TERRI LYNE CARRINGTON & CHRISTIE DASHIELL

Terri LynE Carrington: WE INSIST 2025! featuring Christy Dashiell

Four-time GRAMMY-winning jazz icon Terri Lyne Carrington and GRAMMY-nominated vocalist Christie Dashiell release “Freedom Day (Part 1),” their vibrant reimagining of Max Roach’s timeless anthem “Freedom Day.” The single highlights Carrington’s lifelong mission to champion jazz and advocate for inclusivity and raise the voice of women, trans and non-binary people in the genre. The single is out now via Candid Records, listen here.

“Freedom Day (Part 1)” is a dynamic tribute to the 1960 Max Roach and Oscar Brown Jr. composition, from the groundbreaking album We Insists! Max Roach’s Freedom Now Suite.  Written to commemorate the emancipation of enslaved people in the United States, the album stands as a defining artistic statement of the Black American civil rights movement. With a career defining performance by the incomparable Abbey Lincoln, it is one of the most powerful and enduring statements of music as protest

The new arrangement breathes new life into the track, blending Carrington’s signature drumming and electronics with Dashiell’s soulful vocals and an all-star ensemble featuring Matthew Stevens (guitar), Simon Moullier (vibes), Morgan Guerin (bass, woodwinds), and Milena Casado (trumpet, electronics). The result is a dynamic interpretation that honors the original’s revolutionary spirit, while echoing a social justice message which remains poignant as ever today.

Cover: ¥ 10,000 | $67.32

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Daily Dose Of Jazz…

Albert Wynn was born on July 29, 1907 in New Orleans, Louisiana but grew up in Chicago, Illinois where he began his professional career as a trombonist. His first appearance on record in 1926 backing Ma Rainey and the following year he played and recorded in St. Louis, Missouri with Charlie Creath.

Wynn went on to work with Earl Hines’s band briefly in 1928 before assembling a group of his own. Later that same year he joined the Sam Wooding Orchestra on their European tour and didn’t return to the United States until 1932 when he would live in New York City for a short time before going back to Chicago.

He was a member of Sidney Bechet’s New Orleans Feetwarmers for a stint going on to work with the bands of Jesse Stone, Carroll Dickerson, Richard M. Jones, and the Earl Hines Orchestra once again. During the late 1930’s and early ’40’s Albert played in the big band of Fletcher Henderson and the short lived assembly of Jimmie Noone.

Settling into semi-retirement he ran a Chicago record store and enjoined his final professional band work as a member of Franz Jackson’s Original Jazz All-Stars from 1956 to 1960 and the Gold Coast Jazz Band from 1960  to 1964.

Trombonist Albert Wynn died on May 1, 1973.

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GARY BARTZ QUINTET

Saxophonist Gary Bartz is a NEA Jazz Master and two time Grammy Award winner and Living Legacy Award recipient. He comes to Blue Note Tokyo with his quintet for a three day residency. He was first exposed to jazz as the son of the owners of a jazz nightclub in Baltimore, Maryland.

In 1958 he left Baltimore to study at the Juilliard School. In the early 1960s, he performed with Eric Dolphy and McCoy Tyner in Charles Mingus’ Jazz Workshop. He worked as a sideman with Max Roach and Abbey Lincoln before joining Art Blakey and the Jazz Messengers. In 1968, he was a member of McCoy Tyner’s band, Expansions.

In 2019, Revive Music and Bartz celebrated the 50th Anniversary of his Another Earth album at Winter Jazzfest in New York City, alongside original member Pharoah Sanders. He is Professor of Jazz Saxophone at Oberlin College.

Tickets: ¥ 9,900 | $66.65

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Daily Dose Of Jazz…

Celso Vernon was born on July 28, 1958, in Valencia, Spain, he began his studies in music theory and harmony at the Metropolitan Seminary of Moncada in Valencia and  completed his training years later in the private sector. When he turned 16 he became interested in the guitar and contemporary music. For two years, between 1974 and 1976, he began his first steps on the guitar as a self-taught artist. He listened to as much music as he could and found inspiration, especially progressive rock guitarists. He gave his first performances in educational centers and festivals.

He moved to Getxo in the Basque Country of Spain where he began playing guitar with musicians and bands from the municipality and province. During those years, he discovered that the guitar was his greatest weakness and decided to further his studies. Celso delved into progressive rockand by the end of the Seventies he discovered  jazz appealed to him, sinking in a few years later. It was through jazz and began his evolution as a usician, guitarist, and composer.

Vernon has trained in modern music and jazz using methods imported from the United States and gained experience performng with various groups and ensembles. Listening to a lot of music, as a self-taught guitarist he learned what musicians in other countries havebeen taught by maestros, universities and specialized schools. He went on to attend Berklee College of Music in Boston, Massachusetts. He studied and analyzed the styles of guitarists Steve Howe, Carlos Santana, Wes Montgomery, Joe Pass, Larry Coryell, George Benson, Pat Metheny, and others.

Returning to Valencia throughout the Eighties he worked as a producer with bands and groups of various musical styles which gave him a wealth of experience as a teacher, guitarist, and composer. In 1993, he joined the Sedaví Jazz Workshop Combos, where he remained for some time. 1995 saw him moving to Ayora, Spain where he founded the Guitar School & Contemporary Music Workshop, working as a teacher of music, guitar and modern harmony.

His study and teaching methods are built on a solid foundation of knowledge and experience acquired over more than 30 years. All students learn through a fun, engaging approach, understanding that the guitar is a simple instrument if practiced consistently and disciplined. His teaching experience dates back to 1991, and he has continued to teach ever since. He doesn’t believe there are bad students, just bad teachers. Under this maxim, he leads classes with simplicity and consistency, placing vital importance on the fact that practice makes perfect.

Self-taught musician, guitarist, composer, and guitar and modern harmony teacher, continues to perform, record and produce.

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DUANE EUBANKS QUARTET

Duane Eubanks was raised in a musical family, but stopped playing in his teens and instead pursued a degree in accounting; six years later, he conceded that this had been an error, and returned to music. He subsequently studied jazz at Temple University, where he played with Wynton Marsalis and Billy Taylor, and also spent two years training with Johnny Coles.

He hass released his first album, My Shining Hour, in 1999, having been approached by a producer who had heard him performing on his brother Robin’s album 4: JJ / Slide / Curtis and Al. In 2002 and 2005, Eubanks shared in the Grammy Awards received by Dave Holland’s big band for the albumsWhat Goes Around and Overtime.

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