The Jazz Voyager

The Jazz Voyager is jetting across the country once again, leaving Southern Cal for Southern Florida to check out for the very first time tomorrow, jazz vocalist Cécile McLorin Salvant at the Adrienne Arsht Center for the Performing Arts. She will be performing selections from her latest album Ghost Song. Opening the evening is the Christian Sands Trio.

A child of Haitian/French heritage, Salvant returns home to wow the audience with her talents. She won the first prize in the Thelonious Monk International Jazz Competition in 2010, released her first album, Cécile, shortly thereafter. Her sophomore album, WomanChild, was nominated for a Grammy for Best Jazz Vocal Album, and three of her albums For One to Love, Dreams and Daggers, and The Window have been awarded Grammy Awards for Best Jazz Vocal Album. She has received a Macarthur Genius Grant and the Jazz Journalists Association’s Jazz Award for Female Vocalist of the Year in 2022.

The performance will take place in the center’s Knight Concert Hall located at 1300 Biscayne Boulevard, Miami, 33132. If you have the time, inclination and opportunity to catch this Friday performance, I suggest you do not hesitate to grab a couple of tickets. This rare appearance by this international artist in her hometown is not to be missed.

The center’s number is 305-949-6722. If you want to get more information visit https://notoriousjazz.com/event/cecile-mclorin-salvant.

CALIFORNIA JAZZ FOUNDATION

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JOE GRANSDEN

BACK BY POPULAR DEMAND! Joe Gransden returns to Serenbe with his quintet and all the sultry and romantic songs we love to hear. Avoid the crowds and book an early dinner reservation and then join us in an intimate fireside setting at the Lakeside Pavilion. Bring your special Valentine and enjoy the classic sounds of Sinatra, Bennett, Connick and Cole as you warm up for this special holiday.

This night of amazing music and drinks will get you in the Valentine’s spirit.

Complete with pre-purchase champagne option, this is an event that you and the special people in your life should not miss. This event will feature cabaret seating. Grab your spot before it is too late.

**Please note the Lakeside Pavilion will be enclosed and heated.  

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SAMARA JOY

With her upcoming Verve Records debut, Linger Awhile, 22-year-old Samara Joy makes her case to join the likes of Sarah, Ella, and Billie as the next mononymous jazz singing sensation recorded by the venerable label. Her voice, rich and velvety yet precociously refined, has already earned her fans like Anita Baker and Regina King, appearances on the TODAY Show and millions of likes on TikTok — cementing her status as perhaps the first Gen Z jazz singing star. On Linger Awhile, Samara will introduce that massive audience to a slew of classic standards several times older than she is through her timeless, irresistible sound.

Samara is still relatively new to jazz. Growing up in the Bronx, it was music of the past — the music of her parent’s childhoods, as she put it — that she listened to most. She treasures her musical lineage, which stretches back to her grandparents Elder Goldwire and Ruth McLendon, both of whom performed with Philadelphia gospel group the Savettes, and runs through her father, who is a singer, songwriter and producer who toured with gospel artist Andraé Crouch. “Sometimes I catch myself when I’m singing — I’m like, ‘Whoa, that was a dad moment’,” Samara quips. Eventually, she did follow in the family tradition, singing in church and then with the jazz band at Fordham High School for the Arts, with whom she won Best Vocalist at JALC’s Essentially Ellington competition. That led to her enrolling in SUNY Purchase’s jazz studies program, where she fell deeply in love with the music.

Though she’s young, she relishes the process of digging through the music’s history and learning new standards. “I think maybe people connect with the fact that I’m not faking it, that I already feel embedded in it,” Samara says. “Maybe I’m able to reach people in person and on social media because it’s real.” The gatekeepers of the jazz world tend to agree: in 2019, she won the Sarah Vaughan International Jazz Vocal Competition, and she’s since performed with legends like Christian McBride and Bill Charlap. Legendary late pianist Barry Harris was a particularly important influence and mentor. “You inspired me as well as many others with this fire for teaching and playing that couldn’t be dimmed by anything or anyone,” Samara writes in Linger Awhile’s liner notes, dedicating the project in part to Harris’ memory.

Samara is accompanied by esteemed veterans on Linger Awhile as well: her former professors, guitarist Pasquale Grasso and drummer Kenny Washington, form the core of the band, which also includes bassist David Wong and pianist Ben Paterson. With ease and a preternatural assurance, Samara swings right alongside them through understated yet powerful renditions of this creative collection of standards.

The 8:00pm shows both evenings are SOLD OUT!!!

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CHUCHO VALDES & PAQUITO D’RIVERA

Pianist Chucho Valdes and clarinetist Paquito D’Rivera come together for one night only of Afro-Cuban and Latin Jazz at The Town Hall.

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ETIENNE CHARLES

A high-energy spectacle blending American jazz with the sights and sounds of Trinidadian Carnival. A multicultural celebration of life, freedom, and history

The Anglophone Caribbean is the subject of Etienne Charles’s Carnival: The Sound of a People, by Trinidad-born, Juilliard-trained trumpet player and composer Etienne Charles. Charles was fascinated by Jab Molassie (Molasses Devil), the blue-colored, horned, winged, pitchfork-carrying, fire-breathing carnival characters in Trinidad and Tobago – and the people who become them for Carnival. He went to the village of Paramin on Carnival Monday, to watch them compete – only to dive in and start playing the biscuit tin along with them, getting himself splattered with blue paint. A scholar of Caribbean music and conservator of traditions who also extends the traditions in everything he does, Charles explains Carnival: “It’s music. It’s dance. It’s costume. It’s improvisation. It’s history. It’s social commentary, political commentary. It’s all of that in one word. And the only way to do it in a show is to have as much of it as possible.” This show makes its Jazz at Lincoln Center debut, rescheduled from June of 2020.

You can purchase the 9:30 performances on June 9 and 10 as part of the 9:30 in The Appel Room series – three 9:30 Appel Room shows for $99 (including fees) for any seat in the house while seats are available. Your Appel Room ticket stub can be used for a free cover to that evening’s Dizzy’s Late Night Session

Friday & Saturday: 7:00pm~& 9:30pm

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