RON CARTER FEATURING BILL FRISELL

Ron Carter is among the most original, prolific and influential bassists in jazz with more than 2,000 albums to his credit. Beginning his career in the 1960s with Jaki Byard and Eric Dolphy, Cannonball Adderley, and a five year stint with the Miles Davis’ Quintet, Ron also performed and recorded with notables including Bill Evans, B.B. King, and Dexter Gordon. Ron Carter’s various ensembles, big band to trio, feature a who’s who of the finest players on the NYC scene with, “an absolute commitment to musical sublimity [that] exudes refined elegance and sonic power.” (amazon.com)

Bill Frisell’s career as a guitarist and composer has spanned more than 40 years and many celebrated recordings, whose catalog has been cited by Downbeat as “the best recorded output of the decade.”

Tickets: $45.76 ~ $61.21

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Daily Dose Of Jazz…

Fernando Álvarez Ariza was born in Santander, Columbia on October 6, 1977. He began his musical studies at the artistic culture department of Santander DICAS and continued his studies in harmony with Rito Mantilla and classical guitar with Silvio Martinez at the Universidad Industrial de Santander. He graduated with a Bachelor in music degree and took a  workshop at Los Angeles International Christian University, strengthening his studies in electric guitar, jazz fundamentals, and production. He later received tutoring from guitarists Bruce Saunders and Pino Marrone.

He has done rock projects with the group Osmosis from Bucaramanga, Santander, with whom he recorded a single called Atrás de los Sueños with the collaboration of guitarist Mauricio Espinoza. His jazz projects include the staging of the work Santandereano by bassist José “Chepe” Ariza at the national festival Jazz al Parque in Bogotá.

He has shared the stage with Bruce Saunders, Eric Halvorson, Javier Colina, Héctor Martignon, Antonio Arnedo, Oscar Acevedo, Chepe Ariza, Gabriel Rondón, Sebastián Monsalve, Pacho Dávila, Ricardo Uribe, Oscar Serrano Prada, Lalo Ariza, Germán Sandoval, Sincopa Jazz Band, among others.

His recent album, Arquitectura Sonora, features Cuban saxophonist Leonardo Molina and trumpeter Jorge Méndez. He fuses electronic textures, improvisation, and elements of Colombian folk and urban culture. He has taught at the Gentil Montaña Foundation, Corporación Cristiana Universitaria, Los Angeles International Christian University, and is currently a professor at the Faculty of Arts and Humanities at the University of Pamplona, ​​Colombia.

SUITE TABU 200

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Michael Franks was born September 18, 1944 in La Jolla, California and grew up with two younger sisters. Neither parent was a musician but they loved swing music, and his early influences included Peggy Lee, Nat King Cole, George Gershwin, Irving Berlin, and Johnny Mercer. At age 14 he bought his first guitar, a Japanese Marco Polo for $29.95 with six private lessons included. Those lessons were the only music education that he received.

While at University High School in San Diego,California he discovered the poetry of Theodore Roethke with his off-rhymes and hidden meter. He began singing folk-rock, accompanying himself on guitar. Studying English at UCLA, Michael discovered Dave Brubeck, Patti Page, Stan Getz, João Gilberto, Antonio Carlos Jobim, and Miles Davis. Never studying music in college or later, he earned a Bachelor of Arts degree from UCLA in comparative literature in 1966 and a Master of Arts degree from the University of Oregon two years later. He returned to UCLA to teach after a stint in a PhD program in Montreal.

During this time Franks started writing songs, starting with the 1968 antiwar musical Anthems in E-flat and went on to compose music for films. Sonny Terry and Brownie McGhee recorded three of his songs, on their album Sonny & Brownie. Franks played guitar, banjo and mandolin on the album and joined them in touring. In 1973, he recorded an eponymous debut album, later reissued as Previously Unavailable.

In 1976 he released his second album The Art of Tea featuring the Crusaders and which saw Franks begin a long relationship with Warner Bros. Records. Subsequent albums came in 1977 and 1978 and through the 1980s. His move to New York City featured more of an East Coast sound on his albums and performance. Since then, Franks has recorded more than 15 albums.

He has recorded with a variety of well-known artists, such as Peggy Lee, Dan Hicks, Patti Austin, Art Garfunkel, Brenda Russell, Claus Ogerman, Joe Sample, and David Sanborn. His songs have been recorded by Shirley Bassey, Kurt Elling, Diana Krall, The Manhattan Transfer, Leo Sidran, Veronica Nunn, Carmen McRae, and Natalie Cole, aming other pop and rock artists.

Vocalist and songwriter Michael Franks, who plays guitar, banjo, mandolin, and cabasa, is still active and working on a new project.

CALIFORNIA JAZZ FOUNDATION

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Albert Aloysius Casey was born September 15, 1915 in Louisville, Kentucky. He was a child prodigy who first played violin, then switched to ukulele. He began playing guitar in 1930 and attended DeWitt Clinton High School in New York City where he studied guitar. He met Fats Waller in 1933 and the following year, at eighteen, he became a member of Waller’s band.

Making several recordings with the band, he is known for having played the solo in Buck Jumpin’. After Waller’s death in 1943, he led his own trio and for two consecutive years in the 1940s, he was voted best guitarist in Esquire magazine.

From 1957, he was a member of a rhythm and blues band led by King Curtis. Four years later he dropped out of music, though he returned in the 1970s to record with Helen Humes and Jay McShann. Another absence followed until 1981, when he returned to music to play with the Harlem Blues and Jazz Band.

During his career, Casey worked with Louis Armstrong, Chu Berry, Coleman Hawkins, Lionel Hampton, Billie Holiday, Billy Kyle, Frankie Newton, Clarence Profit, Art Tatum, and Teddy Wilson.

Guitarist Albert Casey died of colon cancer on September 11, 2005, four days shy of his 80th birthday.

CALIFORNIA JAZZ FOUNDATION

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JACQUES LESURE TRIO

The guitarist takes to the stage bringing special friends with him for an evening of great jazz. Coming out of Detroit the jazz guitarist is a recording artist is signed to WJ3 Records.

He has performed with several jazz artists, such as Jimmy Smith and Stanley Turrentine as well as Wynton Marsalis, Eric Reed, Warren Wolf and Gregory Porter.His performances can be heard in La La Land, the Academy Award winning movie.

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