Daily Dose Of Jazz…
Alan Lawrence Turnbull was born November 23, 1943 in Melbourne, Australia and after taking drum lessons from Graham Morgan he commenced his professional career at the age of 14. He played with top local jazz musicians such as Graeme Lyall, Keith Hounslow and Brian Brown while filling in for drummer Stewart Speer at Horst Liepolt’s Melbourne jazz venue, Jazz Centre 44.
Moving to Sydney in the late 1960s, Turnbull soon became very active in the jazz scene and worked regularly as a freelance musician, including a number of years with the Don Burrows quartet which worked regularly at various clubs, concerts, festivals and other venues throughout Australia and in the United States.
His partnership of drums/double bass with American double bassist Ed Gaston set a new standard for swing jazz rhythm sections in Australia that would influence Australian rhythm sections for decades.
In the following years he worked with the likes of Milt Jackson, Joe Henderson, Gary Burton, Sonny Stitt, Barney Kessell, Richie Cole, Cleo Laine, Billy Eckstine, Cab Calloway, Billy Field, and Neil Sedaka as well the Sydney Symphony Orchestra and the Australian Pops Orchestra.
Appearing on numerous recordings, including those of Don Burrows, Rolf Stube’s Jazz Police, Graeme Norris Band, The Jazz Co-op, The Two with Paul Macnamara, Neil Sedaka and Billy Field, drummer Alan Turnbull, who was also a freelance professional musician, passed away on August 28,2014.
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The Quarantined Jazz Voyager
Still quarantining as much as possible as the Delta variants continue to ravage the country, those of us who are continuing to wear our masks and social distancing we put on music to soothe our souls. Though most people go to the vintage classics, this week I am pulling out one of my favorite albums of recent years, With Pride For Dignity. This 2018 album was recorded by drummer Henry Conerway III at Avatar Studios, New York City on February 27~28, 2017.
The album was produced by Michael Carvin, with Conerway as executive producer. The engineers were Robert Smith and Dave Darlington with assistance from Nate Odden. It was mixed and mastered at Bass Hit Studios in New York City. The art director was Adrian Suare, cover photography by Adrian H. Tillman, and studio photography by Greg Routt.
Track Listing
- Slippery (Ray Brown, arr. Smith) ~ 6:19
- With Pride For Dignity (Kenny Banks Jr.) ~ 8:09
- Sugar Ray (Phineas Newborn, arr. Banks, Smith, Conerway) ~ 7:01
- Cottontail (Duke Elllington, arr. Conerway) ~ 4:29
- Hopscotch (Marcus Printup, arr. Banks, Conerway) ~ 7:58
- Gingerbread Boy (Jimmy Heath, arr. Banks, Conerway) ~ 6:19
- The Feel Goods (Kenny Banks Jr.) ~ 5:34
- Carvin’s Agreement (Henry Conerway III) ~ 2:48
- Henry Conerway III ~ drums
- Kenny Banks Jr. ~ Piano
- Kevin Smith ~ Bass
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Daily Dose Of Jazz…
Tony Kinsey was born Cyril Anthony Kinsey on October 11, 1927 in Sutton Coldfield, Birmingham, England. Holding down jobs on trans-Atlantic ships during his youth, he studied while at port with Bill West in New York City and Birmingham with Tommy Webster. He had a close association with Ronnie Ball early in his life.
Kinsey led his own ensemble at the Flamingo Club in London, England through the 1950s, and recorded on more than 80 sessions between 1950 and 1977, including with Tubby Hayes, Bill Le Sage, Ronnie Scott, Johnny Dankworth, Tommy Whittle, Joe Harriott, Lena Horne, Frank Holder, Ella Fitzgerald, Ben Webster, Clark Terry, Harry Edison, Buddy DeFranco, Billie Holiday, Oscar Peterson, and Sarah Vaughan.
He performed at European jazz festivals both as a drummer and as a poet. He did some work as a session musician in the 1950s and 1960s, playing on records by Eddie Calvert, Cliff Richard, and Ronnie Aldrich. Kinsey was also a founder member of the group, The John Dankworth Seven in 1950.
