Daily Dose Of Jazz…
Michael Earl Henderson was born on July 7, 1951 in Yazoo City, Mississippi. He moved to Detroit, Michigan with his parents when he was young, his mother, Rose Williams sang in church. During his childhood, he played cello and then switched to bass guitar, teaching himself to play. When he was 10 or 11, he saved enough money to take a bus to see a bill of Motown artists at the Fox Theater. Precociously talented, he was performing with local bands before his 12th birthday.
Beginning his career early around the age of 14, he was on tour with the Detroit Emeralds when he met Stevie Wonder at a Chicago theater. In the dressing room was a piano, Stevie was playing and he sat down next to him with his bass and the meeting was fortuitous. Stevie hired Michael and they toured together for five years while working as a Motown session musician.
In 1970 at the Copacabana in Manhattan, Miles Davis heard him playing with Wonder. At that time Davis was entering his electric and rock rhythms and hired Henderson away. Over the next few years from 1970 to 1977 he recorded a string of albums with Davis, including Bitches Brew, Jack Johnson, Live-Evil, On the Corner, In Concert: Live at Philharmonic Hall, Get Up with It, Agharta, Pangaea, and Dark Magus.
With Norman Connors he invited him to write and record Valentine Love with Jean Carne, We Both Need Each Other with Phyllis Hyman and You Are My Starship. As a solo artist he recorded Take Me I’m Yours, Wide Receiver, and Can’t We Fall in Love Again, again with Hyman.
In 2002 Henderson returned to the music of Miles Davis and with several other Davis alumni, saxophonist Sonny Fortune and drummer Ndugu Chancler, formed the group Children on the Corner. A year later, they released the album Rebirth, which reinterpreted and recreated Davis’s electric music from the 1970s. He remained in the music industry until his death.
Bass guitarist and vocalist Michael Henderson died of cancer on July 19, 2022 at his home in Dallas, Ga., a suburb of Atlanta. He was 71.
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Daily Dose Of Jazz…
Richard Simon was born in Kansas City, Kansas on July 5, 1949 and left a comfortable position as a college English professor to take up the upright bass at age 30. He apprenticed with the elder elite of the Los Angeles, California jazz scene, including Red Callender and John Clayton, and soon began working with Buddy Collette, Teddy Edwards, Plas Johnson and Art Hillery, as well as LA Philharmonic’s Abe Luboff.
Richard has played traditional jazz with Pete Fountain, swing with Ken Peplowski, and be-bop with Richie Cole. He has recorded with Al Viola, Houston Person, Rebecca Kilgore, Gerald Wiggins and Chico Hamilton, toured Japan three times and performed twice with the King of Thailand. He worked frequently with vocalists Sue Raney, Maria Muldaur, Maxine Weldon, as well as the late vocalists Ernie Andrews, Lorez Alexandria and Keely Smith, and Rosemary Clooney.
Deeply involved in jazz education, Simonhe is the program director for JazzAmerica, a non-profit organization that provides tuition-free jazz instruction after school and in summer WorkChops.
Bassist Richard Simon continues to perform, record and educate.
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Daily Dose Of Jazz…
Seger Pillot Ellis was born on July 4, 1904 in Houston, Texas and began his career as pianist playing live for a local Houston radio station in the early 1920s. In 1925, he was added to the orchestra of Lloyd Finlay for a recording session for Victor Records, and was also allowed to cut two piano solos. This led to Ellis being invited to Victor’s regular recording studio in Camden, New Jersey, to cut a number of piano solos, all or most of them compositions of his own. These were among the earliest records Victor made using the new electric microphone and recording equipment.
After his first recording experiences, Ellis returned to Houston and radio work as well as playing in vaudeville theaters. During this period Seger began adding singing to his piano playingwhich led to an invitation to New York City to make vocal test recordings. His first issued vocal record was “Sunday” on the Columbia label, then a string of records for Okeh Records.
Ellis selected many of the best jazz musicians of the time, including Tommy and Jimmy Dorsey, Joe Venuti, Eddie Lang, Andy Sannella and Louis Armstrong. His first recording career ended in 1931, however, in the late Thirties he returned to conducting and singing with his own big band, Choirs of Brass Orchestra. Later in his career, he focused more on songwriting, but recorded sporadically as well as playing the piano.
In 1939, Ellis reorganized and his new band featured the conventional four-man reed section. He disbanded in 1941, and was enlisted in the United States Army Air Forces in 1942. After his discharge he moved back to Texas and began to be less active as a performer and more a songwriter and composer. His compositions were recorded by Harry James, Gene Krupa, Bing Crosby, Count Basie with a Mills Brothers vocal.
Pianist and vocalist Seger Ellis, who made a few brief film appearances in collaboration with director Ida Lupino, died on September 29, 1995 in a Houston retirement home.
Acquaint an inquisitive mind with a dose of a Houston pianist who is in the company of musical genius around the world as a member of the jazz canon…
Seger Ellis: 1904~1995 | Piano, Vocal
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Daily Dose Of Jazz…
Ron Collier was born on July 3, 1930 in Coleman, Alberta, Canada and began his musical training in Vancouver, British Columbia, Canada. He was a member of the Kitsilano Boys’ Band. He studied music privately in Toronto with Gordon Delamont and was the first jazz musician to receive a Canada Council grant that led him to study orchestration in New York in 1961 and 1962.
He formed the Ron Collier Jazz Quartet, which performed in the 1950s at the Stratford Festival and on CBC’s Tabloid with Portia White, and in 1963 with the Winnipeg Symphony Orchestra.
Duke Ellington performed with the Ron Collier Orchestra on the 1969 album North of the Border in Canada. The album included his compositions and those by several Canadian composers. He also created orchestrations for a number of Ellington’s concerts and recordings.
He composed the scores to three films in the 1970s and began directing a student orchestra at Toronto’s Humber College. His band won the Big Band Open Class at the Canadian Stage Band Festival in 1982. He would go on to perform in and lead a number of jazz groups.
Trombonist, composer, and arranger Ron Collier, who was made an Officer of the Order of Canada, died on October 22, 2003 in Toronto, Canada at the age of 73.
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Daily Dose Of Jazz…
Mat Marucci was born Mathew Roger Marucci III on July 2, 1945 in Rome, New York into a musical family with his sister Mena, a concert pianist and his brother Ed, a trumpeter. He was classically trained on the piano and switched to drums at the age of 19.
After graduating high school from St. Aloysius Academy in 1963, Marucci studied drums with Dick Howard in Auburn, New York for two years. Receiving a business management degree at Auburn Community College in 1965, he relocated to the west coast four years later. Attending Sacramento City College in California, he received his associate degree in music, in 1973.
In addition to recording and performing, Marucci has authored several books on drumming for both Ashley Publications and Mel Bay Publications. His recordings and books have garnered four and five star reviews in JazzTimes, Jazziz, Modern Drummer, DownBeat and DRUM! magazines. He also wrote articles for several magazines and jazz websites.
In his role as a jazz educator, Mat has been a professor at several California colleges in Sacramento and Berkeley and an applied drum set instructor at the Sacramento Traditional Jazz Society.
Drummer Mat Marucci, who has lived between New York City, Los Angeles and Sacramento and has recorded seventeen albums as a leader and eight as a sideman, continues to explore and perform.
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