Daily Dose Of Jazz…
Clinton Joseph Houston was born on June 24, 1946 in New Orleans, Louisiana and spent his early childhood in Washington, D.C. before spending his adolescence in Queens, New York. At the age of 10, he began piano lessons and started playing jazz in his early teens after hearing Cannonball Adderley on the radio. After being turned down for a pianist role in his high school band, he switched to the double bass.
He began playing in bands outside of high school, with Lenny White, George Cables, Billy Cobham, Steve Grossman and Charles Sullivan, all of whom grew up in the same neighborhood. In his early years, he played in a band called the Jazz Samaritans, playing Latin-style music at local parties and drawing inspiration from Art Blakey. At the age of 19, Clint won a Jazz Interactions competition, leading to an encounter with Paul Chambers who encouraged him to pursue his music further.
After high school, he went to the Pratt Institute, then transferred to Queen’s College to study music before eventually obtaining a degree in Graphic Art from the Cooper Union. During his higher education, on weekends he played alongside Cables and White at Slugs’ matinées. This led to them playing extensively with better-known artists. A founding member of musical co-operative Free Life Communications, Clint performed alongside Dave Liebman, becoming more immersed in the loft jazz scene of 1970s New York.
By 1972, Houston was playing alongside Joanne Brackeen in Stan Getz’ band. Their collaborations continued playing in New York clubs recording on many of Brackeen’s early records. He went on to play with Roy Ayers, George Cables, Lenny White, Nina Simone, Roy Haynes, Sonny Greenwich, Don Thompson, Charles Tolliver, Woody Shaw, Pepper Adams, Slide Hampton, Frank Foster, and Roland Hanna. Bassist Clint Houston passed away on June 7, 2000.
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Three Wishes
Inquisitive as the Baroness was when she asked Eddie Jones what his three wishes were he told her:
- “I would wish for better health for my daughter. That is really my only wish.”
- “Well, maybe there is one other: more willpower.”
*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter
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Daily Dose Of Jazz…
Jamaaladeen Tacuma was born Rudy McDaniel on June 11, 1956 in Hempstead, New York. Raised in Philadelphia, Pennsylvania he showed interest in music at a young age, taking up the electric bass and performing with the organist Charles Earland in his teens.
Through Earland, he came to know the record producer Reggie Lucas, who introduced Jamaaladeen to Ornette Coleman in 1975 at age 19. As the electric bassist for Coleman’s funky harmolodic Prime Time group, he rose to prominence quickly. During the 1980s he was playing a Steinberger bass that helped him create his readily identifiable sound.
His work with Prime Time got him an appearance with the band on Saturday Night Live in 1979. He went on to work with James “Blood” Ulmer, Walt Dickerson, Chuck Hammer, David Murray, and collaborated with The Golden Palominos in 1983. Tacuma recorded his first solo album as a leader, Show Stopper, that same year.
During the 1980s Jamaaladeen started to perform in a relatively straightforward funk/R&B setting with his group Cosmetic. He received the highest number of votes ever for an electric bassist in the “talent deserving wider recognition” category of the Down Beat magazine critics poll.
Though maintaining a low profile since the early 1990s, he has remained active but has maintained a lower profile. He has made numerous solo and collaborative recordings, returning to the jazz spotlight with an appearance on the World Saxophone Quartet’s Political Blues.
In 2007, he joined with Grant Calvin Weston and guitarist Vernon Reidto form the power trio Free Form Funky Freqs. He recorded two albums with Basso Nouveau. He has received numerous awards and fellowships and since 2015 he has presented the annual Outsiders Improvised & Creative Music Festival in Philadelphia. Bassist Jamaaladeen Tacuma continues to tour, produce and record worldwide.
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Daily Dose Of Jazz…
Leonard Walter Bush was born in London, England on June 6, 1927 and contracted polio as a child which left him with a limp for the rest of his life. He studied and played violin before switching to bass at sixteen. By 17 he was playing professionally in a variety show called The Rolling Stones and Dawn. He played with Nat Gonella in the middle of the 1940s but turned to bebop later in the decade.
From 1950 onwards Lennie did a lot of freelance work and worked with Roy Fox in 1951. He was one of the founding members of London’s Club Eleven, the first London jazz club to offer performers a paid gig. He played there from 1952-1956 in a band with Ronnie Scott, trumpeter Hank Shaw, pianist Tommy Pollard, and drummer Tony Crombie.
He studied with James Merrett at the Guildhall School of Music and participated in the European tours of Benny Goodman, Louis Armstrong, Zoot Sims, and Roy Eldridge. Becoming a member of Jack Parnell’s ATV Orchestra in 1957, he recorded with Stephane Grappelli, Anita O’Day, and Eddie Vinson. He continued to play in the 1990s as part of the Ralph Sharon Trio with Jack Parnell. During that decade he also appeared with Don Lusher’s Ted Heath tribute band and played in the final Ted Heath concert in 2000.
Double bassist Lennie Bush continued to freelance into the 2000s until his death on June 15, 2004.
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Daily Dose Of Jazz…
Vernon Alley was born on May 26, 1915 in Winnemucca, Nevada and played football in high school and college. His brother Eddie was a drummer and they played together often. He played with Wes People in 1937 and with the interracial Saunders King band until the end of the decade. He briefly led his own band in 1940.
Around 1940, while in Lionel Hampton’s band, Alley switched from double bass to electric upright bass, one of the first musicians to do so. In 1942 he moved to Count Basie’s ensemble, where he played only for a few months and appeared in the film Reveille with Beverly.
Enlisting in the Navy as a musician in 1942, after training at Camp Robert Smalls, he was assigned as part of a 45-piece regimental band to the Navy’s PreFlight School located at St. Mary’s College, in Moraga, California. Others who served in this band included Ernie and Marshal Royal, Jackie Kelso, Wilbert Baranco, Earl Watkins, and Buddy Collette.
After returning to civilian life, Alley put together an ensemble in San Francisco, California. He continued to play there and was an active member on local radio and in civic arts into the 1990s. Bassist Vernon Alley passed away on October 3, 2004 having become the most distinguished jazz musician in San Francisco history.
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