brother Mel, and was a member of a Baptist church choir. Her brother Fred left his trumpet when he joined the military, she picked it up and learned to play. In high school she played trumpet in the marching band.
She turned down scholarships from Oberlin Conservatory and Bennett College to attend Prairie View College in Houston, Texas starting in 1943. Bryant was a member of the Prairie View Co-eds Jazz Band which toured in Texas and performed at the Apollo Theater in New York City in 1944. Her father got a job in Los Angeles, CAlifornia and she transferred to UCLA in 1945, and where she first heard bebop on Central Avenue.
In 1946 she became a member of the International Sweethearts of Rhythm, an all-female jazz band, earned her union card and dropped out of school. Dizzy Gillespie became her mentor and provided her with work. She joined the black female jazz band the Queens of Swing as a drummer, and went on tour with the band.
In 1951 she worked in Los Angeles as a trumpeter for Josephine Baker and Billie Holiday. The same year the Queens of Swing became the first women’s jazz group to appear on television and performed as The Hollywood Sepia Tones. Clora was called onto Ada Leonard’s all-girl orchestra show, however, racist directed calls to the station the engagement. In 1954 she briefly moved to New York because she had lost inspiration from playing in bands.
Bryant recorded her first and only album, Gal With A Horn, in 1957 before returning to the life of a traveling musician. She worked with Louis Armstrong and Harry James, toured with singer Billy Williams and around the world with her brother Mel, had a TV show in Australia and became the first female jazz musician to tour in the Soviet Union after writing to Mikhail Gorbachev.
After a heart attack and quadruple bypass surgery in 1996, Bryant was forced to give up the trumpet but she continued to sing. She also began to give lectures on college campuses about the history of jazz, co-edited a book on jazz history in Los Angeles titled Central Avenue Sounds: Jazz in Los Angeles, and worked with children in Los Angeles elementary schools.
Trumpeter and vocalist Clora Bryant, who was the only female trumpeter to perform with Dizzy Gillespie and Charlie Parker and was a member of the International Sweethearts of Rhythm, died at Cedars-Sinai Medical Center in Los Angeles on August 25, 2019, after suffering a heart attack at home.
More Posts: bandleader,history,instrumental,jazz,music,trumpet,vocal
Daily Dose Of Jazz…
Laura Ellis was born on May 11, 1972 and raised in Kansas City, Missouri. She had the fortune to become a protégé of The Manhattan Transfer founding member Alan Paul which guided the honing of her vocal skills. Steeped in the Great American Songbook she ventured on a four year run of The Vintage Voice, and toured with The Wonderelles, covering the music of the famous girl groups.
Ellis has a penchant for cinema noir of the 40s and 50s and replicates those vintae tunes by bringing those seedy characters to life. Her Cinema Sweethearts celebrate the days of teen idols and her cabaret performances transport listeners back in time. Her blend of jazz and nostalgia has entertained audiences across the nation..
She has recorded a contemporary vocal jazz album, Here Lies Love, produced by Alan Paul, and Femme Fatale, featuring the classic songs from the dangerous dames of film noir. In 2016 she released Broken Lovely, a compendium of love songs of the broken, mended, and free.
Now calling Los Angeles, Californiar home, vocalist Laura Ellis has lent her voice to History Channel’s Route 66, Modern Marvels documentaries, the HBO series Carnivale, a commercial appearance with the late Della Reese, and ABC’s Modern Family.
More Posts: bandleader,history,instrumental,jazz,music,vocal