He was a resident at the Florida Club, Leicester Square, in the 1950s and had his own trio in the mid~Sixties. By the mid 1980s Tony performed regularly with vibraphone player Lennie Best at venues in the London area including the South Hill Park Cellar Bar in Bracknell.
Kinsey also branched into composition; a string quartet composition of his is used in the short film On the Bridge, and he wrote arrangements for big bands in addition to music for over 100 commercials. Later in his life he wrote music for a musical based on the life of George Eliot.
In 2012, he appeared in the documentary film, No One But Me, discussing jazz vocalist Annie Ross. Drummer and composer Tony Kinsey continues to remain active as drummer.
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Daily Dose Of Jazz…
Steve Elmer was born on October 6, 1941 in Brooklyn, New York. He began his musical training as a drummer in a Brooklyn junior high school when he was thirteen years old. He briefly attended Manhattan School of Music before he became the featured jazz drummer with the All American Big Brass Band’s 16-country three-month tour of Africa.
On his return, he spent the next two years playing drums with the Pepe Morreale Trio and cornetist Bobby Hackett. Elmer then earned his B.S in Music Education from Hofstra University and took a job teaching music in a Passaic, New Jersey elementary school followed by a year-and-a-half at Manhattan Vocational- Technical High School.
At age 25, Steve took the first of many formal piano lessons with the brilliant jazz pianist and teacher Lennie Tristano. After six years of intense training, Elmer decided to move away from the Tristano influence and follow his own musical instincts.
In 1969 Steve attended Queens College where he received a Master’s degree in Music Composition, and accepted an invitation to become an assistant professor. He developed a BA in Jazz Studies program where he and Count Basie alumnus Frank Foster served as the faculty.
Elmer stopped playing professionally from 1976-1991 until he met a young drummer named Myles Weinstein and discovered they were both on the same musical wavelength. He and Myles formed a group called The Jazz Mentality Chris Potter on saxophones and Ralph Hamperian on bass. The group recorded two CDs, Maxwell’s Torment and Show Business Is My Life featuring many of Steve’s original compositions.
In 2006, Steve recorded I Used To Be Anonymous, featuring nine original compositions. The trio toured Japan, recorded Fire Down Below, their second CD, in 2008 featuring ten more of his original compositions and a lot of classic jazz playing. Pianist and drummer Steve Elmer is looking forward to a return to Japan and recording his first solo piano album.
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Daily Dose Of Jazz…
Alex Riel was born in Copenhagen, Denmark on September 13, 1940. His career began in the mid-Sixties when he got the house drummer position at the club Montmarte in his home city with bassist Niels-Henning Ørsted Pedersen, and pianists Tete Montoliu or Kenny Drew. They accompanied visiting American musicians Ben Webster, Dexter Gordon, Kenny Dorham, Johnny Griffin, Don Byas, Donald Byrd, Brew Moore and Yusef Lateef.
Among those mentioned above he also worked with Ray Brown, Don Cherry, Art Farmer, Stéphane Grappelli, Hank Jones, and Thad Jones. He formed a renowned jazz ensemble with bass player Niels-Henning Ørsted Pedersen and Kenny Drew.
Riel has recorded thirteen albums as a leader and another twenty-five as a sideman with Drew, Gordon, Webster, Kenny Werner, Bob Brookmeyer, Thomas Clausen, Bill Evans, Eddie “Lockjaw” Davis, Ken McIntyre, Archie Shepp, Lars Gullin, Sahib Shihab, Thorgeir Stubø and Jackie McLean.
Delving into rock music, in 1968 Alex was a founding member of the Danish rock group The Savage Rose. His album The Riel Deal won a Danish Grammy Award Jazz in 1996.
In September 2010, Riel turned seventy years old and the milestone was celebrated at the famed Jazzhus Montmartre. The event was broadcast live with the title Celebration of a Living Jazz Legend by the Danish national television station TV2 which was also showing rare photos depicting Riel with Duke Ellington, Ben Webster, Bill Evans and The Savage Rose.
His first group Alex Riel/Palle Mikkelborg Quintet won the Montreux Grand Prix Award at the Montreux Jazz Festival in 1968. Over the course of his career drummer Alex Riel has founded several groups and continues to advance the music.
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