ANDERSON BROTHERS PLAY BENNY GOODMAN

Hailed as “virtuosos on clarinet and saxophone” by the New York Times, Peter & Will Anderson have performed concerts together since the age of 9. They’re Juilliard graduates, and have performed on Broadway, Carnegie Hall, The Kennedy Center, the New Orleans Jazz Festival, can be heard on the Grammy winning soundtrack to HBO’s Boardwalk Empire with Vince Giordano’s Nighthawks, and received a Drama Desk Nomination for their Off-Broadway Production “Le Jazz Hot” in 2012. They can be seen and heard as saxophonists in the upcoming Martin Scorsese film, “Killers of the Flower Moon.” Aside from leading performances in over 45 U.S. States, Japan, Brazil, Canada, and the United Kingdom, they’ve lectured at over a dozen Universities across the country.

BAND MEMBERS:
Peter Anderson – Tenor Saxophone, Clarinet
Will Anderson – Alto Saxophone, Clarinet, Flute

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Daily Dose Of Jazz…

William Thornton Blue was born on January 31, 1902 in St. Louis, Missouri and grew up playing in local bands in his hometown, where his father was a part-time music instructor.

He played with Wilson Robinson’s Bostonians, a territory band, where he was introduced to the rigors of the road. In 1924 he worked with Charlie Creath, then went to New Orleans, Louisiana and joined Dewey Jackson in the middle of the 1920s. This association eventually took Blue back to St. Louis as part of the touring schedule but Blue didn’t stay long. Heading to New York City later that decade he had an extended stint working with Andrew Preer’s Cotton Club Orchestra. This led to a European tour as a member of Noble Sissle’s ensemble.

Remaining for a brief time in Paris, France he collaborated with bassist John Ricks. When Bill returned to New York City, he joined The Missourians, led by Cab Calloway, then worked with pianist Luis Russell.

Due to failing health he played very little in the late Thirties and afterwards. Clarinetist and alto saxophonist William Thornton Blue, sometimes credited as Bill Blue, transitioned in 1968 after spending the last several years of his life in a New York sanatorium.

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CHUCHO VALDES & PAQUITO D’RIVERA

Pianist Chucho Valdes and clarinetist Paquito D’Rivera come together for one night only of Afro-Cuban and Latin Jazz at The Town Hall.

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Daily Dose Of Jazz…

Big Eye Louis Nelson was born Louis Nelson Delisle on January 28, 1885 in New Orleans, Louisiana into a family who were Creoles of color. He spent most of his life in his hometown and studied clarinet with the elder Lorenzo Tio.

By the age of 15, Big Eye was working professionally in the music venues of Storyville, an area of brothels and clubs in New Orleans where Black musicians could find work. He developed a style of hot jazz, also known as Dixieland, and was an influence on clarinetists Johnny Dodds and Jimmie Noone.

In 1917, Nelson joined the reconstituted Original Creole Orchestra that included Freddie Keppard and Bill Johnson. Disbanded in Boston in the spring of that year, it was reassembled in New York City later in the fall. After a short while, he was replaced by Jimmie Noone. He was the regular clarinetist with the Jones & Collins Astoria Hot Eight but did not play on their 1929 recording sessions.

He made his only recordings in his later years in the 1940s, by which time he was often in poor health. Dixieland clarinetist Big Eye Louis Nelson, who also played double bass, banjo, and accordion, transitioned on August 20, 1949.

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Daily Dose Of Jazz…

Benjamin Waters was born on January 23, 1902 in Brighton, Baltimore, Maryland. He began on organ, then switched to clarinet and later added saxophone. The first band he joined in 1918 was Charly Miller’s band. In 1922 he attended the New England Conservatory of Music where he gave lessons to Harry Carney.

From 1926 until 1931, Waters was a member of Charlie Johnson’s band. He would later work with King Oliver, Fletcher Henderson, Claude Hopkins, and others. During these years he made several recordings with King Oliver and Clarence Williams.

In the years 1941 and 1942 he played with the Jimmie Lunceford Orchestra, and later in the 1940s with Roy Milton. He went on to form his own band, playing at the Red Mill in New York City. After this stint in the city he moved to California for four years.

From 1952 to 1992 Benny lived in Paris, France. In 1996, he received the Legion of Honour from the French Ministry of Culture. He continued to perform regularly up to his 95th birthday.

Saxophonist and clarinetist Benny Waters, who became blind in 1992 due to cataracts, transitioned on August 11, 1998 in Columbia, Maryland.

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