Daily Dose Of Jazz…
Claude Ranger was born in Montréal, Canada on February 3, 1941 and studied drums briefly with several teachers and arranging with Frank Mella. Beginning his career with Montréal show bands, he was a leading figure among the city’s jazz musicians by the mid-1960s.
A sideman to Lee Gagnon, Pierre Leduc, and Ron Proby among others, Claude led the bands heard on the CBC’s Jazz en Liberté. He was a member of Aquarius Rising with Brian Barley, Michel Donato and Daniel Lessard from 1969 to 1971. Moving to Toronto, Canada he lived there for fifteen years beginning in 1972. It was here that Claude was a member of the Moe Koffman Quintet and accompanied Canadian and U.S. musicians when they came through the city, such as, Lenny Breau, George Coleman, Larry Coryell, Sonny Greenwich, James Moody, Doug Riley, Don Thompson, and Phil Woods.
His own bands appeared at the Music Gallery, Jazz City, the Festival International de Jazz de Montréal (FIJM) and the Ottawa International Jazz Festival. A Ranger quintet was a finalist in the 1986 FIJM, receiving a special jury citation for his drumming. Relocating to Vancouver, Canada he served as a mainstay of the du Maurier International Jazz Festival, again as an accompanist to Canadian and U.S. musicians and as a leader of his own groups.
West Coast musicians Ron Samworth, Clyde Reed, Bruce Freedman and drummer Dylan vander Schyff also influenced Claude’s career. He was considered a jazz musician and drummer with natural swing, in the bebop-based tradition of Max Roach. Displaying great stamina, he sometimes worked against the grain of jazz in Canada. His ensembles ranged from a trio to the 15 and 19-piece Jade Orchestra that debuted at the 1990 Vancouver festival.
Ranger played a role in Canada similar to the one created by Art Blakey in the US – that of a veteran musician whose bands served as an important platform for the development of younger players. His discography included recordings by Allen, Barley, Breau, Gagnon, Greenwich, Koffman, Riley, Thompson, Jane Bunnett, P.J. Perry, Herb Spanier, Michael Stuart, and U.S. musicians Dave Liebman, and Michael Munoz.
Drummer, composer, arranger, and teacher Claude Ranger continues to pursue his career in music.
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Daily Dose Of Jazz…
Sophia Domancich was born January 25, 1957 in Paris, France and began learning piano at the age of six. She attended the Conservatoire de Paris from 1968 to 1975 where she won first prize for piano and chamber music. She began her career as an accompanist in vocal and dance lessons, with the Paris Opera and the Théâtre de Caen.
In 1979 she met Steve Lacy, Bernard Lubat and Jean-Louis Chautemps who introduced her to the world of jazz and improvisation. By 1982 she formed a duet with Laurent Cugny and joined the big band Lumiére. She later participated in Quoi D’Neuf Docteur? with Steve Grossman, Glenn Ferris and Jack Walrath.
The following year during a brief collaboration with the group Anaïd, she met several English musicians from the Canterbury scene, drummer Pip Pyle, saxophonist Elton Dean and bassist Hugh Hopper, forming the group L’Equip Out in late 1984. The group included for a time a fifth member, Didier Malherbe on the flute and the tenor saxophone. In 1990, L’Equip Out recorded a second album, Up!, with bassist Paul Rogers.
With the latter and drummers Bruno Tocanne and Tony Levin, she formed the Sophia Domancich Trio with which she toured for eight years and recorded five studio albums. Also with Rogers, she created a 1995 quartet with the original composition, this time with two trumpeters, Patrick Fabert and Jean-François Canape.
Through the 1990s and into the new century, Domancich continued collaborating and recording with John Greaves and Vincent Courtois’ Trouble with Happiness, and with Simon Goubert. She was a pianist under Didier Levallet in the Orchester National de Jazz. In 2000 she formed the Quintet Pentacle, in 2006 the Trio DAG (Domancich, Avenel, Goubert) creating three albums as a trio and an album “free 4 DAG” with saxophonist Dave Liebman. Sophia ventured into electronic music, formed three more groups to continue to express herself through her music.
She became the first woman to receive the Prix Django Reinhardt from the Jazz Academy as French Musician of the Year. By 2007 found herself included in the French Ministry of Foreign Affairs and the Ministry of Culture collaborative book, 100 Jazz Titles, that included her 2002 Pentacle Quintet release.
She has recorded 10 albums as a leader, 7 as a co-leader and 20 as a member of other groups. Pianist and jazz composer Sophia Domancich continues to compose, explore, perform and reinvent herslf.
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Daily Dose Of Jazz…
Kevin Kraig Toney was born on January 1, 1953 in Detroit, Michigan. Graduating from Cass Technical High School, in his teens he listened to the music of John Coltrane and Art Tatum He attended Howard University where Donald Byrd, head of the jazz studies department, assembled a group of students which became the fusion band the Blackbyrds, led by Toney. The band played with Chick Corea, The Crusaders, Herbie Hancock, and Grover Washington Jr.
The band released seven albums, three were certified gold and had two hits. Rock Creek Park and Unfinished Business, the latter earned Kevin a Grammy Award nomination. He has recorded several albums as a leader, has worked with Kenny Burrell, Hubert Laws, David “Fathead” Newman, James Newton, Sonny Rollins, Frank Sinatra, Sonny Stitt, Gerald Wilson and Nancy Wilson among numerous others.
As an arranger and conductor with Patti Austin, Babyface, Gloria Gaynor, Edwin Hawkins, James Ingram, Enrique Iglesias, Michael McDonald, Brian McKnight, Freda Payne, Bill Withers, Stevie Wonder, Marilyn McCoo, Billy Davis Jr., and produced his daughter, Dominique Toney’s debut album.
