Requisites
We Insist! Freedom Now Suite: This classic piece of art stands at the intersection of politics and music. It was recorded at a time when the civil rights movement was starting to heat up and drummer Max Roach composed and performed the seven-part suite dealing with black history, particularly slavery and racism.
Driva’ Man has a powerful statement by veteran tenor Coleman Hawkins and there is valuable solo space elsewhere for trumpeter Booker Little and trombonist Julian Priester, but it is the overall performance of Abbey Lincoln that is most notable. Formerly a nightclub singer, Lincoln really came into her own under Roach’s tutelage and she is a strong force throughout this intense set. On Triptych: Prayer / Protest / Peace, Lincoln is heard in duets with the drummer and her wrenching screams of rage are quite memorable.
Personnel: Max Roach – drums, Coleman Hawkins – tenor saxophone, Booker Little – trumpet, Julian Priester – trombone, Walter Benton – tenor saxophone, James Schenk – bass, Olantunji / Ray Mantilla – percussion, Abbey Lincoln / Oscar Brown Jr. – vocal
Record Date: Nola Penthouse Sound Studio, New York / August 31, 1960 & September 6, 1960 / Candid Records
Producer: Nat Hentoff
Songs: Driva’man, Freedom Day, Triptych: Prayer/Protest/Peace, All Africa, Tears For Johannesburg
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Elaine Leighton was born on May 22, 1926 in New York City and while in high school she was in the same class as Stan Getz and Shorty Rogers. Early in her career around 1949 Leighton worked with Jackie Cain and Roy Kral. She then went to work with Ann Mae Winburn who led the International Sweethearts of Rhythm.
In the mid-Fifties Leighton would play in a trio with pianist Carl Drinkard and accompanied Billie Holiday, recording with her on several sessions including the 1954 Koln live recording. She would be part of an all female trio with bassist Bonnie Wetzel and pianist/singer Beryl Booker. Following a European tour Elaine started freelancing in New York, from 1957 to 1959, then led her own trio.
She has worked with Buddy DeFranco and Red Norvo, was a part of the Jazz USA tour with Clark Terry, Lucky Thompson, Tal Farlow, Kenny Clarke, Terry Pollard, Norma Carson and Mary Osborne, and recorded as a part of the Leonard Feather “Cats vs. Chicks” sessions for MGM. Drummer Elaine Leighton never led a recording session but performed on many classic recording dates but no longer performs at the age of 91.
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Daily Dose Of Jazz…
Bob Leatherbarrow was born on May 3, 1955 in Buffalo, New York. He studied drums with Charlie Lorigo, orchestral percussion with John Rowland of the Buffalo Philharmonic, and the vibraphone with Dave Samuels. He began working professionally at age 14, attending the Berklee College of Music in Boston, Massachusetts before moving to Los Angeles in 1978 to further pursue a career in music.
Throughout his career in jazz, Bob has been a member of Ernie Watts Quartet for over 25 years, has performed and recorded with Joe Farrell, Victor Feldman, Horace Silver, Rosemary Clooney, Natalie Cole, The Bill Holman Band, the Bob Florence Jazz Orchestra and Howard Roberts among others. He has also recorded in other genres with Gordon Lightfoot, Bette Midler, Placido Domingo, Dolly Parton and Henry Mancini.
Leatherbarrow has appeared of film and television soundtracks for The Simpsons, Family Guy, Austin Powers, Bruce Almighty, The Cleveland Show and The Life Aquatic to name a few, and drummed the iconic snare rolls that begin the sound signature of 20th Century Fox Studios.
Doubling on vibraphone, Bob Leatherbarrow has backed singers like Peggy Lee, Greta Matassa, Lorraine Feather and Nelly Furtado along with Stanley Clarke, Bill Perkins and his own group Polychrome, with whom he continues to compose and perform.
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Requisites
The Last Concert: The Modern Jazz Quartet broke up after this concert documented on this two-fer, double LP recording. After a glorious 22-year career, it would be nearly seven years before the group would come back together but it certainly went out on top. Mostly revisiting their greatest hits, MJQ is heard playing inspired versions of Softly As In A Morning Sunrise, Bag’s Groove, Skating In Central Park, Confirmation, The Golden Striker and Django. This set is a real gem and an essential addition for all serious jazz collections.
Personnel: Milt Jackson – vibraphone, John Lewis – piano, Percy Heath – bass and Connie Kay – drums
Record Date: November 25, 1974
Songs: Disc 1 – Softly, As in a Morning Sunrise, The Cylinder, Summertime, Really True Blues, What’s New?, Blues in a Minor, Confirmation, ‘Round Midnight, A Night in Tunisia, Tears from the Children, Blues in H (B), England’s Carol
Disc 2 – The Golden Striker, One Never Knows, Trav’lin’, Skating in Central Park, The Legendary Profile, Adagio from the Guitar Concerto: Concerto de Aranjuez, The Jasmine Tree, In Memoriam, Django, Bag’s Groove
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Daily Dose Of Jazz…
Martin France was born on February 29, 1964 in Rainham, Kent, England and began performing at the age of twelve backing singers in working men’s clubs with organ trios in and around Manchester. He studied under Geoff Riley, Kenny Clare, Joel Rothman, and principal percussionist Richard Smith of The Hallé, the Manchester orchestra.
In 1983 Martin began his recording career performing as a sideman on several records for ECM Records, toured with several of the labels roster during the 80s and 90s and subsequently led several sessions as a leader.
The turning point in his early career was as a member of the 1980s big band Loose Tubes, where he began working on projects that included film soundtracks, jazz theatre and cross cultural collaborations with other big bands and orchestras.
France formed his own band Spin Marvel, that showcased more electronic and sequence drumming, and would be an integral rhythm backbone on more than 60 albums working with some of the world’s finest musicians including Kenny Wheeler, Elvis Costello, Bob Mintzer, Steve Swallow, Joe Lovano, Lee Konitz, Marc Johnson and Dave Holland to name a few and is currently a regular performer with the NDR Radio Orchestra in Hamburg.
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