Daily Dose Of Jazz…
Teruo Nakamura was born on March 3, 1942 in Tokyo, Japan and everyone in his immediate family were artists. He studied at Nihon University before moving to New York City in 1964, where he studied with Reggie Workman.
In 1969 he joined drummer Roy Haynes’s ensemble and that same year he also formed a band with Steve Grossman and Lenny White, who both went on to play on his 1973 debut as a leader, the album Unicorn and Nakamura played both acoustic and electric bass on the album, which was released by Three Blind Mice.
Teruo formed the Rising Sun band in the mid-1970s. In 1977 this contained saxophonist Bob Mintzer, guitarist Shiro Mori, with Mark Gray on synthesizer, Art Gore on drums and Nobu Urushiyama on percussion.
The 1980s and 1990s saw him working principally as a record producer. Bassist and record producer Teruo Nakamura continues to perform and record.
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Requisites
Out Of This World ~ Walter Benton Quintet | By Eddie Carter
Up next from the library is a recent acquisition by a musician I first heard on two Clifford Brown albums, Best Coast Jazz (1955), and Clifford Brown All-Stars (1956). Out of This World (Jazzland JLP 28/928S) is the only album tenor saxophonist Walter Benton recorded as a leader but is brilliant swinging jazz with a stellar cast. Freddie Hubbard (listed as Freddy, tracks: A1, A2, B1, B2) on trumpet, Wynton Kelly on piano, Paul Chambers on bass, Jimmy Cobb (tracks: A2, A3, B2), and Albert Heath (tracks: A1, A4, B1, B3) on drums. Walter began playing the saxophone in high school, he’s also worked with John Anderson, Clifford Brown, Kenny Clarke, Eric Dolphy, Victor Feldman, Slide Hampton, Quincy Jones, Abbey Lincoln, Perez Prado, Max Roach, and Gerald Wilson. My copy used in this report is the 1993 Japanese Stereo reissue (Jazzland VIJJ-30049).
Side One opens with the title song, Out of This World was written in 1944 by Harold Arlen and Johnny Mercer. It grabs hold from the beginning of the collective midtempo melody and doesn’t let go until Freddie’s deceptively easy swing before picking up the pace for a bristling first reading. Walter comes in next exhibiting an optimistic spirit on the next solo, and Wynton works out a few logical ideas on the closer preceding the coda and fadeout. Walter’s Altar is the first of five originals by the leader, and an easy-going blues giving everyone solo space except Cobb who takes over on drums. Benton kicks off the solos leisurely but builds his tone into a delightful interpretation. Hubbard makes a terrific impression on the second solo. Kelly is superbly articulate on the third reading and Chambers takes the bass for some tuneful walking on the final statement ahead of the closing chorus and climax.
Iris is a tender ballad by Benton beginning with a brief intro by Freddie before Walter takes over on the gentle theme. The first of the leader’s two solos is slow, easy, and meaningful possessing a soulful tone. Wynton’s second solo is richly creative, then Walter returns for a few final softly, soothing comments before the close. Night Movement is an uptempo romp by Benton with a brief appearance by Hubbard during the melody, and Heath returning to the drums. The saxophonist gives two brief readings of ferocious intensity with a short speedy statement by Kelly in-between.
Side Two opens with Benton’s A Blue Mood. This tune is a midtempo blues starting with the rhythm section’s brief introduction into the ensemble’s melody. The solo order is Hubbard, Benton, Kelly, Chambers, and each man applies some down-home cooking to each of their solos, making them quite appetizing. Walter’s Azil is fast and swinging, returning the quintet to uptempo speed on the swift-footed melody. Benton begins the solos with a scintillating conversation, then Hubbard comes in for a vigorously energetic reading. Kelly closes with an electrically charged interpretation with Chambers and Cobb supplementing the power into the quintet’s ending.