In the same roles he worked in theater for Ain’t Misbehavin’, Five Guys Named Moe, Harlem Suite, The Magic of Motown, Sophisticated Ladies, and Wild Women Blues. He wrote the music for the film Kings of the Evening.
Pianist and composer Kevin Toney, who has recorded eleven albums as a leader, nine as a member of The Blackbyrds and eighteen as a sideman, continues to perform, tour, and record.
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Daily Dose Of Jazz…
Stanley William Tracey was born on December 30, 1926 in Denmark Hill, South London, England. The Second World War disrupted his formal education, and he became a professional musician at the age of sixteen as a member of an Entertainments National Service Association touring group playing the accordion, his first instrument. He joined Ralph Reader’s Gang Shows at the age of nineteen, while in the RAF and formed a brief acquaintance with the comedian Tony Hancock.
Later, in the early 1950s, he worked in groups on the transatlantic liners Queen Mary and Caronia and toured the UK with Cab Calloway. By the mid-1950s, he had also taken up the vibraphone, but later ceased playing it. During the decade he worked widely with leading British modernists, including drummer Tony Crombie, clarinettist Vic Ash, the saxophonist-arranger Kenny Graham and trumpeter Dizzy Reece.
1957 saw Tracey touring the United States with Ronnie Scott’s group, and then became the pianist with Ted Heath’s Orchestra for two years at the end of the Fifties, including a US tour with singer Carmen McRae. Although he disliked Heath’s music, he gained a regular income and was well featured as a soloist on both piano and vibes. He contributed compositions and arrangements that stayed in the Heath book for many years.
He first recorded in 1952 with the trumpeter Kenny Baker, then recorded his first album as leader in 1958, Showcase, for English Decca label and Little Klunk in 1959. From 1960 until about 1967 Stan was the house pianist at Ronnie Scott’s Jazz Club in Soho, London, which gave him the opportunity to accompany many of the leading musicians from the US who visited the club. It is Tracey on piano that film viewers hear behind Rollins on the soundtrack of the Michael Caine version of Alfie. At the same time, he became active in Michael Horovitz’s New Departures project, mixing poetry performances with jazz, where the musicians interacted spontaneously with the words.
The early 1970s were a bleak time for Tracey. He began to work with musicians of a later generation, who worked in a free or avant-garde style. He continued to work in this idiom with Evan Parker at the UK’s Appleby Jazz Festival for several years, but this was always more of a sideline for Tracey, lasting 18 years that the festival existed. Stan formed his own label In the mid-1970s titled Steam, and a number of commissioned suites. These included The Salisbury Suite, The Crompton Suite and The Poets Suite.
He led his own octet from 1976 to 1985 and formed a sextet in 1979 and toured widely in the Middle East and India. He had a longstanding performance partnership from 1978 with saxophonist Art Themen, and his own son, drummer Clark Tracey. He shared the billing with arranger Gil Evans, Sal Nistico and Charlie Rouse. He went on to record over four dozen albums as a leader or co~leader, thirty as a sideman and on two soundtracks over the course of his career.
Pianist and composer Stan Tracey, who received the honor of the Officer of the Order of the British Empire (OBE) and appointed Commander of the Order of the British Empire (CBE), transitioned from cancer on December 6,
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Daily Dose Of Jazz…
David Louis Bartholomew was born Davis Bartholomew on December 24, 1918 in Edgard, Louisiana and initially learned to play the tuba, then took up the trumpet with lessons from Peter Davis, who also tutored Louis Armstrong. Around 1933 he moved with his parents to New Orleans, Louisiana where he played in local jazz and brass bands, including Papa Celestin’s. He played in Fats Pichon’s band on a Mississippi riverboat and took charge of his band in 1941. After a stint in Jimmie Lunceford’s band he joined the US Army during World War II and developed writing and arranging skills as a member of the 196th Army Ground Forces Band.
At the end of the war he returned to New Orleans and towards the end of 1945 he started leading his own dance band, Dave Bartholomew and the Dew Droppers, named after a now-defunct local hotel and nightclub, the Dew Drop Inn. Their popularity was a model for early rock ‘n’ roll bands the world over. In 1947, they were invited by club owner Don Robey to perform in Houston, Texas, where Bartholomew met Lew Chudd, the founder of Imperial Records.
His band made their first recordings for De Luxe Records in 1947 and their first hit was Country Boy, reached No. 14 in the national Billboard R&B chart in early 1950. Prominent members of the band, besides Bartholomew on trumpet and occasional vocals, were the saxophonists Alvin Tyler, Herb Hardesty, and Clarence Hall, the bass player Frank Fields, the guitarist Ernest McLean, the pianist Salvador Doucette, and the drummer Earl Palmer. They were later joined by the saxophonist Lee Allen.
Two years after their first meeting in Houston, Texas he was asked by Lew Chudd to become Imperial’s A&R man in New Orleans. Dave went on to produce singer Jewel King, and a young pianist Fats Domino, who went on to have great success with their collaboration. He went on to work at several labels including his own Broadmoor Records.
The 1970s and 1980s had Bartholomew leading a traditional Dixieland jazz band in New Orleans, releasing an album, Dave Bartholomew’s New Orleans Jazz Band in 1981. He produced numerous hit songs and was inducted into the Songwriters Hall of Fame, the Rock and Roll Hall of Fame, and the Louisiana Music Hall of Fame.
Trumpeter, bandleader, composer, arranger and record producer Dave Bartholomew, who was prominent in the New Orleans music scene and active in rhythm and blues, big band, swing music, rock and roll, New Orleans jazz, and Dixieland, transitioned from a heart attack in Metarie, Louisiana on June 23, 2019.
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