Her string of GRAMMYs includes an unprecedented three consecutive Best Jazz Vocal Performance awards and another for her contributions to the soundtrack of George Clooney’s film Good Night and Good Luck. She’s a performer with a gift for imbuing any performance space with the intimacy of a living room, and her 2015 Concord Records debut, Beautiful Life, won the GRAMMY for Best Jazz Vocal Album, melding jazz with elements of R&B, pop and Latin music.

Whether putting a personal stamp on lilting Brazilian standards, exploring contemporary fair by Ani DiFranco and Stevie Nicks, interpreting American Songbook classics by the Gershwin, Porter, and Berlin, or breathing fresh life into holiday chestnuts, Dianne Reeves always gets to the heart of a song. More than two generations have passed since jazz stars took on aristocratic titles, otherwise Dianne Reeves would surely be known as The Queen.

Frida & Saturday Performance | 7:30pm

Sunday Performance | 7:00pm

Springs first gained national attention with her 2014 self-titled EP, a hip-hop inflected project that led to performances on Jimmy Kimmel Live and The Tonight Show Starring Jimmy Fallon, appearances at the Afropunk and Bonnaroo festivals, and an invitation to perform with Prince at Paisley Park for the 30th anniversary of Purple Rain. While elated by these opportunities, she started rethinking her musical direction and gravitated toward the jazz and soul-based sounds of her Nashville upbringing.

Reuniting with Grammy-winner Larry Klein, who produced her stunning debut Soul Eyes, Springs chose to honor the women whose music was such an inspiration during her early life in Nashville. Working with Klein (whose credits include albums by Lizz Wright, Melody Gardot, Joni Mitchell, and Herbie Hancock), The Women Who Raised Me is a loving tribute to Ella Fitzgerald, Billie Holiday, Nina Simone, and Dusty Springfield, featuring Springs’ lustrous voice and deft piano accompanied by heavyweight players Christian McBride, Chris Potter, Avishai Cohen, and Elena Pinderhughes.

A finalist in both the Ella Fitzgerald Jazz Vocal Competition and the Mid-Atlantic Jazz Vocal Competition, Wertz released her 2017 debut album Intertwined in collaboration with Israeli pianist Tal Cohen — a sparkling collection of standards and newer compositions which was ranked #4 on Capital Bop‘s list of “Best DC Jazz Albums of 2017.” In addition to her solo career, Wertz is an avid collaborator, featured on recording projects alongside Elena Pinderhughes, Braxton Cook, Justin Rock, and Ambrose Akinmusire, among others.

With Other Side, Wertz has made a quantum leap as a composer and conceptualist, braving essential questions of the human experience with nuanced expression and deep feeling. Born of the introspection and examination that the pandemic forced upon us all, the album pairs her own lyrical compositions based in personal stories with carefully chosen covers like the Rogers and Hart chestnut “Spring is Here,” imbued with the longing and anger created by a world in lockdown.