Daily Dose Of Jazz…
Morty Corb was born Mortimer Gerald Corb on April 10, 1917 in San Antonio, Texas. He played four years with Bob Crosby’s television program, Morty also worked extensifly as a studio session musician in studios, appearing on some 300 recordings. He worked in Disneyland bands after moving to California in 1947.
Particularly interested in scary, haunted house stuff, in 1973 Morty developed the “Hallowed Haunting Grounds”, a trick or treating evening with a special flair for theatrical effects that made his homemade shenanigan impressive even to the Tinsel Town crowd.
His name has been mentioned alongside Wrecking Crew studio bassist Carol Kaye, he curbed his session availability as the rock and roll era progressed or perhaps regressed. The bassist instead went to work at Disneyland, playing in the attraction’s bands but also mingling with special effects folk.
Corb’s long career began in 1946 and lasted until his death. He performed and recorded with Pete Fountain, Ella Fitzgerald, Nat King Cole, Pearl Bailey, Louis Armstrong, Claude Thornhill, Kid Ory, Jack Teagarden, Benny Goodman, Pete Kelly, Barney Kessel, Claire Austin, George Van Eps, Eartha Kitt, Mel Lewis, Earl Grant, Red Nichols, Wild Bill Davison, Muggsy Spanier, Plas Johnson, Gene Krupa, Louie Bellson, Jonah Jones, and Billy May among numerous others.
Double bassist Morty Corb, whose only album as a leader recorded in Los Angeles, California was his 1957 Strictly From Dixie featuring His Dixie All Stars, passed away on January 13, 1996 Las Vegas, Nevada..
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Daily Dose Of Jazz…
Paul Jackson was born in Oakland, California on March 28, 1947 and began playing bass at the age of nine. By age 14, he performed with the Oakland Symphony Orchestra and went on to study at the San Francisco Conservatory of Music.
He recorded five albums as a leader, eleven albums with Herbie Hancock, five with The Headhunters. He played on recording sessions with Sonny Rollins, Stanley Turrentine, Azteca, Eddie Henderson, Harvey Mason, The Pointer Sisters, Santana, Shawn Phillips, Stomu Yamashta between 1972 and 1977.
Electric bassist Paul Jackson passed away on March 18, 2021 at age 73 in a hospital near Tokyo, Japan, ten days before his 74th birthday.
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Daily Dose Of Jazz…
Vinnie Burke, born Vincenzo Bucci on March 15, 1921 in Newark, New Jersey, played violin and guitar early in life, but he lost the use of his little finger in a munitions factory accident and switched to double bass.
In the second half of the 1940s he played with Joe Mooney, Tony Scott, and Cy Coleman. He would go on to play with the Sauter-Finegan Orchestra, Tal Farlow, Marian McPartland, Don Elliott, Vic Dickenson, Gil Mellé, Bucky Pizzarelli, John Mehegan, Chris Connor, Eddie Costa, and Bobby Hackett.
From 1956 into the 1980s he led his own band and led small combos. Bassist Vinnie Burke, who recorded four albums as a leader, passed away on February 1, 2001.
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Daily Dose Of Jazz…
Ernest “Bass” Hill was born on March 14, 1900, Pittsburgh, Pennsylvania. He played from 1924 with Claude Hopkins, and remained with him on a tour of Europe with Josephine Baker the following year. He collaborated with Hopkins numerous times over the next few years and again in the 1940s. In 1928 he played with Leroy Smith & His Orchestra and Bill Brown & His Brownies, and the following year worked in the Eugene Kennedy Orchestra.
The 1930s saw Bass playing with Willie Bryant, Bobby Martin’s Cotton Club Serenaders, Benny Carter, Chick Webb, and Rex Stewart. He was in Europe late in the decade when World War II broke out and he fled to Switzerland. There he played with Mac Strittmacher before returning to the United States in 1940.
In that year, he recorded with violinist Eddie South and trumpeter Hot Lips Page. Following this, he played with Maurice Hubbard, Hopkins again, Zutty Singleton, Louis Armstrong, Cliff Jackson, Herbie Cowens, and Minto Kato throughout the decade. In 1949 he returned to Europe, where he played in Switzerland and Italy with Bill Coleman and then in Germany with Big Boy Goudie until 1952.
Upon his return to the States he worked in New York City with Happy Caldwell, Henry Morrison, and Wesley Fagan. Double bassist Ernest “Bass” Hill, who worked in the musicians’ union in the last decade of his life, passed away on September 16, 1964 in New York City.
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Daily Dose Of Jazz…
William “Bill” Takas was born March 5, 1932 in Toledo, Ohio and played in the band that backed Bob Dorough from the mid-1950s. His first recordings with the singer were made in New York City in 1956, Devil May Care for Bethlehem Records.
In the following years Bill also worked with Frank Socolow Sextet, Nat Pierce, Tal Farlow, Dan Terry and Pee Wee Russell. In the 1960s he played with the Gerry Mulligan Concert Jazz Band and the bands of Cy Coleman, Don Elliott, Benny Goodman, Doc Severinsen and Les DeMerle. In 1962 he made a guest appearance with Ruby Braff at the Newport Jazz Festival.
From the 1970s to the late 1990s Takas continued to work in a duo with Bob Dorough, recording Beginning to See the Light in 1976, in a trio, heard on Devil May Care II with Al Levitt, and Right On My Way Home in 1979 with Grady Tate, with guest soloists such as Art Farmer and Phil Woods.
Bill was in the all-star formation Children of All Ages with Randy Brecker, Lew Tabackin, Arnie Lawrence, Pat Rebillot, Ron McClure, Buzzy Linhart, among others and Bill Goodwin. Together with Dorough, he released a Charlie Parker tribute album PHililogy in 1995.
Between 1956 and 1997, double and electric bassist Bill Takas was involved in 37 recording sessions in the field of jazz.
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