Daily Dose Of Jazz…
William E. Clark was born July 31, 1925 in Jonesboro, Arkansas. He worked professionally starting shortly after World War II, playing drums with Jimmy Jones, Dave Martin, Mundell Lowe, and George Duvivier.
He was principally active in the 1950s, working with Lester Young, Mary Lou Williams, Lena Horne, Hazel Scott, Duke Ellington, Don Byas, Arnold Ross, Bernard Peiffer, George Shearing, Toots Thielemans, Ronnell Bright, Jackie Paris, and Rolf Kuhn. Later in his career Bill worked with Eddie Harris and Les McCann.
Drummer Bill Clark, known for his versatility playing Dixieland, swing, bebop, avant-garde and fusion, passed away on July 30, 1986 in Atlanta, Georgia.Share a dose of a Jonesboro drummer to inspire inquisitive minds to learn about musicians whose legacy lends their genius to the jazz catalog…
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Daily Dose Of Jazz…
Roy Lee Porter was born on July 30, 1923 in Walsenburg, Colorado and when he was eight his family moved to Colorado Springs. He began playing drums in rhythm and blues bands while a teenager, then attended Wiley College in Texas briefly, where trumpeter Kenny Dorham was a fellow student.
Replacing Joe Marshall he joined Milt Larkin’s band in 1943. After military service, Roy settled in Los Angeles, California and soon was in demand by some of the pioneers of bebop. He worked with Teddy Bunn and Howard McGhee, making his first recordings with the latter. In 1946, he backed Charlie Parker on such Dial classics, A Night In Tunisia, Yardbird Suite, Ornithology and Lover Man.
Porter played on Los Angeles’ Central Avenue with such bebop players as Dexter Gordon, Wardell Gray and Teddy Edwards, and in San Francisco, California with Hampton Hawes and Sonny Criss. He organized a big band and went on the road in 1949 that included Art Farmer, Jimmy Knepper and Eric Dolphy.
During the 1950s he was inactive as a jazz musician due to drug problems and returned to music only infrequently afterwards. Drummer Roy Porter passed away on January 24 or 25, 1998 in Los Angeles.
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Three Wishes
Nica asked Frankie “Downbeat” Brown what he would wish for if he had three and he told her:
1. “A successful music career. By that I mean year~round.”
2. “That I could have my home, car, and a few dollars in the bank, so that, if I get old, I’m covered, in fact.”
3. “The third one would be for my two sons and my daughter to be successful in whatever they do. In other words: behind me.”
*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter
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Daily Dose Of Jazz…
Eddie Dougherty was born July 17, 1915 in Brooklyn, New York. Playing drums from age 13, then started working with Billy Gusak before Dickie Wells’s band at 18 in Harlem, New York by the beginning of the 1930s. He gigged regularly up through 1940 with Kenny Watts & His Kilowatts. His recording career started as a sideman in the 1930s, with Taft Jordan, Frank Froeba, Mildred Bailey, Harry James, Billie Holiday, Frankie Newton, Pete Johnson, and Meade Lux Lewis.
Alongside this he held a gig as the drummer for Keny Watts and his Kilowatts through 1940. He subbed for Dave Tough in the Bud Freeman Orchestra in 1940, then played with Art Tatum, Joe Sullivan, Benny Carter, Benny Morton, and others in the first half of the 1940s. He worked with James P. Johnson several times, including on 1944 recording sessions. His later work included recordings with Cliff Jackson, Mary Lou Williams, Clyde Bernhardt, Wilbur De Paris, Teddy Wilson, and Albert Nicholas. He was still active into the 1980s.
When he finally retired from full-time music decades later, he had amassed a list of credits that not only rivals the length of some short stories, but represented a thorough involvement in many different styles of jazz, vocal music, and rhythm & blues. Drummer Eddie Dougherty passed away on December 14, 1994 in Brooklyn.
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Daily Dose Of Jazz…
Tommy Vig was born on July 14, 1938 in Budapest, Hungary. Internationally recognized as a child prodigy by the age of 6, he played drums with his father, clarinetist Gyorgy Vig and performed concerts on Budapest State Radio, at the City Theatre, the Academy of Music, and the National Circus. By age 8, he made the album The World Champion Kid Drummer with Austrian jazz players in Vienna, Austria including Hans Koller, Ernst Landl, and the Hot Club of Vienna for Elite Special. The following year his drumming won him the 1947 MGM-Jazz Competition in Budapest and as a result made several recordings with the Chappy’s Mopex Big Band for His Master’s Voice.
Completing his studies at the Bartók Conservatory in 1955 and the Ferenc Erkel Music High School in 1956, due to the crushing of the Hungarian Revolution of 1956, he fled to Vienna, where he played concerts with Fatty George and Joe Zawinul. A move to the United States saw him on scholarship at Juilliard School of Music. Since then he has been writing and conducting concerts.
In 1970 Vig relocated to Los Angeles, California where he worked in the studios of Warner Bros., Fox, Universal, CBS, Columbia, ABC, Disney, Goldwyn, MGM, and Paramount. He played on 1500 studio sessions in Hollywood, two Academy Awards, and produced, directed, and conducted the official 1984 Olympic Jazz Festival for the Los Angeles Olympic Organizing Committee. He wrote the music for 30 films and television shows, and added percussion on the recording of Quincy Jones’s soundtrack to Roots.
Vig has worked with Red Rodney, Don Ellis, Cat Anderson, Terry Gibbs, Art Pepper, Milcho Leviev, Joe Pass, the Miles Davis-Gil Evans Big Band. Frank Sinatra, Sammy Davis Jr., Tony Curtis, Woody Allen, Judy Garland, Tony Bennett and Rod Stewart.
Since 2006, vibraharpist, drummer, percussionist, xylophonist and marimba player Tommy Vig, who has won several awards, has been performing concerts with his wife, appearing on radio and television, and recording albums.
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