Requisites
A DAY IN THE LIFE | WES MONTGOMERY
One of my favorite jazz albums that I first heard during my freshman year in college was the 1967 album A Day In The Life by Wes Montgomery. It was recorded on June 6 & 26, 1967 at the Van Gelder Studio in Englewood Cliffs, New Jersey and released on the A&M/CTI label later that year in September.
The 34:21 minute album is filled with covers of rock and pop songs selected by the guitarist who opens Side One with the title track, A Day In The Life by John Lennon and Paul McCartney, originally released on their Sgt. Pepper’s Lonely Hearts Club Band. It’s a great opener that builds from a quiet start into a cavalcade of strings by its end. Watch What Happens is from the 1964 musical romantic drama film The Umbrellas of Cherbourg written and directed by Jacques Demy, with music by Michel Legrand.
The Calvin Lewis and Andrew Wright #1 tune When a Man Loves a Woman is the third addition to the side and first recorded by Percy Sledge in 1966. California Nights is a song written by Marvin Hamlisch and Howard Liebling and recorded by Lesley Gore in 1967. The final song is Angel and is the only composition contributed by Montgomery.
Side Two is opened by another Lennon/McCartney song, Eleanor Rigby. One premise is that the inspiration for the title is the actress Eleanor Bron who starred in the Beatles movie Help!. Rigby came from the name of a store in Bristol, Rigby & Evens Ltd. Next up is Willow Weep For Me, that once again accounts the inspiration for the song is that Ann Ronnell, while at Radcliffe College, had been struck by the loveliness of the willow trees on campus, and this observation became the subject of an intricate song.
Windy, another No. 1 tune recorded by The Association, and was composed by Ruthann Friedman. Trust In Me was composed by Milton Ager, Jean Shwartz and Ned Wever and was made popular in 1937 by Mildred Bailey. Closing out the session is The Joker, a song by Leslie Bricusse and Anthony Newley, and is taken from the 1964 musical The Roar of the Greasepaint – The Smell of the Crowd. It’s a lament of a person, seen by the outside world as a jester and a comedian especially when they fail.
The recording session was produced by Creed Taylor, was arranged and conducted by Don Sebesky, the engineer was Rudy Van Gelder and the principal photography was performed by Pete Turner.
The guitarist did little more than play the melody using his distinctive octaves. A Day in the Life is a collaboration of guitar and strings. For these ears it was a pleasurable listening experience.
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Daily Dose Of Jazz…
Edgar Avenir was born on May 25, 1950 in Diliman, Quezon City, Philippines. As a child he grew up in the University of the Philippines and lived in Area One of the campus. As a young guitarist, Avenir played with the renowned jazz pianist and composer Bong Peñera, and the Sangkatutak Band, whose members included Cariño, Ivy Violan and Richard Merk. His neighbors included Ed “Sarge” Cariño and John Lesaca, both of whom would later play with Avenir in various bands.
While he sessioned for pop acts like the Apo Hiking Society, his associations with fellow jazz musicians allowed him to explore the more eclectic side of his music. His move to jazz had him rubbing shoulders and exchanging notes with Pinoy jazzmen like Sandra Lim Viray, Jun Viray, Romy Posadas and Roger Herrera.
An excellent musician who could play with anyone, Avenir regularly performed with singer Zenaida Celdran and De la Calzada at La Cuisine Francaise in Makati. Celdran took care of Avenir in the last few months of his life. He was always willing to help fellow artists who wanted to learn more about music.
Still playing until August even though he was ill, guitarist Edgar Avenir, affectionately known as Koyang, died on Saturday, September 17, 2017 of pneumonia arising from lung cancer. He was 61.
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Daily Dose Of Jazz…
Marco Cortesi was born on May 18, 1962 in Locarno, Switzerland. Though learning the guitar early he began taking music seriously at the age of 20. He attended several Italian summer camps with Joe di Jorio, Jim Hall, Mick Goodrick and others. From 1985 to 1991 he enrolled at the Swiss Jazz School (SJS) in Bern, Switzerland where he studied and played with Frank Sikora, Rachel Gould, Woody Shaw, Sal Nistico and others.
After graduation at SJS in 1991, he started a musical and artistic relationship with American and European musicians and started working regularly with Gene Calderazzo in a trio that features special guests such as Franco Ambrosetti, Walt Szymansky, Jon Davis, Mark Abrams, Dario Deidda, Jeff Gardner, Rick Margitza, Giorgio di Tullio, Alberto Bonacasa and many others. He went on to perform in trio to quintet configurations at festivals and in clubs.
In 1997 he’s in London, England for a tour with the Gene Calderazzo Quartet. That same year the Swiss label Altri Suoni released his first CD Triblu. In 1999 he was in New York City he worked, toured and recorded with pianist Jeff Gardner. He went on to tour with tenor saxophonist Rick Margitza, with whom he also recorded with his sophomore project Why Not in 2000. He has collaborated with Franco Ambrosetti, trumpeter Hilaria Kramer, lute player Luca Pianca, and viola player Walter Fähndrich.
Guitarist Marco Cortesi composed all the music and soundtracks played and recorded by his group. He writes music for jingles, radio tunes, and electronic compositions for professional use in the media business.
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Daily Dose Of Jazz…
Eric Ross was born on May 14, 1948 in Carbondale, Pennsylvania and began studying piano at the age of seven under Jean Krantz-Thomas. Ten years later he started to write his own compositions and in the late 1960s and early 1970s he studied guitar and attended the electronic music composition course with Charles Dodge at Columbia University.
1972 saw him finishing college and beginning his career as a musician by playing and working in recording studios. Three years later Eric began playing the theremin and the following year he played his music exclusively, allowing him to develop it as a voice in his compositions. In 1982 he released his first album, Songs for Synthesized Soprano, and performed in concert at the Lincoln Center in New York.
He has performed throughout the United States and toured Europe, in addition to performing on radio, television and film. For over twenty years Eric’s ensemble featured John Abercrombie, Larry Coryell, Andrew Cyrille, Oliver Lake, Leroy Jenkins, Youseff Yancy, Lydia Kavina, and Robert Dick, among others.
Along with his wife Mary, the couple created memorable multimedia performances that intertwined music with images, video projections, and dance. As an educator he has lectured on the theremin, piano, guitar, and electronic music at colleges, universities and schools in the USA and Europe.
Pianist and guitarist Eric Ross, who also plays synthesizers and is a master of the theremin, continues to blend classical, jazz, serial and avant-garde in his performances.
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Daily Dose Of Jazz…
Jim Douglas was born Robert James Elliot Douglas on May 13, 1942 in Gifford, East Lothian, Scotland. He played drums in his youth before switching to guitar and in his teens he accompanied clarinettist Pete Kerr.
As part of a Dixieland band, he performed in Germany in 1960 and soon after Jim began playing with Alex Welsh. In 1971 he appeared on the album Freddy Randall and His Famous Jazz Band. Other than Kerr and Welsh, he worked with Alan Elsdon, Lennie Hastings, Ed Polcer, and Keith Smith.
Douglas wrote and self-published a semi-autobiographical book, Tunes, Tours and Travel-itis – Eighteen Years of Facts, Faces and Fun with the Alex Welsh Band. He followed this up three years later with Teenage to Travel-itis – Growing Up in a World of Jazz. The sequel chronicles his adventures in the Jazz world before and after his time with the Alex Welsh Band.
Guitarist, banjoist, and author Jim Douglas, who played with Red Allen, Earl Hines, and Ruby Braff from 1962 until 1981 while in the Welsh band, continues to perform.
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