MIKE STERN

To a generation of contemporary jazz guitar aficionados, Mike Stern is regarded as one of the true guitar greats of his generation. A player of remarkable facility whose searing lines are informed mainly by bebop and the blues while also carrying a rock-tinged intensity, Stern made his mark with Miles Davis in the early ‘80s before launching his solo career in 1985. Since then he has released 17 recordings as a leader, six of which were nominated for GRAMMY Awards. His latest recording, Echoes and Other Songs (Mack Avenue/Artistry), features an All-star cast including, Dennis Chambers, Antonio Sanchez, Christian McBride, Richard Bona, Chris Potter, Bob Franceschini, and Leni Stern.

Born in Boston on January 10, 1953, Stern grew up in Washington, DC, then returned to Boston to study at the Berklee College of Music where he met and befriended fellow Berklee students like guitarists John Scofield and Bill Frisell, bassist Jeff Berlin, drummers Steve Smith and Vinnie Colaiuta. He got his first big break in 1976 going out on tour with Blood, Sweat & Tears, appearing on the group’s studio More Than Ever and live album In Concert that year and also on 1977’s Brand New Day.

Stern was presented with Guitar Player magazine’s Certified Legend Award on January 21, 2012.

Mike Stern Band: Dennis Chambers~drums, Gary Grainger~guitar, Bob Franceschini~saxophone, and Leni Stern~guitar, vocal.

Tickets: $35.00 ~ $60.00 +$7.00 fee

Showtimes: 7:00pm & 9:30pm

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NICOLE HENRY

Celebrating a 20-year recording career with eight critically acclaimed chart-topping albums, Nicole Henry is the recipient of a Soul Train Award for “Best Traditional Jazz Performance,” and she has garnered four Top-Ten jazz albums on the U.S. Billboard, JazzWeek, HMV Japan, and U.K. Sweet Rhythms charts. Hot House Jazz said, “Few voices can set a listening room on fire, then let it burn into a cinder like Nicole Henry’s.”

The New York Times, Miami Herald, and Jazz Times Magazine have compared her to Sarah Vaughan, Natalie Cole and Whitney Houston for her dynamic range, impeccable phrasing, and ability to connect to a lyric. Whether burning through a swing tune or gently caressing a ballad, Nicole truly makes each song uniquely her own and “aims right for the emotional center.” (Billboard)

Henry has toured in over 20 countries and has recorded with musical greats Kirk Whalum, Julian Lage, John Clayton, and Gerald Clayton. She’s also performed with the Duke Ellington Orchestra, the Henry Mancini Institute Orchestra, Pasadena Pops, Michael Feinstein, saxophonist Paul Taylor and more.

Showtimes:
Friday/Saturday: 7:00pm & 9:30pm
Sunday: 2:00pm

Tickets: $35.00 ~ $60.00 + $7.00 fee

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Requisites

Serenade To A Bus Seat ~ Clark Terry Quintet | By Eddie Carter

This morning’s spotlight shines on a remarkable trumpeter who, in my view, always delivered flawless performances. Serenade To A Bus Seat (Riverside RLP 12-237) by the Clark Terry Quintet is the subject of this discussion. Clark enjoyed an illustrious career performing with Charlie Barnet, Count Basie, Duke Ellington, Quincy Jones, and Oscar Peterson. He was also a member of The Tonight Show Band from 1962 to 1972. Terry’s influence extended far beyond his performances; his jazz career spanned more than 70 years, and he became one of the most-recorded jazz musicians, appearing on more than 900 recordings. He also mentored Terry Lyne Carrington, Miles Davis, Herbie Hancock, Quincy Jones, Wynton Marsalis, Pat Metheny, and Dianne Reeves.

On his third album as a leader, Clark Terry is working with Johnny Griffin, tenor saxophone; Wynton Kelly, piano; Paul Chambers, bass; and Philly Joe Jones, drums. The copy I own is the 1977 Riverside Original Recording Series Japanese mono reissue (SMJ-6209M) by Victor Musical Industries. The opener, Donna Lee by Charlie Parker, begins with Philly’s introduction ahead of the quintet’s brisk melody. Johnny ignites the first solo with bursts of passionate fire, then Clark and Philly share an energetic conversation. Kenny caps off the solos with an impressive display of vibrant energy ahead of the group’s lively closing chorus and dead stop.

Boardwalk by Clark Terry is a blues that begins with an enjoyable, medium-tempo theme by the ensemble. Terry opens with a poised, almost dignified solo, then he engages in a friendly exchange of ideas with Griffin. Kelly then provides the exclamation point with a laid-back interpretation before the group reconvenes for the climax. Terry’s second creation, Boomerang, is a lively little original that takes off with the front line’s melody in unison. Clark gives his undivided attention to the opening solo, then Johnny enters and simply swings. Wynton follows with a strong statement that’s a joy to listen to. Paul takes a short walk preceding the group’s return to the theme’s reprise and close.

Digits by Clark Terry turns the temperature down for an easygoing theme by the ensemble. Terry steps up first to give a relaxing solo, then shares the next happy statement with Griffin. Kelly wraps up everything with a leisurely reading until the quintet returns for the closing chorus. The title tune, Serenade To a Bus Seat by Clark Terry, is a swinging homage to the trips musicians took from city to city with big bands. It’s off to the races with the ensemble’s melody, then Johnny is up first to ignite the first solo with passionate fire. Clark meets the challenge with an effervescent interpretation. Wynton gets the last spot and handles it comfortably before the front line’s fine blowing signals the end.

