STRAIGHT AHEAD
Out of Detroit’s lively jazz scene, comes the ground breaking, Grammy-nominated jazz group Straight Ahead. A group of strong, inventive instrumentalists and vocalists, they have shown themselves to be powerful and imaginative composers and arrangers. Straight Ahead was the first all-woman group signed to Atlantic Jazz.
Widely recognized for their eclectic and soulful approach to creating music, Straight Ahead is in the Detroit Music Awards Hall of Fame. with a sound that ranges comfortably from mainstream jazz to Latin jazz and jazzy hip-hop. Their live performances are a dynamic celebration of power and joy!
The Group:
Alina Morr- Piano
Marion Hayden – Bass
Gayelynn McKinney- Drums
Kymberli Wright – Vocals
Ingrid Racine – Trumpet
Cover: $20.00
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Daily Dose Of Jazz…
Scott Samenfeld was born on October 26, 1951 in New York City and grew up between the city and New Jersey. Moving to Boston, Massachusetts in 1970 he attended Berklee College of Music and has been performing in the Boston area ever since.
The first band Scott founded, Muse Stew, began its life performing jazz and poetry. He currently leads his group performing his original compositions as well as other jazz and Latin artists. They blend African, Afro-Cuban, Brazilian and other folk rhythms of jazz.
Samenfeld performs with a 16 piece big band, the Sounds of Swing Orchestra. They have been performing throughout New England for almost 20 years. As an educator Samenfeld has been a music teacher for many years and taught music theory and jazz guitar at the Guitar Workshop. During the 1970’s he taught jazz ensemble and instrumental music at the Cambridge School in Weston and The Open Road School in Waltham during that period as well.
Scott has focused on composing and performing his music and has been a member of the groups Razzamatazz, Trillium, Favela, and Ibrahima’s World Beat.
Bassist Scott Samenfeld who plays in the mediums of avant garde, bossa nova, and modern jazz, continues to perform, compose and teach.
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Daily Dose Of Jazz…
Aladar Pege was born on October 8, 1939 in Budapest, Hungary into a family of Gypsy musicians. He did not start playing the bass until age 15 but he quickly grabbed the attention of his teachers at the Bartók Bela Musical Training College. He studied classical music at Bartók, and worked in dance orchestras. He attended Liszt Ferenc Academy of Music and after graduating in 1969 he remained as a double bass teacher.
Forming a jazz quartet in 1963 Pege quickly gained international recognition and in 1964 saw him being named festival Virtuoso at a concert in Prague, Czechoslovakia. Reforming his jazz group in 1970 he appeared at the Montreux Jazz Festival where he was named Europe’s Best Soloist.
Between 1975 and 1978 he lived in Berlin, Germany playing bop and free jazz, but later returned home to teach. Aladar recorded with Walter Norris, and played concerts with Herbie Hancock, Art Farmer, Dexter Gordon and Mingus Dynasty. Sue Mingus, the widow of Charles Mingus, gave him one of her late husband’s instruments.
Double bassist Aladar Pege, who was called the Paganini of the bass, died at age 67 on September 23, 2006 in Budapest.
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RON CARTER FEATURING BILL FRISELL
Ron Carter is among the most original, prolific and influential bassists in jazz with more than 2,000 albums to his credit. Beginning his career in the 1960s with Jaki Byard and Eric Dolphy, Cannonball Adderley, and a five year stint with the Miles Davis’ Quintet, Ron also performed and recorded with notables including Bill Evans, B.B. King, and Dexter Gordon. Ron Carter’s various ensembles, big band to trio, feature a who’s who of the finest players on the NYC scene with, “an absolute commitment to musical sublimity [that] exudes refined elegance and sonic power.” (amazon.com)
Bill Frisell’s career as a guitarist and composer has spanned more than 40 years and many celebrated recordings, whose catalog has been cited by Downbeat as “the best recorded output of the decade.”
Tickets: $45.76 ~ $61.21
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Daily Dose Of Jazz…
Joseph C Mudele was born on September 30, 1920 and grew up in Downham, South East London. He left school at the age of 14 and began singing and playing in local bands. He began playing double bass at the age of 17 after buying an upright bass in a junk shop. After having served in the war in the Royal Air Force, he studied for a while with principal double bassist James Merritt with the Philharmonia Orchestra.
His professional playing career took off in 1947 with clarinetist Carl Barriteau, accordionist Tito Burns and the Jimmy Macaffer Band. He toured with Hoagy Carmichael during the autumn of 1948, and played with Charlie Parker and drummer Max Roach at the 1949 International Jazz Festival in Paris.
In 1948 Mudele became a founder member of Club Eleven, a Soho nightclub open between 1948 and 1950 which played a significant role in the emergence of the bebop jazz movement in Britain. After the club was closed he became a founder member of the John Dankworth Seven, while also continuing to play with others during the Fifties. During this period Mudele also played for Sophie Tucker, Judy Garland and Billy Eckstine.
Joe supplemented his club performances with extensive radio, television and recording studio work outside of jazz from the 1960s onwards. In later life Mudele lived in Bromley, played weekly at the Bexley Jazz Club in Kent, and took over management duties after owner Les Simons died in 2004. In 2010 he recorded For All We Know with pianist Robin Aspland and drummer Geoff Gascoyne.
Double bassist Joe Mudele, who was sometimes known as Joe Muddel or Muddell and was one of the Club Eleven Collective, died at age 93 on March 7, 2014.
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