Daily Dose Of Jazz…
Jamaaladeen Tacuma was born Rudy McDaniel on June 11, 1956 in Hempstead, New York. Raised in Philadelphia, Pennsylvania he showed interest in music at a young age, taking up the electric bass and performing with the organist Charles Earland in his teens.
Through Earland, he came to know the record producer Reggie Lucas, who introduced Jamaaladeen to Ornette Coleman in 1975 at age 19. As the electric bassist for Coleman’s funky harmolodic Prime Time group, he rose to prominence quickly. During the 1980s he was playing a Steinberger bass that helped him create his readily identifiable sound.
His work with Prime Time got him an appearance with the band on Saturday Night Live in 1979. He went on to work with James “Blood” Ulmer, Walt Dickerson, Chuck Hammer, David Murray, and collaborated with The Golden Palominos in 1983. Tacuma recorded his first solo album as a leader, Show Stopper, that same year.
During the 1980s Jamaaladeen started to perform in a relatively straightforward funk/R&B setting with his group Cosmetic. He received the highest number of votes ever for an electric bassist in the “talent deserving wider recognition” category of the Down Beat magazine critics poll.
Though maintaining a low profile since the early 1990s, he has remained active but has maintained a lower profile. He has made numerous solo and collaborative recordings, returning to the jazz spotlight with an appearance on the World Saxophone Quartet’s Political Blues.
In 2007, he joined with Grant Calvin Weston and guitarist Vernon Reidto form the power trio Free Form Funky Freqs. He recorded two albums with Basso Nouveau. He has received numerous awards and fellowships and since 2015 he has presented the annual Outsiders Improvised & Creative Music Festival in Philadelphia. Bassist Jamaaladeen Tacuma continues to tour, produce and record worldwide.
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Daily Dose Of Jazz…
Leonard Walter Bush was born in London, England on June 6, 1927 and contracted polio as a child which left him with a limp for the rest of his life. He studied and played violin before switching to bass at sixteen. By 17 he was playing professionally in a variety show called The Rolling Stones and Dawn. He played with Nat Gonella in the middle of the 1940s but turned to bebop later in the decade.
From 1950 onwards Lennie did a lot of freelance work and worked with Roy Fox in 1951. He was one of the founding members of London’s Club Eleven, the first London jazz club to offer performers a paid gig. He played there from 1952-1956 in a band with Ronnie Scott, trumpeter Hank Shaw, pianist Tommy Pollard, and drummer Tony Crombie.
He studied with James Merrett at the Guildhall School of Music and participated in the European tours of Benny Goodman, Louis Armstrong, Zoot Sims, and Roy Eldridge. Becoming a member of Jack Parnell’s ATV Orchestra in 1957, he recorded with Stephane Grappelli, Anita O’Day, and Eddie Vinson. He continued to play in the 1990s as part of the Ralph Sharon Trio with Jack Parnell. During that decade he also appeared with Don Lusher’s Ted Heath tribute band and played in the final Ted Heath concert in 2000.
Double bassist Lennie Bush continued to freelance into the 2000s until his death on June 15, 2004.
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Daily Dose Of Jazz…
Vernon Alley was born on May 26, 1915 in Winnemucca, Nevada and played football in high school and college. His brother Eddie was a drummer and they played together often. He played with Wes People in 1937 and with the interracial Saunders King band until the end of the decade. He briefly led his own band in 1940.
Around 1940, while in Lionel Hampton’s band, Alley switched from double bass to electric upright bass, one of the first musicians to do so. In 1942 he moved to Count Basie’s ensemble, where he played only for a few months and appeared in the film Reveille with Beverly.
Enlisting in the Navy as a musician in 1942, after training at Camp Robert Smalls, he was assigned as part of a 45-piece regimental band to the Navy’s PreFlight School located at St. Mary’s College, in Moraga, California. Others who served in this band included Ernie and Marshal Royal, Jackie Kelso, Wilbert Baranco, Earl Watkins, and Buddy Collette.
After returning to civilian life, Alley put together an ensemble in San Francisco, California. He continued to play there and was an active member on local radio and in civic arts into the 1990s. Bassist Vernon Alley passed away on October 3, 2004 having become the most distinguished jazz musician in San Francisco history.
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Three Wishes
When Henry Grimes was asked what he would wish for if he had three wishes by Pannonica, he told her:
- “Health. If I had the health, I could do anything else.”
- “The second would be money. Not a large sum of money, but just a constant flow of money to keep me in comfort the rest of my life.”
- “Everlasting peace and everlasting good will amongst everyone. So there’ll be no wars, and no excuse to drop that H~bomb, and all that sh*t. So I’ll live in peace, and spend all that money in peace.”
*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter
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Daily Dose Of Jazz…
David Izenzon was born on May 17, 1932 in Pittsburgh, Pennsylvania. Graduating from the Carnegie Institute of Technology, he later received a master’s degree from the Manhattan School of Music.
Izenzon began playing double bass at the age of twenty-four and played in his hometown before moving to New York City in 1961. There he played with Paul Bley, Archie Shepp, Sonny Rollins, and Bill Dixon, but he is best known for his association with Ornette Coleman, which began in October 1961. He played in Coleman’s 1962 Town Hall concert and played with him frequently from 1965 to 1968, often in a trio format with Charles Moffett.
During this time Izenzon also recorded with Harold McNair and Yoko Ono. He taught music history at Bronx Community College from 1968 to 1971 and played with Perry Robinson and Paul Motian, but reduced his time in music in 1972 when his son became ill. In 1973 Izenzon received a Ph.D. in psychotherapy from Northwestern University. The following year, he co-founded Potsmokers Anonymous with his wife, Pearl.
In 1975 he composed a jazz opera titled How Music Can Save The World, dedicated to those who helped his son recover. From 1977 he worked again with Coleman and Motian up until his death. Double bassist David Izenzon passed away on October 8, 1979 of a heart attack, arriving dead on arrival at Bellevue Hospital in New York City.
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