Daily Dose Of Jazz…
Gregory Herbert was born on May 19, 1947 in Philadelphia, Pennsylvania and started on alto saxophone at age 12. In 1964 he did a short stint in the Duke Ellington Orchestra, then studied at Temple University from 1965 to 1971.
While a student Gregory recorded with Pat Martino in 1968. From 1971 to 1975 he toured with Woody Herman, then played with Harold Danko in 1975 and the Thad Jones/Mel Lewis Orchestra from 1975 to 1977.
After his tenure with the orchestra, he played briefly with Chuck Israels and Blood, Sweat and Tears. Additionally, Herbert appeared on Chet Baker’s Once Upon a Summertime in 1977 along with Harold Danko, Ron Carter and Mel Lewis.
Saxophonist and flautist Gregory Herbert passed away from a heroin overdose on January 31, 1978 in Amsterdam, Netherlands. He never recorded as a leader.
Daily Dose Of Jazz…
Richard Edwin Morrissey was born on May 9, 1940 in Horley, Surrey, England. Self-taught, he started playing clarinet in his school band, The Delta City Jazzmen, at the age of sixteen with fellow pupils. He then joined the Original Climax Jazz Band before going on to join trumpeter Gus Galbraith’s Septet, where alto saxophonist Peter King introduced him to Charlie Parker’s recordings, Shortly afterward he began specializing on tenor saxophone.
Making his name as a hard bop player, Morrissey appeared regularly at the Marquee Club in 1960, and recorded his first solo album It’s Morrissey, Man! in 1961 at the age of 21 for Fontana Records. Spending most of 1962 in Calcutta, India as part of the Ashley Kozak Quartet, they played three 2-hour sessions seven days a week. Upon returning to the UK he formed his quartet and recorded three LPs, Have You Heard?, Storm Warning!, and Here and Now & Sounding Good!.
He went on to play regular gigs in London and during this time Dick also played extensively in bands led by Ian Hamer and Harry South, including The Six Sounds. He also played briefly in Ted Heath’s Big Band, Johnny Dankworth and his Orchestra, the Harry South Big Band. and Eric Burdon and The Animals’ Big Band.
The mid-1960s, saw Dick played with Brother Jack McDuff, Jimmy Witherspoon, J. J. Jackson and Sonny Stitt together with guitarist Ernest Ranglin recorded with him during the Sixties and early Seventies.
In 1969, Morrissey by thenwas a many-time winner and runner-up of the Melody Maker Jazz Poll, and teaming up with another Melody Maker award-winner, guitarist Terry Smith, with whom he had worked in J. J. Jackson’s Band, to form an early jazz-rock group, If.
When If disbanded in 1975, he toured Germany and the United States, recording with the Average White Band, before meeting up with Glaswegian guitarist, Jim Mullen. With some of the members of AWB, together they formed Morrissey–Mullen, recording their first album, Up in 1976) in New York. On returning to Great Britain, Morrissey–Mullen formed another band which rapidly became Britain’s most highly acclaimed jazz-fusion band of the day. They ultimately recorded seven albums over the 16 years they were together, with Morrissey and Mullen collaborating on each other’s solo albums.
He went on to have numerous collaborations with Tubby Hayes, Bill Le Sage, Roy Budd, Ian Hamer, Ian Carr, Tony Lee, Tony Archer, Michael Garrick, Spike Robinson, Allan Ganley, Peter King, Ray Warleigh, and Hoagy Carmichael among others. Tenor and soprano saxophonist, flautist, and composer Dick Morrissey passed away on November 8, 2000.
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Daily Dose Of Jazz…
Charles Owens, was born Charles M. Brown on May 4, 1939 in Phoenix, Arizona and began playing music while attending the University of San Diego. Following a stint in the United States Armed Forces, he studied at Berklee College of Music.
Working in the bands of Buddy Rich and Mongo Santamaria as an alto saxophonist in the late 1960s. In the 1970s played mostly tenor and soprano saxophone. He played in that decade with Bobby Bryant, Paul Humphrey, Diana Ross, John Mayall, Frank Zappa, Lorez Alexandria, Henry Franklin, Patrice Rushen, Gerald Wilson, and James Newton among others.
He worked with Newton again in the mid-1980s, and also played during the same decade with John Carter, Horace Tapscott, and Mercer Ellington. Later he worked with Carmen Bradford, Jeannie Cheatham and Jimmy Cheatham, and Buddy Childers.
Saxophonist and flautist Charles Owens continues to pursue excellence with his music.
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Daily Dose Of Jazz…
Emil Mangelsdorff was born April 11, 1925, in Frankfurt am Main, Germany. In 1942 and 1943, he studied clarinet at the Hoch Conservatory in Frankfurt, Germany.
As a member of the Frankfurt Hot Club, his performance of jazz with Hans Otto Jung among others, led to his being imprisoned by the Gestapo. He was forced into the German army and was a Russian prisoner of war for four years. In 1949 he returned to Frankfurt and decided to become a professional jazz musician. Emil played in the combos of Joe Klimm and Jutta Hipp, and was also a member of the Frankfurt All Stars and the Jazz-Ensemble des Hessischen Rundfunks from 1958.
Since the 1960s he has directed his own quartet. In 1964 Mangelsdorff wrote an instruction manual for jazz saxophone. In 2006 he was awarded the Goethe-Plakette des Landes Hessen and in 2008 he received the Bundesverdienstkreuz.
Alto saxophonist Emil Mangelsdorff, who also played soprano saxophone, clarinet and flute, has retired from music at 96.
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Daily Dose Of Jazz…
William Earnest Green was born on February 28, 1925 in Kansas City, Kansas and learned to play the alto saxophone at age ten, picking up the clarinet when he was twelve. He eventually learned to play most varieties of saxophone, clarinet, and flute.
Serving in the military until 1946, Green began working at a club called Small’s in Kansas City. Relocating to Los Angeles, California in 1947 he enrolled at the Los Angeles Conservatory of Music and Arts, and graduating in 1952 remained on staff as an educator until 1962. He also ran a music education studio on La Brea Avenue in Los Angeles for many years.
During his early career Bill played with Gerald Wilson, and began working with Benny Carter in the latter half of the 1950s. From 1959 to 1962 he played in Louie Bellson’s big band, then went to work extensively as a section player in the bands of Quincy Jones, Henry Mancini, and Buddy Rich. He would accompany vocalists such as Frank Sinatra, Tony Bennett, Nat King Cole, Nancy Wilson, and Dionne Warwick.
Through the mid to late Sixties he played the Monterey Jazz Festival with Gil Fuller, worked with Oliver Nelson, and then Blue Mitchell. The 1970s saw him performing or recording with Gene Ammons, the Capp-Pierce Juggernaut, Ella Fitzgerald, Sonny Rollins, and Sarah Vaughan. He continued working with the Capp-Pierce Orchestra in the early 1980s, as well as with Lionel Hampton, Woody Herman, and the Clayton-Hamilton Jazz Orchestra.
His most notable recordings are Benny Carter’s Aspects and the Quincy Jones recording of the soundtrack for Roots. Multi-instrumentalist Bill Green, who played most saxophones, clarinet and flute, passed away on July 29, 1996. His personal papers and recordings are archived at University of California, Los Angeles..
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