Daily Dose Of Jazz…
Charles Ables was born on July 23, 1943 in Mississippi and started out on his musical career playing the guitar. He worked with Ray Charles prior to switching to bass to become a member of the Shirley Horn Trio in the early Eighties. He would tour the world and record with her on Steeplechase and then Verve record labels over the next three decades
Ables is heard on guitar as well as bass on several of these, including You Won’t Forget Me, which featured guest contributions from both Miles Davis and Wynton Marsalis, Light Out of Darkness, Horn’s tribute to Ray Charles, I Thought About You, Close Enough For Love, Here’s To Life and the Grammy-winning I Remember Miles.
As well as accompanying Shirley Horn, Charles is heard with the trio on Carmen McRae’s last album in 1990, Sarah – Dedicated to You, in which Horn is featured in her often forgotten role as a pianist. He recorded in similar circumstances with Toot Thielemans on his album For My Lady, with Joe Williams and as a leader.
Bassist and guitarist Charles Ables passed away on October 8, 2001 in Washington, D. C.
Daily Dose Of Jazz…
Milt Hinton was born Milton John Hinton on June 23, 1910 in Vicksburg, Mississippi but grew up in Chicago, Illinois from age eleven. He attended Wendell Phillips High School and Crane Junior College and learned to first play violin followed by bass horn, tuba, cello and the double bass.
In the late 1920s and early 1930s, he worked as a freelance musician in Chicago playing with Jabbo Smith, Eddie South, and Art Tatum. In 1936, he joined Cab Calloway’s band playing alongside Chu Berry, Cozy Cole, Dizzy Gillespie, Illinois Jacquet, Jonah Jones, Ike Quebec, Ben Webster, and Danny Barker, where he was equally adept at bowing, pizzicato, and “slapping” a technique for which he became famous while playing in the big band from 1936 to 1951.
Milt later became a television staff musician, working regularly on shows by Jackie Gleason and Dick Cavett, recorded eleven albums as a leader and worked as a sideman on numerous albums with Lionel Hampton, Milt Jackson, Elvin Jones, Charles Mingus, Ike Quebec, Ralph Sutton, Ruby Braff, Clark Terry and Branford Marsalis.
He has twice received awards from the National Endowment For The Arts for his work as a jazz educator and a fellow and is a 1993 NEA Jazz Master. Bassist Milt Hinton, who photographically documented many of the jazz greats, was nicknamed “The Judge”, was heralded as the “the dean of jazz bass players”, passed away on December 19, 2000 in New York City at age 90.
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Daily Dose Of Jazz…
Buddy Catlett was born George James Catlett on June 13, 1933 and grew up in Seattle, Washington. During his childhood he listened to records his mother brought home, and learned to play the cornet around age 10 after hearing Louis Armstrong, and by fourteen had saved enough money from his movie theater job to buy a saxophone. He would soon be gigging with his childhood friend Quincy Jones till 5:30 in the morning and then the two would go to Garfield High School a few hours later. It was during this time that he also met and performed with Ray Charles.
He first professional gig was with vibraphonist Bumps Blackwell’s band that included Ernestine Anderson, but by 17 had to stop performing due to tubercular pleurisy that hospitalized him for two years. Not to be beaten, he started taking bass lessons with Tiny Martin of the Seattle Symphony. Learning quickly he was soon asked to join pianist Horace Henderson’s band and on the road he went. This was followed up with a stint with Cal Tjader, a move to New York in 1958, and a European tour with Quincy Jones playing for the musical Free and Easy starring tapper Harold Nicholas.
Throughout his career he performed with Billie Holiday, Ella Fitzgerald, Sarah Vaughan, Frank Sinatra, Count Basie and Louis Armstrong among others. He has appeared on over 100 recordings and is recognizable on the Sinatra/Basie arrangement of Fly Me To The Moon and Armstrong’s What A Wonderful World. With declining health, bassist Buddy Catlett scaled down his jazz performances in his hometown of Seattle but has not lost his popularity or respect from an admiring community. Bassist Buddy Catlett passed away on November 12, 2014, at age 81 at the Leon Sullivan Health Care Center in Seattle’s Central District.
Daily Dose Of Jazz…
Niels-Henning Ørsted Pedersen was born May 27, 1946 in Osted, near Roskilde on the Danish island of Zealand. As a child he played piano and started learning the double bass during his teenage years. By age 14 while still studying he began his professional jazz career in Denmark with his first band, Jazzkvintet 60. At 17, he had already turned down an offer to join the Count Basie Orchestra, being too young to legally live and work in the U.S.
The 1960s saw Pedersen playing with several visiting or residing musicians in Denmark such as Bud Powell, Roy Eldridge, Dizzy Gillespie, Dexter Gordon, Roland Kirk, Sonny Rollins, Jackie McLean, Bill Evans, and Ben Webster to name a few. He became the bassist of choice whenever a big-name musician was touring Copenhagen.
Pedersen worked in duo and trio arrangements with pianist Kenny Drew, recording over 50 albums together, worked with Oscar Peterson, Stephane Grappelli and Joe Pass and recorded extensively as a leader. His best-known songs are “My Little Anna”, “Jaywalkin” and “The Puzzle”. He was awarded the Nordic Council Music Prize, the “Best Bass Player Of The Year” by the Downbeat Critics’ Poll, co-led a duo with Mulgrew Miller that toured Europe, Japan, Australia, and Korea and later enlarged into a trio with drummer, Alvin Queen. Bassist Niels Henning Orsted Pedersen, known as The Great Dane With The Never Ending Name, died of heart failure on April 19, 2005 at the age of 58 in Copenhagen, Denmark.
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Daily Dose Of Jazz…
Pops Foster was born George Murphy Foster on May 19, 1892 on a plantation near McCall in Ascension Parish outside Baton Rouge, Louisiana. When his family moved to New Orleans he started playing cello at age 10 but then switched to string bass.
Foster was playing professionally by 1907 working with Kid Ory, Jack Carey, Armand Piron, King Oliver and other prominent hot bands of the era. In 1921 he moved to St. Louis and joined the Charlie Creath and Dewey Jackson bands, in which he would be active for much of the decade. He would rejoin Kid Ory in Los Angeles and acquire the nickname “Pops” because he was far older than any of the other players in the band.
By the end of the Roaring Twenties he was back in New York City playing in the bands of Luis Russell and Louis Armstrong till 1940. From that point he would gig with Sidney Bechet, Art Hodes and other various New York bands along with regular broadcasts on the national This Is Jazz radio program.
He toured widely during this period throughout Europe and the United States and was well loved in France. He would return to New Orleans and California regularly. Through the 50s and 60s he played with Jimmy Archey, Papa Celestin, Earl Hines and the New Orleans All-Stars. Bassist Pops Foster, who also played tuba and trumpet, passed away on October 29, 1969 in San Francisco, California. His autobiography was published two years later.
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