Daily Dose Of Jazz…
Perry Morris Robinson was born on September 17, 1938, the son of composer Earl Robinson. He grew up in New York City and attended the Lenox School of Jazz in Massachusetts in the summer of 1959. After serving in a U.S. military band in the early 1960s, his first record, Funk Dumpling with Kenny Barron, Henry Grimes, and Paul Motian was recorded by Savoy in 1962.
He would go on to record with Grimes on The Call in 1965, in which two of the album’s six songs are credited to Robinson, including the title track. From 1973, he worked with Jeanne Lee and Gunter Hampel’s Galaxie Dream Band. He contributed to Dave Brubeck’ s Two Generations of Brubeck and played with Burton Greene’ s Dutch klezmer band Klezmokum. He was the featured clarinetist on Archie Shepp’s LP Mama Too Tight on the Impulse! label.
Perry led his own groups in performances and on record, with albums on the Chiaroscuro, WestWind, and Timescraper labels. More recently, he worked with William Parker and Walter Perkins on Bob’s Pink Cadillac and several other discs on the CIMP label.
From 1975 until 1977, Robinson was a member of the Clarinet Contrast group, then recorded with Lou Grassi, Wayne Lopes, and Luke Faust in The Jug Jam, an improvisational jug band. He regularly plays and records in a free jazz and world music trio; played with Darius Brubeck and Muruga Booker in the MBR jazz trio, and played an integral part in the formation of the improvisational Cosmic Legends. In 2005 he was featured on his cousin Jeffrey Lewis’ album City and Eastern Songs on Rough Trade Records, A later release was OrthoFunkOlogy in 2008 with the band Free Funk. Clarinetist and composer Perry Robinson, whose autobiography, Perry Robinson: The Traveler was published in 2002, passed away on December 2, 2008.
More Posts: bandleader,clarinet,composer,history,instrumental,jazz,music
DAily Dose Of Jazz…
Dennis Moss MBE, known as Danny in the professional world, was born on August 16, 1927 in Redhill, Surrey, England. The son of a toolmaker, his childhood was spent on the south coast, in the Brighton-Worthing area, where he attended Steyning Grammar School. At the age of thirteen, he saw a jazz band appear briefly in a Bowery Boys film, and was so inspired by the clarinet playing that he swapped his most valued possession, his ice skates, for a second-hand instrument of his own. He was self-taught on both this and the tenor saxophone, which he took up at school,
A spell of National Service at the age of eighteen saw Moss performing for three years in a Royal Air Force regional band. After leaving the forces he joined the Vic Lewis Orchestra, then moved around various bands, especially ones with the potential for a soloist. In 1952, he joined Ted Heath’s band, soon discovering novelty numbers and musical reproductions were limiting his skills as an improviser, and he left after three years.
In 1957 Moss joined John Dankworth’s orchestra. Here, with the band’s encouragement, he began to develop his characteristic saxophone sound. He left Dankworth’s band in 1962, and from here, he joined Humphrey Lyttelton’s group, continuing to hone his style for another two years. He formed his own quartet, playing a mix of club gigs, festival appearances and radio broadcasts for the BBC and continued to tour with this quartet throughout the 1970s and 1980s. He also playing and recording with high-profile singers like Tony Bennett, Ella Fitzgerald, Bing Crosby, Sarah Vaughan, and Rosemary Clooney, and appearing with Buck Clayton in the mid-’60s and Louis Armstrong on his last British tour.
Diagnosed in 2005 with pleural mesothelioma, a rare form of lung cancer caused by exposure to asbestos. Saxophonist Danny Moss passed away on May 28, 2008, aged 80.
More Posts: bandleader,clarinet,history,instrumental,jazz,music,saxophone
Daily Dose Of Jazz…
Chuck Hedges was born in Chicago, Illinois on July 21, 1932 and began playing clarinet while attending a military school. He received formal training under Claude Bordy and learned to play jazz on his own.
After studying at Northwestern University, Chuck joined George Brunis’s ensemble in 1953, remaining with Brunis through the end of the decade. He was active on the Dixieland revival scene in the 1960s, playing regularly at clubs in Chicago and Milwaukee, Wisconsin into the 1990s.
Working with Wild Bill Davison for most of the 1980s, he also worked with Alan Vaché and Johnny Varro. He with Ray Leatherwood, Gene Estes, Eddie Higgins, Bob Haggart, Duane Thamm, John Bany, Dave Baney, Charles Braugham, Howard Elkins, Jack Wyatt, Jim Vaughn, John Sheridan, Henry “Bucky” Buckwalter, Gary Meisner, Dave Sullivan, Mike Britz, and Andy LoDuca.
Clarinetist Chuck Hedges released several albums as a leader in the 1990s and 2000s before passing away on June 24, 2010.
More Posts: bandleader,clarinet,history,instrumental,jazz,music
Daily Dose Of Jazz…
Michel De Villers was born July 13, 1926 in Villeneuve-sur-Lot, France and learned to play alto saxophone as a teenager. He would later expand to clarinet and baritone saxophone. Playing in the latter half of the 1940s with Jean-Claude Fohrenbach, Django Reinhardt and Rex Stewart, he then joined the Edward VII Theatre band in Paris.
In the 1950s he worked in the bands of Geo Daly, Jack Diéval, André Persiany, and Gérard Pochonet. He also played with touring American musicians such as Buck Clayton, Bill Coleman, Jonah Jones, and Lucky Thompson. The Seventies saw De Villers as less active as a musician, working as a jazz writer and radio screenwriter. In the 1980s he became active again as an educator and performer, working later in his career with Christian Garros, Pierre Michelot, Roger Guérin, and Marc Fosset.
Saxophonist, clarinetist, and bandleader Michel De Villers October 25, 1992, Mont St. Aignan, France.
More Posts: bandleader,clarinet,history,instrumental,jazz,music,saxophone
Daily Dose Of Jazz…
Johnny Mince, born John Muenzenberger on July 8, 1912 in Chicago Heights, Illinois played with Joe Haymes from 1929 to 1934. He recorded with Red Norvo and Glenn Miller in 1935. Working with Ray Noble from 1935-37 and Bob Crosby in 1936 he went on to become a member of the Tommy Dorsey Orchestra in 1937.
Mince played with Dorsey through 1941 and was one of the participants in his Clambake Seven recordings before entering the military. After an extended stint to the end of World War II, he became a studio musician for several decades. He taught locally in New York City and played in small-time ensembles in the 1950s and 1960s.
1974 saw Johnny returning to play with the Dorsey Orchestra after Tommy’s death, then followed this engagement with the New Paul Whiteman Orchestra in 1976, Yank Lawson, Bob Haggart, and the World’s Greatest Jazz Band. As a member of the Great Eight, he toured Europe in 1983. He continued to play at jazz revival festivals until his retirement due to ill health.
He recorded as a leader only late in his life, for Monmouth Evergreen in 1979, Jazzology Records in 1980, and Fat Cat Jazz in 1982. Never receiving much recognition beyond that of his fellow musicians, he did not lead his own band. As an unknown musician, Tommy Dorsey invited him to become his partner in starting his first band but Johnny’s father talked him out of it due to risk. Clarinetist Johnny Mince passed away on December 23, 1994 in Boca Raton, Florida.
More Posts: clarinet,history,instrumental,jazz,music