Daily Dose Of Jazz…
Louis Thomas Jordan was born on July 8, 1908 in Brinkley, Arkansas where his father was a music teacher and bandleader for the Brinkley Brass Band and the Rabbit Foot Minstrels. Losing his mother young, he studied music under his father, starting out on the clarinet, then piano and ultimately landed on the saxophone as his primary instrument. In his youth he played in his father’s bands instead of doing farm work when school closed. During his early career period he played the piano professionally, but alto saxophone became his main instrument. However, he would become even better known as a songwriter, entertainer and vocalist.
He briefly attended and majored in music at Arkansas Baptist College in Little Rock, but after a period with the Rabbit Foot Minstrels and with other local bands like Bob Alexander’s Harmony Kings, he went to Philadelphia and then New York. By 1932, Jordan was performing with the Clarence Williams band, and when he was in Philadelphia he played clarinet in the Charlie Gaines band.
1936 saw him joining the Savoy Ballroom orchestra, led by the drummer Chick Webb. A vital stepping-stone in his career, Louis introduced songs as he began singing lead, and often singing duets with up and comer Ella Fitzgerald. They would later reprise their partnership on several records, by which time both were major stars. In 1938, Webb fired Jordan for trying to persuade Fitzgerald and others to join his new band.
He became famous as one of the leading practitioners, innovators and popularizers of jump blues, a swinging, up-tempo, dance-oriented hybrid of jazz, blues and boogie-woogie. Jordan’s band also pioneered the use of the electronic organ.
Jordan was a talented singer with great comedic flair, and he fronted his own band for more than twenty years. He duetted with some of the biggest solo singing stars of his time, including Bing Crosby, Ella Fitzgerald and Louis Armstrong. An actor and a major black film personality, he appeared in dozens of “soundies” or promotional film clips, made numerous cameos in mainstream features and short films, and starred in two musical feature films made especially for him.
With his dynamic Tympany Five bands, Jordan mapped out the main parameters of the classic R&B, urban blues and early rock-and-roll genres with a series of highly influential 78-rpm discs released by Decca Records. These recordings presaged many of the styles of black popular music of the late 1940s, 1950s and 1960s and exerted a strong influence on many leading performers in these genres.
Known as The King of the Jukebox for his crossover popularity with both black and white audiences of the swing era, Louis was a prolific songwriter who wrote or co-wrote many songs that stayed in the top of the Billboard charts and that were influential classics of 20th-century popular music.
Pioneering alto saxophonist, pianist, clarinetist, singer, actor, songwriter and bandleader Louis Jordan, one of the most successful black recording artists of the 20th century, passed away on February 4, 1975 at age 66 in Los Angeles, California.
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Daily Dose Of Jazz…
Bill Trujillo was born on July 7, 1930 in Los Angeles, California and started clarinet lessons at the age of four, then switched to tenor saxophone after seeing Lester Young perform with Count Basie in Los Angeles. His mother, a dance teacher at the famous Palomar Ballroom, regularly took him and his older brother to hear big bands when they were in residence at the Palomar, the Paramount, and other popular LA show places.
Learning to read music before he could read words and after Lincoln High School, where his friend and classmate was Lennie Niehaus played, Trujillo started his long professional career at the age of 16 with the West Coast based Glenn Henry Band. The band also boasted a young trombone player named Jimmy Knepper. During the ’40s, Bill played with Alvino Rey and other West Coast groups. In 1953, he joined Woody Herman with whom he remained until the following year when Bill Russo beckoned he joined the quintet but then playing in Chicago. Eventually finding the Windy City too cold, he returned to L.A. where he played in the orchestras of Charlie Barnet and Jerry Gray, and gigged with small groups.
At the behest of his longtime friend Lennie Niehaus, Trujillo joined Stan Kenton band in 1958, however, road trips often lasting a year or more put too much of a strain on his young family. Moving to Las Vegas, Nevada in 1960 he played with Nat Brandywynne and he has been there ever since. He became a mainstay in show orchestras at the Tropicana, Flamingo, Thunderbird and the Dunes playing behind Frank Sinatra, Ella Fitzgerald, Peggy Lee and many other. After a labor dispute in 1989 dried up this source of work, he returned to playing in big bands and small groups throughout the country.
In 1999 he led his debut album It’s Tru followed by his 2006 It’s Still Tru with Carl Fontana on the TNC label. As an educator, saxophonist Bill Trujillo teaches clarinet, flute, and all saxophones while continuing to perform in Las Vegas.
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Daily Dose Of Jazz…
Bobby Gordon was born on June 29, 1941 in Hartford, Connecticut. A student of Joe Marsala and influenced by Pee Wee Russell, in 1962/63 he recorded three albums for the Dot label. At that time he was playing folk music and the music of Acker Bilk .
By the end of the Sixties Max Kaminsky took him to the New York City to the jazz club Jimmy Ryan’s and by the beginning of the 1970s, he was appearing regularly at Eddie Condon’s club. After working with Wild Bill Davison in Chicago, Illinois he moved to San Diego, California and became famous mainly for his recordings for the Jump and Arbors labels and his collaboration with Marty Grosz in the Orphan Newsboys .
