Daily Dose Of Jazz…
Gerhard Rochus “Gerd” Dudek was born September 28, 1938 in Wrocław, Poland. He studied clarinet privately and attended music school in the 1950s before joining a big band led by his brother Ossi until 1958.
During the early 1960s, Dudek played in the Berliner Jazz Quintet, in Karl Blume’s group and in Kurt Edelhagen’s orchestra until 1965. He then became interested in free music and joined Manfred Schoof’s quintet. He took part in the first sessions of The Globe Unity Orchestra in 1966, and played with them at various times into the 1980s.
He also worked with many other European free musicians and composers, including Alexander von Schlippenbach, Loek Dikker and The Waterland Ensemble And European Jazz Quintet.
He is best known for his work with Manfred Schoof, Wolfgang Dauner, Lala Kovacev, the Globe Unity Orchestra, Berlin Contemporary Jazz Orchestra, Albert Mangelsdorff, Don Cherry and George Russell. Tenor and soprano saxophonist, clarinetist and flautist Gerd Dudek continues to be involved in music.
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Daily Dose Of Jazz…
John Wallace Carter was born on September 24, 1929 in Fort Worth, Texas and attended I.M. Terrell High School, and played music with schoolmates Ornette Coleman and Charles Moffett in the 1940s. Earning a Bachelor of Arts from Lincoln University in Jefferson, Missouri in 1949 and a Master of Arts from the University of Colorado in 1956. He also studied at the North Texas State and University of California at Los Angeles, California.
From 1961, Carter was based mainly on the West Coast. There he met Bobby Bradford in 1965, with whom he subsequently worked on a number of projects, notably the New Jazz Art Ensemble. He also played with Hampton Hawes and Harold Land. In the 1970s Carter became well known on the basis of his solo concerts.
At the New Jazz Festival Moers in 1979, he and the German clarinet player Theo Jörgensmann performed for three days. Carter received complimentary reviews and wide recognition from around the world. He and Jörgensmann met again in 1984, and played the Berlin JazzFest, both as a soloist and in duo.
Between 1982 and 1990, John composed and recorded Roots and Folklore: Episodes in the Development of American Folk Music. It was a five album set that focused on African Americans and their history, and was acclaimed by jazz critics as containing some of the best releases of the 1980s.
He recorded seventeen albums as a leader and thirteen albums with Tim Berne, Clarinet Summit, Vinny Golia, Richard Grossman, John Lindberg, James Newton and Horace Tapscott. Carter planned a clarinet quartet with Perry Robinson, Jörgensmann and Eckard Koltermann was planned for 1991, but it never came to fruition.
Clarinetist, saxophonist, and flutist John Carter passed away from a non-malignant tumor on March 31, 1991. Later that year he was inducted into the Down Beat Jazz Hall of Fame.
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Daily Dose Of Jazz…
William Overton Smith was born on September 22, 1926 in Sacramento, California. He grew up in Oakland, California where he began playing clarinet at the age of ten. At 13 he put together a jazz group to play for dances and at the age of 15 he joined the Oakland Symphony. After high school, a brief cross-country tour with a dance band led to his giving two weeks notice for the best education he could, and he headed to New York City.
Studying at the Juilliard School of Music by day, he played in the city’s jazz clubs at night. The Juilliard faculty doing nothing for him, Bill returned home and attended Mills College in Oakland where he met pianist Dave Brubeck. He went on to study composition with Roger Sessions at the University of California, Berkeley, where he graduated with a bachelor’s and a master’s degree.
A win of the Prix de Paris gave Bill two years of study at the Paris Conservatory, and in 1957, he was awarded the prestigious Prix de Rome and spent six years in that city. After teaching at the University of Southern California, he then spent thirty years teaching at the University of Washington School of Music in Seattle, Washington, and co-led the Contemporary Group.
Smith investigated and cataloged a wide range of extended techniques on the clarinet, including the use of two clarinets simultaneously by a single performer, and compiled the first comprehensive catalogue of fingerings for clarinet multiphonics. He was among the early composers interested in electronic music, and as a performer he continued to experiment with amplified clarinet and electronic delays.
He remained active nationally, internationally, and on the local Seattle music scene until well into his 90s. Clarinetist and composer Bill Smith, who played in various Brubeck groups and who composed, recorded and premiered his jazz opera Space in the Heart, passed away at age 93 in his home from complications of prostate cancer on February 29, 2020.
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Daily Dose Of Jazz…
Larry Binyon was born on September 16, 1908 in Urbana, Illinois and his mother shared some of her musical knowledge. By age eighteen he was at the University of Illinois at Urbana-Champaign,playing E flat soprano flute in the school’s concert band as well as flute and piccolo in its first regimental band during the 1926-27 school year.
After spending one year at college by 1927 he was already playing professionally in Chicago as part of Beasley Smith’s band, which also included drummer Ray McKinley and clarinetist Matty Matlock. Flute may have been his first instrument, or his primary one at school, but tenor saxophone became his main instrument for dance bands.
Later that year Binyon joined bandleader Ben Pollack when he returned to Victor’s Chicago studio after a five-month hiatus. History does not reveal him as a bandleader as there is little evidence of him having led his own bands, and no recordings were ever issued under his own name. He certainly has a load of credits as a band member, however, and was adept in both big band and small group settings.
Working a variety of radio jobs during the day, one eye glued open to help recover from the previous night’s late-ending gig.During the 1920s he worked with Irving Mills’ Hotsy-Totsy Gang, Roger Wolfe Kahn & His Orchestra, and Mildred Bailey with the Tommy Dorsey Orchestra to name a few.
His widest exposure on recording is his backup work on records by the Boswell Sisters, Bing Crosby, Billie Holiday, Fats Waller & His Buddies sessions, Henry “Red” Allen, Eddie Condon, Toby Hardwicke, Gene Krupa. Saxophonist, clarinetist, and flutist Larry Binyon passed away on February 10, 1974.
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Daily Dose Of Jazz…
Claude Luter ws born on July 23, 1923 in Paris, France the son of a professional pianist and studied the instrument with his father before moving to the clarinet in his teens. Seduced by jazz, he abandoned his training as a naval architect, although he retained an interest in sailing and later qualified as a private pilot. He went on to take clarinet lessons from a pit orchestra player, and pursued his passion for jazz by following the Claude Abadie band around Paris’s Latin Quarter clubs in the late 1930s, sometimes acting as a helpmate to the band’s frail trumpeter, the writer Boris Vian, with whom he made his debut on record in 1944.
Encountering trumpeters Pierre Merlin and Claude Rabanit, who became key members of his first band in 1946. Already recording as Claude Luter et Ses Orientais for the French Swing label, Luter and company moved over to the Vieux Colombier, popular with the existentialist crowd. He began a friendship with the trumpeter’s New Orleans-born clarinetist, Barney Bigard, a connection later cemented on record.
Among Luter’s principal influences was soprano saxophonist Sidney Bechet. As luck would have it, Bechet made concert appearances in Paris in 1949 and was teamed with Luter’s down-to-earth trad band at the Salle Pleyel. He also sat in with them at the Vieux Colombier, beginning an association that endured after Bechet settled permanently in France.
Luter later visited New Orleans, Louisiana a number of times, recorded there and took part in the centenary celebrations of Bechet’s birth. He also attended the tribute concert for Louis Armstrong’s 70th birthday in Los Angeles, California in 1970. Clarinetist Claude Luter, who doubled on soprano saxophone, passed away on October 6, 2006 in Paris at the age of 83.
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