Daily Dose Of Jazz…
Sol Yaged was born on December 8, 1922 in Brooklyn, New York and began playing the clarinet at the age of 12 after hearing Benny Goodman’s broadcasts for Nabisco in 1935. He studied under a New York Philharmonic clarinetist, however turned down a classical career to play jazz in New York City nightclubs.
After three years in the Army during World War II, Yaged played clarinet professionally and continuously for over 70 years, with Phil Napoleon, Coleman Hawkins, Red Allen, and Jack Teagarden among others. In the 1960s, he began working primarily as an ensemble leader in City. In the Nineties he worked in Felix Endico’s swing band, and served as a consultant on Benny Goodman’s musical style for the 1956 film, The Benny Goodman Story.
For two years in the mid-1990s he worked under the musical direction of bandleader Jack Vartan at the Stony Hill Inn in Bergen County, New Jersey. He recorded four albums as a leader and six as a sideman. Clarinetist Sol Yaged, who was strongly influenced by Benny Goodman passed away on May 11, 2019.
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Daily Dose Of Jazz…
Marshal Walton Royal Jr. was born into a musical family on December 5, 1912 in Sapulpa, Oklahoma. His first professional gig was with Lawrence Brown’s band at Danceland in Los Angeles, California. In a very short time, he secured a regular gig at the Apex, working for Curtis Mosby in Mosby’s Blue Blowers, a 10-piece band. Following that gig, he began an eight-year stint from 1931–1939 with the Les Hite Orchestra at Sebastian’s Cotton Club in Los Angeles. He spent 1940 to 1942 with Lionel Hampton, until the war interrupted his career.
With his brother Ernie, he served in the U.S. Navy in the 45-piece regimental band that was attached to the Navy’s pre~flight training school for pilots at St. Mary’s College in Moraga, California. Two swing bands were organized from the larger regimental band, and they played for smokers and dances at USOs and officers clubs. Royal was the leader of the Bombardiers, one of those bands, which also included not only his brother Ernie, but Jackie Kelson (later known as Jackie Kelso), Buddy Collette, Jerome Richardson, and Vernon Alley.
When he left Basie in 1970, Royal settled permanently in Los Angeles, continuing to play and record, working with Bill Berry’s big band, Frank Capp and Nat Pierce, Earl Hines, and Duke Ellington. Royal recorded as a soloist with Dave Frishberg and Warren Vache. He co-led a band with Snooky Young in the 1970s and 1980s, recording with the band in 1978.
Alto saxophonist and clarinetist Marshal Royal, best known for his twenty years with Count Basie, passed away in Culver City, California, on May 9, 1995, aged 82.
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Daily Dose Of Jazz…
Denis Charles was born in St. Croix, Virgin Islands on December 4, 1933 and first played bongos at age seven with local ensembles in the Virgin Islands. Moving to New York City in 1945, he gigged frequently around town and in 1954 began working with Cecil Taylor, and the pair collaborated for the next four years. Following his work with Taylor, he played with Steve Lacy, Gil Evans, and Jimmy Giuffre. He befriended Ed Blackwell, and the two influenced each other.
Recording with Sonny Rollins on a calypso-tinged set, Denis then returned to play with Lacy until 1964. He worked with Archie Shepp and Don Cherry in ‘67 and then disappeared from the jazz scene until 1971. In the 1970s and 1980s he played regularly on the New York jazz scene with Frank Lowe, David Murray, Charles Tyler, Billy Bang, and others, and also played funk, rock, and traditional Caribbean music.
Between 1989~1992 drummer Denis Charles released three albums as a leader before passing away of pneumonia in his sleep on March 26, 1998 in New York City in 1998, four days after a five-week European tour with the Borgmann/Morris/Charles (BMC) Trio, with Wilber Morris and Thomas Borgmann. In 2002 Veronique N. Doumbe released a film documentary Denis A. Charles: An Interrupted Conversation about his life.
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Daily Dose Of Jazz…
Ronald Mathews was born on December 2, 1935 in New York City and in his twenties, he toured internationally and recorded with Max Roach, Freddie Hubbard and Roy Haynes. He was a member of Art Blakey’s Jazz Messengers in the late Fifties through the 1960s. By age thirty, he was teaching jazz piano and leading workshops, clinics and master classes at Long Island University in New York City.
During the 1970s Ronnie recorded with Dexter Gordon and Clark Terry, toured and recorded on two Louis Hayes projects, the Louis Hayes~Woody Shaw Quintet and the Louis Hayes~Junior Cook Quintet. One of his longest associations and a highlight of his career was with the Johnny Griffin Quartet. For almost five years, from 1978~1982, he was an integral part of this band, forging lasting relationships with Griffin, drummer Kenny Washington, and bassist Ray Drummond.
The Eighties saw Mathews honing his role as a frontman, performing as a leader in duo, trio, and quartet configurations around the world. He again toured with Freddie Hubbard and Dizzy Gillespie’s United Nations Band, was the pianist for the Tony Award~winning Broadway musical, Black and Blue in 1989, and, in 1990, he was one of the artists who recorded for Spike Lee’s movie, Mo’ Better Blues.
After a stint touring and recording with the Clifford Jordan Big Band in the early 1990s, Mathews joined T.S. Monk for eight years of touring and recording three albums with the band. In 1998, Hal Leonard Books published his collection of student arrangements: Easy Piano of Thelonious Monk.
As both a mentor and musician with Generations, a group of jazz musicians headed by veteran drummer Jimmy Cobb, he contributed two new compositions for the album that was released posthumously to his death by San Francisco State University’s International Center for the Arts on September 15, 2008.
Pianist Ronnie Matthews recorded 14 albums as a leader and more than three dozen as a sideman during his career, passing away on June 28, 2008 in Brooklyn, New York.
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Daily Dose Of Jazz…
Dick Johnson was born Richard Brown Johnson on December 1, 1925 in Brockton, Massachusetts. His primary instrument was clarinet, however, he also played the alto saxophone and flute.
He began his professional career as a musician while serving in the U.S. Navy in 1944-1946 and played with the navy band on the USS Pasadena during World War II. He often credited his stint in the Navy for kicking off his career in jazz. After the war, Johnson toured with the big bands of Charlie Spivak and Buddy Morrow.
Eventually, after several years on the road, he settled in his hometown of Brockton, Mass. It was there in Brockton where he and his close friend, Lou Colombo formed a jazz sextet. The group lasted 10 years, but the friendship and musical kinship lasted for the rest of his life. In addition, Dick formed his septet, Swing Shift, which was a staple on the Boston music scene for many years.
Like Herb Pomeroy, Johnson managed a double career as a performer and an educator, teaching jazz at nearby Berklee School of Music, where he mentored many younger jazz musicians.
Between 1956 and 2006 he recorded ten albums as a leader. He worked with Frank Sinatra, the Swing Shift Orchestra, Dizzy Gillespie, and Tony Bennett.
Clarinetist, alto saxophonist, and flutist Dick Johnson, who also played in the free jazz genre, passed away on January 10, 2010 in Boston, Massachusetts after a short illness, aged 84.
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