PAUL MUTZABAUGH
Paul Mutzabaugh is a multi-instrumentalist and composer from Chicago. Over the past 20 years, he has worked consistently in a wide range of musical styles with a variety of notable artists and ensembles, including: Chicago Symphony Orchestra, Heather Headley, Jason Robert Brown, Rufus Wainwright, Mannheim Steamroller, Robbie Fulks, Miguel Zenón, Spektral Quartet, John Elmquist’s HardArt Groop, and the Charles Heath Quartet.
Paul also leads his own ensemble, The Unknown New – equal parts instrumental folk and chamber jazz – for which he composes all of the material. Additionally, he has earned Grammy and Emmy nominations as an audio engineer and producer.
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BILL CHARLAP TRIO
Grammy Award-winning pianist Bill Charlap has performed with many of the leading artists of our time, from Phil Woods and Benny Carter to Gerry Mulligan and Wynton Marsalis. He is acclaimed for his interpretations of the American popular songbook, and has recorded albums featuring the music of Hoagy Carmichael, Leonard Bernstein, George Gershwin, Irving Berlin, Cole Porter, Richard Rodgers and Duke Ellington.
The Bill Charlap Trio, with bassist Peter Washington and drummer Kenny Washington, marks its 23rd year together this season, and is recognized as one of the leading ensembles in jazz.
Bill Charlap, piano
Peter Washington, bass
Kenny Washington, drums
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Daily Dose Of Jazz…
Gordon “Gordy” Johnson was born July 31, 1952 in Minneapolis, Minnesota, and was quickly immersed in the world of music as his father Clifford was in the bass section of the Minnesota Orchestra for 47 years and his mother Thelma taught piano. His main instrument growing up was the flute, however, he also played bass, keyboards and guitar, and sang rock and roll.
Graduating in 1974 from Eastman School of Music at the University of Rochester in New York, Gordy played flute in the Eastman Wind Ensemble and bass in the Eastman Jazz Ensemble, Studio Orchestra and Arrangers Workshop Orchestra.
Johnson spent a year breaking into the New York City music scene often playing with pianist and college classmate Phil Markowitz. In 1975, Gordy hit the road for a three-year stint with the Maynard Ferguson Orchestra, alongside drummer Peter Erskine. World tours followed with Gene Bertoncini, Roy Buchanan, the Paul Winter Consort and Chuck Mangione. He was also busy with studio recordings.
Moving back to the Twin Cities in 1989 where he became one of the most in-demand bass players in town ever since. He has performed, toured and/or recorded with Joanne Brackeen, Herb Ellis, Rosemary Clooney, Scott Hamilton, Michael Johnson, Jay McShann, Dewey Redman, Jim Rotondi, Diane Schuur, Marlena Shaw, Stacey Kent and Toots Thielemans, among others.
Double bassist and bass guitarist Gordy Johnson, who has recorded five albums as a leader and fourteen as a sideman, continues to play an average of 250 gigs a year, which keeps quite busy.
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JEFF LORBER FUSION
A consummate musician, Jeff Lorber’s passion, technical wizardry, forward-thinking and earnest approach, and sheer musicianship, has inspired legions of musicians for over five decades. A groundbreaking Fender Rhodes pioneer along with Herbie Hancock, Joe Sample and Bob James, he is also one of the most in-demand producers in Contemporary Jazz.
JEFF LORBER …KEYS/RHOADS
JIMMY HASLIP …BASS
GARY NOVAK …DRUMS
ALEX SILL – GUITAR
$40.00 1st Set | $35.00 2nd Set are Inside Seating
$20.00 Patio Seating is a live video concert, not inside the club.
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Daily Dose Of Jazz…
Benoît Quersin was born in Brussels, Belgium on July 24, 1927 into a family with a classical tradition. He met personalities like the composer Béla Bartókor and the pianist Stefan Askenaseat at a very young age. Shortly before the war, he discovered jazz secretly in his bedroom while listening to the records of Fats Waller and Louis Armstrong, then Belgian jazz bandleader Fud Candrix.
His beginnings as a musician were with the kids in his Brussels neighborhood. At the Liberation, Quersin set up his first orchestra. In 1947 he hired Jean Thielemans, who later became known as Toots, with whom he played for some time. He abandoned the piano for the double bass and obtained his first engagements. Toots took him to the Paris, France festival at a time when the headliners were Charlie Parker and Miles Davis.
Moving to Paris in 1950 he played and recorded with Sidney Bechet, Lionel Hampton, Sarah Vaughan, Dizzy Gillespie, Chet Baker, Lucky Thompson, Zoot Sims, Lee Konitz, Jimmy Gourley, Blossom Dearie, Mary Lou Williams, Kenny Clarke, and Jonah Jones among others. The French musicians were Stéphane Grappelli, Maurice Vander, Barney Wilen, Henri Renaud, René Urtreger, Sacha Distel, and Martial Solal, the Belgians were René Thomas, Bobby Jaspar, Francy Boland, Leo Mouse, Jacques Pelzer, and Jack Sels.
Returning to Belgium in 1957 he opened a jazz club in Brussels, the Blue Note, where people like Lou Bennett, Jackie McLean, Martial Solalor and Marc Moulin. In 1961, Quersin became host of jazz programs on Belgium radio RTB and interviewed Charles Mingus, Thelonious Monk, Ray Charles, Fats Domino and John Coltrane. Late in life he became an ethno-musicologist, passionate about world civilizations and the music of West and Central Africa, and collected traditional music from the Mbam ethnic group inCameroon. He would go on tomove to Zaire, Democratic Reublic of Congo and release several albums of traditional instruments.
Double bassist Benoît Quersin, who was an important double bassist on the international jazz scene during the 1950s and Sixties, died on May 31, 1992 in Vaison-la-Romaine, France.
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