LAVIE & ALLEN PAUL TRIO
C
aribbean vocalist LaVie performs alongside pianist Allen Paul for an outdoor concert on Ocean Drive as part of the Promenade Sunday Concert Series.
Known for her expressive vocals and stage presence, LaVie blends elements of soul, pop and inspirational music, while Allen Paul brings a background in composition, arranging and live performance shaped by his work as a musical director and educator in South Florida. Together, the performance offers a mix of familiar songs and original material in a relaxed, open-air setting.
Cover: Free
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Daily Dose Of Jazz…
Pops Foster was born George Murphy Foster on May 19, 1892 on a plantation near McCall in Ascension Parish outside Baton Rouge, Louisiana. When his family moved to New Orleans he started playing cello at age 10 but then switched to string bass.
Foster was playing professionally by 1907 working with Kid Ory, Jack Carey, Armand Piron, King Oliver and other prominent hot bands of the era. In 1921 he moved to St. Louis and joined the Charlie Creath and Dewey Jackson bands, in which he would be active for much of the decade. He would rejoin Kid Ory in Los Angeles and acquire the nickname “Pops” because he was far older than any of the other players in the band.
By the end of the Roaring Twenties he was back in New York City playing in the bands of Luis Russell and Louis Armstrong till 1940. From that point he would gig with Sidney Bechet, Art Hodes and other various New York bands along with regular broadcasts on the national This Is Jazz radio program.
He toured widely during this period throughout Europe and the United States and was well loved in France. He would return to New Orleans and California regularly. Through the 50s and 60s he played with Jimmy Archey, Papa Celestin, Earl Hines and the New Orleans All-Stars. Bassist Pops Foster, who also played tuba and trumpet, passed away on October 29, 1969 in San Francisco, California. His autobiography was published two years later.
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Daily Dose Of Jazz…
Lou Bennett was born May 18, 1926 in Philadelphia, Pennsylvania and first learned to play the piano before switching to the organ. It wasn’t until hearing Jimmy Smith play, that Bennett chose to stop playing bebop piano and make this instrument his professional calling.
Lou toured the U.S. with an organ trio between 1957 and 1959, and then moved to Paris in 1960. There he recorded and performed at the Blue Note with Jimmy Gourley, Kenny Clarke, Philip Catherine, Franco Manzecchi and Rene Thomas. He returned to America only once, for the 1964 Newport Jazz Festival.
By the 1980s he played in his own quintet and during this period toured extensively throughout Spain. As a leader he recorded twelve albums for RCA, Impulse, BelAir, Fonatana, Vogue and other labels into the Nineties. Jazz organist Lou Bennett passed away on February 10, 1997 in Paris, France.
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Daily Dose Of Jazz…
Joe Roland was born May 17, 1920 in New York City and began as a clarinetist, attending the Institute of Musical Art (The Juilliard School) from 1937 to 1939. He started playing the xylophone in 1940 and then the vibraphone in the middle of the decade, playing in the New York jazz clubs. Influenced by the nascent bebop movement, Roland put together his own ensembles late in the decade.
By the 1950s he was playing with Oscar Pettiford, George Shearing, Howard McGhee, Mat Mathews, Aaron Sachs, and with Artie Shaw and his Gramercy Five alongside Hank Jones, Tal Farlow, and Tommy Potter. Mat Mathews and Aaron Sachs. Roland recorded occasionally as a leader releasing albums for Rainbow, Savoy, Seeco and Bethlehem records.
In the early sixties Joe moved to Miami Florida and became an influential part of a thriving South Florida jazz scene. While working the Coconut Grove he was credited for having trained many young musicians from the University of Miami. Vibraphonist Joe Roland would work steadfastly throughout his life until his death of natural causes at the age of 89 in Jupiter, Florida on October 12, 2009.
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Daily Dose Of Jazz…
Eddie Bert was born May 16, 1922 in Yonkers, New York and learned to lay the trombone as a child. Among his early teachers were Benny Morton and Trummy Young and by age 18 he was a member of the Sam Donahue Orchestra.
Bert would leave Donahue and join up with Red Norvo in 1941, cutting his first recorded solo on Jersey Bounce. Through the Forties he played with the bands of Charlie Barnet, Woody Herman, Herbie Fields, Benny Goodman and Stan Kenton, rejoining Norvo for the legendary Town Hall concert. By the Fifties he was performing briefly again with Stan Kenton before becoming a leader and recording for Discovery, Savoy, Jazztone and Trans-world record labels.
He has performed and recorded with Charles Mingus, various Miles Davis/Gil Evans projects, Thelonious Monks big bands, and was a part of the Dick Cavett TV big band in the Sixties. He has toured Europe with the Mel Lewis/Thad Jones Orchestra, recorded for several obscure labels, worked extensively as a sideman with Michel Legrand, Nat Pierce, Stan Getz, Gene Harris, Ken Peplowski, Loren Schoenberg and others. When performing, trombonist Eddie Bert continuously played to sold-out shows.
Eddie received a Musician of the Year award from Metronome magazine, a Grammy for Musician of the Year, Jazz at the Kennedy Center honors and is inducted into the Rugers University Jazz Hall of Fame.
Trombonist Eddie Bert, whose photography can be seen on Jazz Giants, To Bird With Love (Chan Parker and F. Pandras) and The Band That Never Was (Spotlight Records album cover and liner notes), passed away on September 27, 2012 at age 90 in Danbury, Connecticut.
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