Lover Man by Jimmy Davis, Roger Ramirez, and James Sherman is a timeless standard from The Great American Songbook. It ends the album with a sensuous performance by the quartet with Heath back behind the drums. Kelly and the trio begin the introduction blossoming into the foursome’s opening chorus. Walter opens with a delicately tasteful first statement. Wynton adds intimate lyricism to the second reading, then Paul performs so warmly you could bask in its glow like a sunbath. Walter wraps up the song with a beautifully phrased chorus into the coda.
Six years after recording this album, Benton retired from music altogether, becoming a real estate agent. He passed away on August 14, 2000, at the age of sixty-nine. Out of The World was originally produced by Orrin Keepnews and engineered by Ray Fowler. Victor Entertainment (formerly Victor Musical Industries) has done an exceptional job with the mastering of the album from the original tapes. The music emerges from your speakers as if the group is playing right in front of your favorite chair. If you’re looking for an excellent Hard-Bop album for your library, and have not heard Walter Benton before, I submit for your consideration, Out of This World by The Walter Benton Quintet. It’s a stellar album of the genre that’s a treat for your ears!
~ Best Coast Jazz (EmArcy MG-36039), Clifford Brown All-Stars (EmArcy MG-36102) – Source: Discogs.com ~ Lover Man – Source: JazzStandards.com ~ Out of This World – Source: Wikipedia.org
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ANTHONY WONSEY TRIO
Chicago native Anthony Wonsey is one of the most innovative jazz pianists on the planet. His dynamic compositions and imaginative arrangements make him a much in demand player internationally. Anthony’s introduction to music began at a young age via the influence of his mother Darlene, a classically trained pianist, lessons from trumpeter Zilner Randolph,( musical director for Louis Armstrong’s band) and many moments in his family’s basement with his father Anthony, a Chicago postal worker/jazz fan who schooled his son, via a staticky AM radio, on the music he loved.
His progression flourished, resulting in a full scholarship to the prestigious Berklee College of Music in Boston. While a student, he played locally with Roy Hargrove and Antonio Hart; toured with Kenny Garrett and Nneena Freelon, followed by a staggering move when recruited by the legendary drummer Elvin Jones to join his group. Wonsey relocated from Boston to NYC and played with Jones’ Jazz Machine for five years. Mulgrew Miller and James Williams also became mentors.
Singers and instrumentalists welcome to the jam session
The House Band: Anthony Wonsey~Piano, Will Lyle~Bass, Diego Voglino~Drums
No Cover | One drink minimum. | Complimentary vegan food and brownies
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MATTHEW KAMINSKI
Multi-talented Matthew Kaminiski and his quartet will wind up the first season of Jazz at All Saints’. And “wind up,” he will, for Matthew is the crowd-pleasing organist of the Atlanta Braves, cited by envying broadcasters as “the coolest guy in the world.” Versatile on accordion and piano as well as organ, Matthew is a member of a variety of musical groups—a western swing band, a polka band, and the Latin salsa orchestra Orquesta McCuba. He also writes music for plays and sings in a rock band. You can be sure that fan-favorite ballpark songs as well as jazz classics will highlight the evening’s offerings.
The Band: Matthew Kaminski on Hammond organ | Will Scruggs on saxophone | Justin Chesarek on drums | Ben Weatherford on guitar
Tickets: $25.00 General Admission | $15.00 Student
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ALBA PUJALS
Since coming together in 2019, this talented quintet has been crafting original music that bridges the roots of jazz with fresh, contemporary ideas. Led by Alba Pujals on trombone and vocals, the group includes Jarien Jamanila on alto saxophone, Esteban Castro on piano, Jayla Chee on bass, and Sarah Gooch on drums. Their performance highlights a shared love for jazz tradition while exploring new sounds and heartfelt compositions, making for an evening of honest and inspired music.
Performers:
Alba Pujals, trombone, voice and compositions
Jarien Jamanila, alto saxophone
Esteban Castro, piano
Jayla Chee, bass
Sarah Gooch, drums
Tickets: $20.00 ~ $50.00
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