Daily Dose Of Jazz…

Brian Leake was born November 9, 1934 in South Wales, Wales. He first played the clarinet in Mike Harris’ jazz band while studying architecture. After completing his military service, he moved to London, England where he worked full-time as a salesman. He was also active in the British trad jazz scene from the early 1960s and his first recordings were made in 1962 with Mick Mulligan and George Melly on At the Jazz Band Ball.

He also played with Dick Charlesworth on P&O ships and in 1964 he appeared on the BBC program Jazz Club with Charlesworth and His City Gents. By the end of the decade it was owned by Alan Elsdon & His Jazz Band. Leake led a mainstream jazz sextet called Sweet & Sour with the bassists Paul Bridge and Ron Rubin were members. He led the Al Fresco Marching Band, in which he played alto saxophone.

He was involved in recordings by The Nottingham Barbers’ Shop Quartet and singer Clinton Ford. Recordings of Leake’s BBC radio appearances from 1979 to 1990 appear on the album Benign Jazz. As a pub pianist, he appeared in an episode of the television series Nick Lewis, Chief Inspector .

Pianist, saxophonist, clarinetist Brian Leake, who composed traditional jazz, transitioned on  November 10, 1992.

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Three Wishes

When Nica queried Budd Johnson as to what he would wish if given the opportunity to have three wishes granted and he related this to her:

1. 1. “That’s a very good question. First of all, I would love to play my instrument – I mean, give it all I have to give. I would love to get recognition. And play my horn the way I know I could – and it’s just me, the reason, if I don’t! I would really love to play as well as I think I can.”
   2. “This may sound very corny, but I have a very wonderful wife, and I would like to make her very happy. The only way I think I could do this is: get with that instrument and really play it, so I could make the money to do the things I want to do for her.”
   3. “I want recognition amongst my friends. I crave sincere friendship. I do have a lot of friends, but I think this might bring us closer together. I seem to have lost track of all them. I had to go my way, reasons… everybody had to do what they had to do.

This is how you get separated. When I used to live up to 152nd Street, They all used to come up to my house, Monk, Bird. They all used to come by and we exchange ideas, and they would say, ‘Write this down for me.’ They would hum it, and I would write it down. They remember my son when he was a little baby in the crib! And I miss all of them.

The reason I put that first is that if I were able to master the horn – I guess nobody can have all this – I would have all my friends, be able to visit them, and be around. I have a lot of dear friends who have gone to the top. And they still like me. But they are busy and I am still scuffling! It’s a funny thing. The better you get, you travel in different circles, automatically. I hope someday to attain all this. This is all I know, the music. All this is one thing.”

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Daily Dose Of Jazz…

Samuel D. Margolis was born on November 1, 1923 in Boston, Massachusetts. Early in his career he played locally with Shad Collins, Vic Dickenson, Bobby Hackett, Nat Pierce, and Rex Stewart.

Between 1954 and 1958 Sam worked extensively with Ruby Braff and as sidemen for other musicians, including Pee Wee Russell. He would continue working intermittently with Braff for several decades.

In 1970 Margolis appeared briefly in the parade scene in the Dick Van Dyke movie Some Kind of a Nut. Throughout the 1970s and 1980s, he played often in the New York area, with Ed Polcer, Buzzy Drootin, Max Kaminsky, Roy Eldridge, Tony Bennet, Claude Hopkins, Dill Jones, Vic Dickenson, and Red Balaban.

Clarinetist and saxophonist Sam Margolis, who near the end of his life moved to Deerfield Beach, Florida, transitioned from prostate cancer on March 27, 1996.

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Daily Dose Of Jazz…

Ollie “Dink” Johnson was born in Biloxi, Mississippi on October 28, 1892. He was the younger brother of double bassist William Manuel “Bill” Johnson. He worked around Mississippi and New Orleans before moving to the western United States in the early 1910s. He played around Nevada and California, often with his older brother. He played with the Original Creole Orchestra, mostly on drums.

He made his first recordings in 1922 on clarinet with Kid Ory’s Band. He made more recordings in the 1940s and 1950s, mostly on piano, although Johnson recorded some one-man band sessions, playing all three of his instruments by over-dubbing.

His piano style was influenced by his brother-in-law Jelly Roll Morton, and his clarinet playing by Larry Shields. The tunes he wrote included The Krooked Blues, recorded by King Oliver and So Different Blues.

Pianist, clarinetist, and drummer Dink Johnson, who played in the Dixieland genre, transitioned in Portland, Oregon on November 29, 1954.

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Daily Dose O fJazz…

Bill Stegmeyer was born October 8, 1916 in Detroit, Michigan. He attended Transylvania College in Lexington, Kentucky from 1934 to 1936, and following his studies he played through the rest of the decade with Austin Wylie, Glenn Miller, and Bob Crosby.

In the 1940s, he did arrangement work and played clarinet and occasionally, saxophone with Billy Butterfield, Yank Lawson, Bobby Hackett, Will Bradley, and Billie Holiday from 1945 to 1947. He arranged for WXYZ, a Detroit radio station, for two years starting in 1948, then followed this with arranging Your Hit Parade for eight years.

In the 1950s he also continued to play jazz with Lawson, Butterfield, Bob Haggart, Jimmy McPartland, and Ruby Braff.  He went to work for CBS in the early 1960s.

Clarinetist and arranger Bill Stegmeyer, whose only recordings as a leader were five tunes for Signature Records in 1945 and some V-Discs, transitioned from cancer in Long Island, New York on August 19, 1968 at the age of 51.

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