Hoagy Carmichael and Mitchell Parish’s classic, Stardust, is one of the most recorded songs in history. Both horns deliver a gentle introduction leading to Terry’s delicately phrased melody. Terry and Griffin are the featured soloists, and both turn in two beautiful solos that complement each other until the theme returns and the song ends softly. Cruising by Clark Terry opens with an easy-flowing theme led by both horns, before stepping aside for Johnny to lead off with an excellent first solo. Clark speaks his piece in the following statement, then Wynton follows at an unhurried pace, leading to the restatement of the theme and climax.

That Old Black Magic by Harold Arlen and Johnny Mercer is an old favorite from 1942 that first appeared in the film, “Star Spangled Rhythm.” The quintet wraps the album up in a bow with a short Latin rendition, which begins and ends with Terry using a cowbell and Griffin on the claves. In between, both Terry and Griffin, on trumpet and tenor sax, make swinging comments. Orrin Keepnews produced the initial session, and Jack Higgins was behind the recording console. The Victor Japanese mono reissue is a delight to hear, with a breathtaking soundstage that places the musicians in your listening room’s sweet spot with stunning fidelity.

For anyone who admires Clark Terry or is just beginning to discover his discography and enjoys hard bop, I strongly recommend picking up Serenade To a Bus Seat by the Clark Terry Quintet the next time you’re at your favorite record store. It’s a fabulous album that should make a meaningful addition to any jazz library, especially for those who appreciate the artistry of a masterful trumpeter!

~Stardust, That Old Black Magic – Source: <ahref=”http://jazzstandards.com”>JazzStandards.com

CALIFORNIA JAZZ FOUNDATION

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THEO CROKER

Grammy-nominated trumpeter, composer, producer, and bandleader Theo Croker continues to expand the boundaries of modern jazz with his new album, Dream Manifest (Dom Recs / Fat Beats, June 13). Hailed by the LA Times as “a path to jazz greatness,” the project blends jazz, experimental hip-hop, and cosmic soul into a genre-defying sonic journey.

Singles like the high-energy “We Still Wanna Dance” (produced by D’LEAU), the soulful “High Vibrations” (featuring Malaya), and the hypnotic “Crystal Waterfalls” showcase Croker’s dynamic vision — a sound both timeless and forward-facing (Wall Street Journal). NPR describes his vibe as “chill,” driven by a “clear musical approach and determination,” qualities that have made him a standout collaborator with Ari Lennox, Common, J. Cole, Jill Scott, and Wyclef Jean.

Croker’s live performances are cinematic and immersive, guided by a producer’s mind and a jazz artist’s spontaneity. As DownBeat notes, he “layers music and lyrics with the deft touch of a hip-hop producer and the spontaneity of a jazz trumpeter.” His trumpet becomes both melody and texture within a rich production landscape performed live with his acoustic band.

In 2025, he premiered Dream Manifest at London’s Barbican Theatre with designer Nicholas Daley. The Evening Standard called it “jazz, just not as we know it,” while Jazzwise praised its emotional depth and “total stage control.”

Tickets: $37.54 ($30.00 + $7.54 fees) | $54.54 ($45.00 + $9.54 fees)

Discounter Parking: $18.80 ($15.00 + $3.80 fees)

$20.00 Minimum Per Person

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LIZZ WRIGHT

Through an inimitable voice that The New York Times touts as, “a smooth, dark alto possessed of qualities you might associate with barrel-aged bourbon or butter-soft leather,” renowned vocalist and songwriter Lizz Wright sings with a soaring reflection of the cultural fabric of America. She lies beneath the script of history, transcending social divides with an offer of love and deep sense of humanity. Her music accepts the beauty of reality and creates a collective experience of belonging for the listener. Wright’s songs embody a tradition that allows us to always feel at home.

Wright’s 2024 studio album release, Shadow, presents Lizz in a gentle and triumphant light. With five originals penned by Wright, Shadow is anchored by acoustic guitars and layered with string quartets, harp, Carnatic Indian classical strings, gospel vocals, and bare emotion. It celebrates the intimacy of romantic love, loss, community, and healing. The album was produced by Chris Bruce and executive produced by Wright on Blues & Greens Records (with licensing/distribution through Lightyear Entertainment/Virgin Music). Wright worked with renowned engineer Ryan Freeland (who recorded Grace and has also worked with music legend Bonnie Raitt), and the album features acclaimed guest artists Angelique Kidjo and Meshell Ndegeocello.

At the age of 22, Wright first made a name for herself nationally as a vocalist with a touring concert tribute to Billie Holiday. At 23, she signed with Verve Records for the release of Salt, which topped Billboard’s contemporary jazz charts. She went on to record for Universal Music Group and released the albums Dreaming Wide Awake (2005), The Orchard (2008), and Fellowship (2010). On Concord, Wright released Freedom & Surrender (2016) – featuring the single “Lean In,” which landed on President Obama’s Summer 2016 playlist – and Grace (2017). Wright’s (2022) release of Holding Space (a live recording of a concert in Berlin at the Columbia Theater) was her debut live album on Blues and Greens Records.

Wright looks forward to the release of a duo album in 2026.

Tickets: $43.21 ($35.00 + $8.21 fees) | $54.54 ($45.00 + $9.54 fees)

Discounted Parking: $18.80 ($15.00 + $3.80 fees)

$20.00 Minimum Per Person

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