DE’SEAN JONES & URBAN ART ORCHESTRA
Prepare for a once in a lifetime explosive music collaboration between the mind bending awe inspiring drumming of Blaque Dynamite accompanied by the colorful n lush textures of Urban Art Orchestra, brought to you by Detroit’s very own Legendary Powerhouse Saxophonist and 3x Grammy nominated composer De’Sean Jones.
Special Guest: Blaque Dynamite
Tickets: $20.00, $30.00, $40.00, $50.00 | Price includes fees
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GEOF BRADFIELD
Saxophonist and composer Geof Bradfield blends modern jazz, African rhythms, and the roots music of his native South into a style that is “explicitly adventurous and forward-looking” (AllAboutJazz.com). Born in Houston and based in Chicago, Bradfield has performed throughout North America, Europe, Russia, Asia, Africa and the Middle East, sharing the stage and recording studio with artists such as Randy Weston, Dana Hall, Clark Sommers, Brian Blade, Ben Goldberg, Anna Webber, Orrin Evans, Jeff Parker, Matt Ulery, and Ryan Cohan.
His work is featured on 50+ CDs including ten albums as a leader that have garnered critical accolades from the New York Times, Los Angeles Times, Chicago Tribune and NPR. He has received grants and awards from Chamber Music America, Doris Duke Charitable Foundation, DCASE, Illinois Arts Council, and the Mellon Foundation. The Downbeat Critics Poll has named him a Rising Star Tenor Saxophonist and Arranger multiple years.
Cover: $20.00
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Daily Dose Of Jazz…
Roger Wolfe Kahn was born on October 19, 1907 in Morristown, New Jersey, into a wealthy German Jewish banking family. He began studying the violin aged six and is said to have learned to play eighteen musical instruments before starting to lead his own orchestra in 1923, at the age of only 16. His interest in music led the ten year old to buy a ukulele with instructions on how to play. The ukulele turned his mind toward violins, pianos, banjos and jazz orchestras.
By sixteen he rejected college, formed his own booking agency and organized a paying band. He installed it at the Knickerbocker Grill in New York. Self-taught, he could play every instrument in the outfit, and his favorite instruments were the piano and saxophone. By the time he reached nineteen, he had eleven orchestras on his books that played in resorts and hotels from Newport, Rhode Island to Florida. His success enabled him to pursue his passion for composing music and aviation.
Kahn appeared in a short film, hired many famous jazz musicians and singers of the day to play and sing in his band, especially during recording sessions. They were Tommy Dorsey, Morton Downey, Joe Venuti, Eddie Lang, Artie Shaw, Jack Teagarden, Red Nichols, Libby Holman, Gertrude Niesen, Franklyn Baur, Dick Robertson, Elmer Feldkamp and Gene Krupa.
Early on in his career he made several recordings under the name Roger Wolfe Kahn and His Hotel Biltmore Orchestra. He and his Orchestra recorded four takes of the song Rhythm Of The Day for Victor Records and for some reason Victor chose not to release any of them. Undeterred, he wrote the song Following You Around, and arranged the score of his stage musical Rhapsurdity and Hearts and Flowers.
During his career Roger made recordings for Victor, Brunswick and Colubia records, fronted several fashionable New York night clubs and owned several clubs, one beingLe Perroquet de Paris, opened in New York in November 1926 with a five-dollar cover charge. In 1938, the Kahn Orchestra reformed to perform a special one-off concert, in what could have been the Kahn Orchestra’s last concert.
Roger Wolfe Kahn, who was a composer, bandleader and an aviator, died of a heart attack in New York City on July 12, 1962.
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ETIENNE CHARLES
San Juan Hill: A New York Story
Created by composer and trumpeter Etienne Charles, it is an immersive multimedia creation that celebrates a vital chapter of New York’s past. Through music, visuals, and first-person accounts, this powerful work shines a light on the historic communities of the area where Lincoln Center stands today. Blending diverse musical styles—including ragtime, jazz, stride piano, swing, blues, mambo, paseo, Antillean waltz, calypso, funk, disco, and Hip-Hop—with historical film and compelling narratives, the work showcases the myriad cultures that migrants brought to New York from the American South and the Caribbean.
He is joined by the University of Miami’s Frost Symphony Orchestra, where Charles teaches and serves as the Director of the Frost Studio Jazz Band, and special guests, this piece is a testament to the enduring spirit and forgotten stories of a community that helped shape the city’s cultural landscape.
The Program:
Lenape | Where Two or More are Gathered | Zora & Percy | Swing Culture | The Destroyer | Riot 1905 | Negro Enchantress — The Story of Hannah Elias | Charleston at the Jungles | Urban Removal — 1949–1959 | House Rent Party
Creole Soul:
Etienne Charles ~ Trumpet
Godwin Louis ~ Alto, Soprano Saxophones
Tori Trinity Flute
Christian Sands ~ Piano
Alex Wintz ~ Guitar
Lino Piquero Bueno ~ Bass
Brenten Handfield ~ Drums
Feature:
University of Miami Frost Symphony Orchestra
Maestro Gerard Schwarz ~ Director
Special Guests:
DJ Logic ~ Turntables
Eljon Wardally, Carl Hancock Rux ~ Spoken Word
Tickets: Currently No Availability
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Daily Dose Of Jazz…
George Letellier was born October 11, 1957 in the United States. After attending Berklee College of Music in Boston, Massachusetts in 1975, the following year he wrote his first compositions and arrangements. He began as a pianist playing in warm-up bands for artists such as Phil Woods, Gary Burton, and Steve Swallow. Returning to Berklee in 1983, he graduated two years later with a Superior Prix in Film Music Composition.
Moving to San Francisco, California he worked as a freelance pianist in the jazz and salsa genre from 1986 until 1990. His successful session work attracted film executives and he was hired to compose music for films and corporate videos. In 1987 George served as a music editor on the Academy Award-nominated short film Liru, and in 1988 in Oakland, California, established a film production company where he worked not only as a composer but a producer.
In 1991, Letellier moved to Portugal, accepting a job offer as a professor of composition in Porto, Portugal. There he composed two ballets and was a session musician. He collaborated with saxophonist Mario Santos and formed the George Letellier Quartet which toured all across Portugal.
By 1995 he relocated to Luxembourg and began working as a music composer, session musician and taught private lessons. With the Opus 78 Big Band, he collaborated in arranging the tunes of Frank Sinatra and turning them into large philharmonic ensembles for performing.
From 1997 until 2003, he went into education serving as Director of Jazz Studies at the Esch Conservatoire, wrote three publications on jazz theory and formed the original Consabora Salsa Orchestra with Harri Jokiharra. Since 2001, Letellier has taught jazz at L’Ecole de Musique in Echternach, Luxembourg.
Pianist, composer, and educator George Letellier continues to function as a session pianist, and has performed in hundreds of jazz concerts and theatrical productions in Luxembourg, the United States, Europe, and India.
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