Daily Dose Of Jazz…

Jared Ribble was born in Neenah, Wisconsin on May 2, 1979. Growing up in small town America proved the right landscape to cultivate a desire to play drums. His parents bought him his first drum set when he was nine and gave him weekly private lessons through high school graduation.

He went on to attend Belmont University-Nashville, Tennessee and graduated in 2001 where he studied Commercial Music-Percussion Performance, along with private instruction. Ribble went on to perform with trumpeter Phil Driscoll, Broadway artist Jonathan Pierce, singer/songwriter Byron Keith, Denver Bierman, lead singer and founder of Denver and the Mile High Orchestra.

Jared tours and records with the contemporary big band, Denver and the Mile High Orchestra. Holding down an extensive recording schedule in his On Digital Ground recording studio with the On Digital Ground Studio House Band. He composes for the music group Storyteller, and frequently plays on the worship team of Grace Pointe-Nashville.

He is also Vice-President of Reel Loud Records asked Jared to come on their executive staff as Vice-President. In this role he helps find, and promote the recording careers of innovative and talented artists.

Drummer Jared Ribble continues to move forward his career in touring, recording and business.

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Daily Dose Of Jazz…

Nina Michelle was born on May 1, 1968 in Vancouver, British Columbia, Canada. She began studying classical piano at an early age of 5 and after graduating with honours, she received a scholarship to continue her music studies in the music and vocal program at Capillano University in North Vancouver.

In Vancouver she regularly performed with Linton Garner at Rossinis jazz club. Her many tours to Switzerland with drummer Charly Antolini and his Jazz Power. Since 1994 she’s been touring Europe with some of the finest musicians.

In 1998 Nina recorded a soundtrack with the Billy Gorldt Orchestra as well as acted in a Süddeutsche-Rundfunk film production directed by Oliver Storz, Against the End of the Night. Nina’s current work includes a live big band recording with the Munich Swing Orchestra for the Bayerischer Rundfunk as well as a Swinging Christmas recording produced by Max Greger Jr.

She has performed with several big bands, including SWR Big Band in charge of Max Greger, featuring among other solo artists Benny Bailey and Hugo Strasser.

At the moment, Nina’s performing with her own quartet, an international group of well-acclaimed musicians, among them Canadian bassist Rocky Knauer, Tizian Jost and Guido May.

Vocalist Nina Michelle currently lives in Munich, Germany and continues to perform and record.

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Daily Dose Of Jazz…

Elissa Lala was born on April 30, 1958 in Philadelphia, Pennsylvania, the daughter of a professional trombonist. She began singing professionally at the age of five and by the time she was in her early teens she was doing background vocal sessions at Philadelphia’s Sigma Sound Studios. Although heavily influenced by R&B, she would be quietly singing Michel Legrand’s You Must Believe in Spring while walking to that all girl Italian high school.

Struggling with a hearing impairment never affected her pitch and falling in love with jazz guitarist John Valentino made the jazz thing stick. The couple performed together at every major venue on the east coast, eventually marrying and moving to Los Angeles, California. While singing at a Burbank studios jazz club, Aaron Spellings’ music supervisor heard Lala and hired her to sing All the Things You Are for the ABC miniseries Crossings.

More film and TV studio work came her way and her credits multiplied. A bout with tinnitus led to more hearing loss and learning about hearing loss. Elissa became trained in hearing instrument fitting and helped hundreds of hearing-impaired children and adults hear better through the use of digital hearing instruments.

As a lyricist she wrote for Ralph Towner’s I Knew It Was You. She has written and/or recorded with Blue Note recording artists Pat Martino, Narada Michael Walden, Michel Legrand, Alex Acuna, Tommy Tedesco, and Bennie Maupin. Her approach to improvisation is fresh, moving, and very in the moment, or documented, recorded or live.

Vocalist Elissa Lala continues to perform, work in film and television, and tour.

ROBYN B. NASH

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Daily Dose Of Jazz…

Andrea Ventriglia was born in Capua, Italy on April 29, 1953 and studied the saxophone with the masters Franco Florio in Salerno and Eraclio Sallustio at the GB Martini Conservatory in Bologna, Italy. He later studied the flute with Aldo Ferrantini.

His professional career began while he was still a music student around the end of the 1960s, following the rhythm & blues and soul of James Brown, Wilson Pickett, Aretha Franklin, Ray Charles and Joe Cocker in fashion at that time and still today. At a very young age he was part of the best and

As a soldier Andrea was part of the National Band of the Italian Army. He moved to Verona, Italy in the mid 1970s and began playing in small bands in night clubs. He was invited to join the Big Band Citta’ di Verona directed by Maestro Mario Pezzotta, in the first tenor saxophone. At the same time he performed in Fernando Brusco’s small orchestra as an arranger and saxophonist.

Moving to the United States he initially played in small bands that performed on cruise ships where he met among others Count Basie, Mercer Ellington, Sarah Vaughan, Harry James and Bob Crosby. Settling first in San Francisco, then in Los Angeles, California he played on the road with small bands collaborating with Harry James and Bob Crosby in the latter city.

Back in Italy he gained membership into Franco Rosselli’s orchestra and did the night club circuit in Florence, San Remo and Riviera Romagnola. Leaving Roselli he toured with Bobby Solo throughout Italy. His passion for jazz and big band led him to the Luciano Fineschi Orchestra, again sitting in the first tenor saxophone and flute chair.

After the orchestra disbanded Ventriglia went on to play in other big bands, duos, artistic partnerships, and guest appearances. For a decade he was a professor of saxophone at the Giuseppe Martucci Music High School in his hometown. He trained musicians currently working with famous artists or with their own groups and some of whom practice the profession of musician in the USA.

By the Eighties the public became more sensitive towards jazz, so Andrea led quartets performing in various Italian jazz clubs. that sprung up a bit everywhere in Italy. During his career and for professional reasons, saxophonist and flutist Andrea Ventriglia has performed on nearly every continent and continues to perform, tour and record.

ROBYN B. NASH

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Daily Dose Of Jazz…

George Ewing Lee was born April 28, 1896 in Boonville, Missouri, and was the older brother of pianist and singer Julia Lee. They performed with their father’s string trio at neighborhood house parties and church socials. He played in a band while serving in the Army in 1917, and following this period, he sang in a vocal quartet.

In 1920 he formed and led George E. Lee Novelty Singing Orchestra and with his sister as one of the group’s members, he was a regular performer at Lyric Hall in Kansas City, Missouri through much of the 1920s.

Though he played many instruments, singing was his forte and he had a powerful voice and a penchant for ballads and novelty songs. Through the 1920s no group in Kansas City could compete vocally with the Lee Orchestra.

In 1927 they recorded as an octet with Jesse Stone on piano, for Meritt Records. Among the tunes was Down Home Syncopated Blues, and was the earliest recording of Julia Lee’s voice. They recorded six tunes for Brunswick in 1929.

In 1933, his group was absorbed into the Bennie Moten Orchestra. By 1935 he continued to perform with smaller ensembles through the decade. In 1937, at a resort in the Ozarks, Lee fronted a small group that included 17 year-old saxophonist Charlie Parker. Two years later he struck out on his own again, moved to Jackson, Michigan in 1940 and retired from music in 1941. He began

By the 1940s, he moved to San Diego, California. Vocalist and bandleader George E. Lee, who was sometimes billed as the Cab Calloway of the Middle West, died on October 2, 1958.

ROBYN B. NASH

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