Recording as a leader he worked with Keith Ingham, Dan Barrett, Adele Girard, Scott Robinson, Dave McKenna, Tony DeNicola and Bob Wilber. While lived in the San Diego area he accompanied Rebecca Kilgore and occasionally he performed at jazz parties and festivals. Clarinetist Bobby Gordon, who was a proponent of Hot Jazz, passed away on December 31, 2013.
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Daily Dose Of Jazz…
Edmond Hall was born on May 15, 1901 in Reserve, Louisiana, into a musical family. His father, Edward, played the clarinet in the Onward Brass Band, joined by Edmond’s maternal uncles, Jules Duhe on trombone, Lawrence Duhe on clarinet, and Edmond Duhe on guitar. The Hall brothers, Robert, Edmond, and Herbert, all became clarinetists, but Edmond was first taught guitar by his uncle Edmond. When Hall finally picked up the clarinet, he played it within a week.
Tired of working as a farm-hand, by 1919 he left for New Orleans where he signed up with the band of Bud Rousell, then with trombonist Jack Cary and blues cornetist Chris Kelley. His first big break came in late 1920, when he went to a dance at Economy Hall, saw Buddy Petit and discovered his clarinet player had left the band and the following Saturday Hall was sitting in with Petit’s band as a replacement until 1922.
Arriving in Pensacola, Florida in 1923, there was a series of band as he joined Lee Collins, then Mack Thomas, the Pensacola Jazzers, where Hall met the young trumpeter Charles “Cootie” Williams, on to “Eagle Eye” Shields, the Alonzo Ross DeLuxe Syncopators, finally in 1928 with pianist Arthur “Happy” Ford.
1929 saw Edmond moving back to New York he joined Charlie Skeet’s band, followed by Claude Hopkins and an invitation to play the Savoy Ballroom. By 1935 he left Hopkins and took residency in Billy Hicks’ Sizzling Six. Hall’s new sound on the clarinet led him to recording with the big stars and in 1937 he had his first recording session with Billie Holiday, sitting alongside tenor saxophonist Lester Young. Leaving Hicks he stepped into Café Society, joining Joe Sullivan’s band in late 1937. In between the regular job at the Cafe Society he recorded with Bud Freeman, Teddy Wilson, Charlie Christian, Henry “Red” Allen, J.C. Higginbotham, Art Tatum, Big Joe Turner, Hot Lips Page, Zutty Singleton, Meade Lux Lewis, Big Sid Catlett, Josh White, Ida Cox, Coleman Hawkins, Helen Ward, Vic Dickenson, Sidney de Paris, Wild Bill Davison, Eddie Heywood, Roy Eldridge and Jack Teagarden among others.
In 1941 Edmond led his first recording session as a leader, joined Teddy Wilson’s outfit, and made recordings as Edmond Hall’s Blue Note Jazzmen, the Edmond Hall Sextet, the Edmond Hall Celeste Quartet, Edmond Hall’s Star Quintet, Ed Hall and the Big City Jazzmen, and Edmond Hall’s Swingtet. Very popular among the musicians and critics and was frequently invited to the New York Town Hall Concerts led by Eddie Condon.
By 1944 Hall began fronting his own band, becoming a draw for Café Society. More recording dates followed for the famous Commodore Records and Blue Note labels. While business at the Café Society was exceedingly good, Hall appeared at Town Hall Concerts in between. Hall relocated successfully with his band to the Café Society Uptown and would also play for World War II servicemen.
Throughout his career he would perform with pianist George Wein, Louis Armstrong’s All Stars, tour Europe, settle in Los Angeles, California to shoot the film High Society with Grace Kelly and Bing Crosby, and appear on the Ed Sullivan Show. In 1952, Hall, Buzzy Drootin and Ralph Sutton appeared as the Ralph Sutton Trio in Saint Louis, where they played the Encore Lounge for several weeks and were the first mixed trio there. He received the Esquire Magazine Silver Award for clarinet, a certificate for nomination as one of the outstanding jazz artists of 1961 from Playboy Magazine and was awarded as the best Clarinetist by the English Melody Maker.
Clarinetist and bandleader Edmond Hall, who also played alto and baritone saxophones and is perhaps best known for the 1941 chamber jazz song Profoundly Blue, which is regarded as a pre-World War II jazz classic, passed away on February 11, 1967 in Boston, Massachusetts.
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Daily Dose Of Jazz…
Lawrence Duhé was born April 30, 1887 in La Place, Louisiana. He played with Kid Ory in his youth, and followed Ory to New Orleans, Louisiana. There he played clarinet with Ory, King Oliver, Frankie Duson, and led his own band in Storyville.
Duhé moved to Chicago, Illinois in 1917 and his band became popular in the clubs and dance halls. They played in the stands at the notorious 1919 World Series. During the Roaring Twenties he led Sugar Johnnie’s New Orleans Creole Orchestra comprised of Lil Hardin, Sidney Bechet, King Oliver, Freddie Keppard, tubby Hall and Mutt Carey among others.
By the mid-1920s he had returned to New Orleans and for a time played with Armand J. Piron. After touring with the Rabbit Foot Minstrel Show, Lawrence worked out of Lafayette and New Iberia in Southwest Louisiana with such musicians as Evan Thomas and Bunk Johnson before retiring from music in the 1940s.
Clarinetist and bandleader Lawrence Duhé, passed away in Lafayette, Louisiana in 1960.
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