Daily Dose Of Jazz…
Bruz Freeman was born Eldridge Freeman on August 11, 1921 in Chicago, Illinois. With his brothers, guitarist George Freeman and tenor saxophonist Von Freeman, he played for several years in the house band at the Pershing Hotel.
In 1950, he was a member of John Young’s trio with LeRoy Jackson on bass, and recorded with Young’s orchestra backing vocalist Lurlean Hunter. That same year with his brothers George and Von, originally misidentified as Claude McLin, LeRoy Jackson, and Chris Anderson, he played with Charlie Parker shortly before his death, at a jam session recorded at Bird’s apartment which was released in 1960 by Savoy Records.
The mid-1950s saw him as a member of the Hampton Hawes Quartet, with Red Mitchell and Jim Hall, and with line-ups led by Herb Geller. In 1977-8, he joined a short-lived band based in California, led by Kenny Mann and with Britt Woodman on trombone. Drummer Bruz Freeman, who was also known as Buzz and the uncle of Chico Freeman, the son of Von Freeman, passed away in 2006.
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Daily Dose Of Jazz…
William E. Clark was born July 31, 1925 in Jonesboro, Arkansas. He worked professionally starting shortly after World War II, playing drums with Jimmy Jones, Dave Martin, Mundell Lowe, and George Duvivier.
He was principally active in the 1950s, working with Lester Young, Mary Lou Williams, Lena Horne, Hazel Scott, Duke Ellington, Don Byas, Arnold Ross, Bernard Peiffer, George Shearing, Toots Thielemans, Ronnell Bright, Jackie Paris, and Rolf Kuhn. Later in his career Bill worked with Eddie Harris and Les McCann.
Drummer Bill Clark, known for his versatility playing Dixieland, swing, bebop, avant-garde and fusion, passed away on July 30, 1986 in Atlanta, Georgia.Share a dose of a Jonesboro drummer to inspire inquisitive minds to learn about musicians whose legacy lends their genius to the jazz catalog…
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Daily Dose Of Jazz…
Roy Lee Porter was born on July 30, 1923 in Walsenburg, Colorado and when he was eight his family moved to Colorado Springs. He began playing drums in rhythm and blues bands while a teenager, then attended Wiley College in Texas briefly, where trumpeter Kenny Dorham was a fellow student.
Replacing Joe Marshall he joined Milt Larkin’s band in 1943. After military service, Roy settled in Los Angeles, California and soon was in demand by some of the pioneers of bebop. He worked with Teddy Bunn and Howard McGhee, making his first recordings with the latter. In 1946, he backed Charlie Parker on such Dial classics, A Night In Tunisia, Yardbird Suite, Ornithology and Lover Man.
Porter played on Los Angeles’ Central Avenue with such bebop players as Dexter Gordon, Wardell Gray and Teddy Edwards, and in San Francisco, California with Hampton Hawes and Sonny Criss. He organized a big band and went on the road in 1949 that included Art Farmer, Jimmy Knepper and Eric Dolphy.
During the 1950s he was inactive as a jazz musician due to drug problems and returned to music only infrequently afterwards. Drummer Roy Porter passed away on January 24 or 25, 1998 in Los Angeles.
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Three Wishes
Nica asked Frankie “Downbeat” Brown what he would wish for if he had three and he told her:
1. “A successful music career. By that I mean year~round.”
2. “That I could have my home, car, and a few dollars in the bank, so that, if I get old, I’m covered, in fact.”
3. “The third one would be for my two sons and my daughter to be successful in whatever they do. In other words: behind me.”
*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter
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Daily Dose Of Jazz…
Eddie Dougherty was born July 17, 1915 in Brooklyn, New York. Playing drums from age 13, then started working with Billy Gusak before Dickie Wells’s band at 18 in Harlem, New York by the beginning of the 1930s. He gigged regularly up through 1940 with Kenny Watts & His Kilowatts. His recording career started as a sideman in the 1930s, with Taft Jordan, Frank Froeba, Mildred Bailey, Harry James, Billie Holiday, Frankie Newton, Pete Johnson, and Meade Lux Lewis.
Alongside this he held a gig as the drummer for Keny Watts and his Kilowatts through 1940. He subbed for Dave Tough in the Bud Freeman Orchestra in 1940, then played with Art Tatum, Joe Sullivan, Benny Carter, Benny Morton, and others in the first half of the 1940s. He worked with James P. Johnson several times, including on 1944 recording sessions. His later work included recordings with Cliff Jackson, Mary Lou Williams, Clyde Bernhardt, Wilbur De Paris, Teddy Wilson, and Albert Nicholas. He was still active into the 1980s.
When he finally retired from full-time music decades later, he had amassed a list of credits that not only rivals the length of some short stories, but represented a thorough involvement in many different styles of jazz, vocal music, and rhythm & blues. Drummer Eddie Dougherty passed away on December 14, 1994 in Brooklyn.
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