Notorious Jazz App
Introducing you to the new Notorious Jazz APP. Now you can easily follow us anytime, anywhere on your Smart Phone and IPad by simply scanning our new QR CODE. Get all your favorite posts at the touch of your fingertip: Daily Dose Of Jazz, Jazz In Film, From Broadway To 52nd Street, Hollywood On 52nd Street, Requisites (for the collector) and The Jazz Voyager (jazz for the world traveler).
Added value to your daily history lesson about jazz professionals in our blog are the Music Podcasts, the Notorious Jazz Calendar, the Notorious Jazz Feature, Photo Gallery, the Featured Lyric & Composer at the top of the homepage, and the in the works to be launched is the Notorious Jazz E-Mag. You’re just a scan away from all your Notorious Jazz moments!
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The Jazz Voyager
Nestled in a quiet corner of Alpharetta, just 15 minutes north of the perimeter off 400 resides this cozy little nightspot called The Velvet Note that brings welcoming audiences an unplugged jazz experience.The Jazz Voyager steers his rental to the Georgia location at 4075 Old Milton Parkway, 30005. Intimate in its approach, one is swathed in the tapestry of music emanating from the stage, regardless of where one rests comfortably in this forty-seat room.
Within this construct, owner Tamara Fuller has carefully crafted a wonderful ambiance with light, sound, libation and culinary delights that will excite your senses while assuaging any fear that your encounter will be anything less than your desire.
As one who enjoys seeking life beyond the curve, this Jazz Voyager was enthralled as was the entire audience to a powerful and moving set performed by vocalist of Alvin Stone. The music was impeccable and in good company with sumptuous lump crab cakes, a glass of red brought by a delightful and attentive staff.
I highly recommend making a reservation for this acoustic respite at 855.583.5838, look for the menu at thevelvetnote.com and is not fr the fainthearted pocket as this nightspot is rated $$$. But for those who want the unexpected pleasure of experiencing jazz up close and personal in this 40 seat room, take a moment to refresh your mind, body and spirit. in this acoustic living room.
Review: Ernest Coleman | Her Eyes At Sunset
The title Her Eyes At Sunset ambiguously defines the listener’s journey. At first glance, Mr. Coleman’s choice of tunes appears to be indiscriminate, however, upon closer inspection one finds a carefully crafted playlist to delight the ear.
Ernest’s point of embarkation is a driving tempo with the title theme from the 1948 film The Night Has a Thousand Eyes, and yet, it is not surprising that he follows with the Gershwin’s They Can’t Take That Away From Me from the 1937 Astaire/Rogers vehicle Shall We Dance, done refreshingly as a quiet ballad. Combining the Latin rhythms of Jobim’s Waters of March, Romero’s Quinta Anauco and his original title track with the delivery of Chantae Cann on Estrada Branca is a happy madness.
The arrangement of Blue In Green is unprecedented as is the well-executed bass on the Bricusse/Newley composition Pure Imagination. If homework is a prerequisite for testing the musicianship of this excellent assemblage of players and voices, this project raises the bar of the listening experience, and thus, is no stranger to my Serenade To The City playlist.
carl anthony |serenade to the city | jazz 91.9fm wclk | july 28, 2011
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Review: Kathleen Bertrand | Katharsis
In many ways the task of the music critic is anything but easy. We tediously wade through the multitudes that dub themselves singers, seeking storytellers who transport us to new and exciting destinations. To truly hear music, we must divorce prejudices and likes, and in doing so, permit the customary to wane to make way for nuance and subtlety.
As our collective musical tastes evolve, we constantly anticipate the arrival of fresh and exciting sounds, and to that extent our wait has run its term. Kathleen Bertrand’s latest offering Katharsis lingers between meaningfulness and elation as thoughts about you wrap around her finger, relate grandma’s hands that are stronger than pride and ushers a younger generation of lyricists and composers into the pantheon of the great American songbook.
We are blessed to be in the presence of a vocalist who understands interpretation, not only of classic songs and original compositions but is also equally adept at hearing orchestration and arrangement. Without too much fanfare or divulging too many delights, suffice it to say you will hear the Kathleen Bertrand you have come to know and love in a new light.
As you listen to Katharsis, you will uncover its many moods that tempt you to dance, move and realize your own indulgences. Katharsis will not be limited to wonderful, extraordinary, marvelous or exceptional, nor will these words designate it so simply because they are written. These are merely cautionary pronouncements describing the pleasure I received as I drove down the highway on a warm summer night. You, like I, will be challenged to find your own words for this unexpectedly delightful exposé and return hungry for more. Why, you may ask… because it’s what he likes!
carl anthony | notorious jazz | may 24, 2011
host, serenade to the city, jazz 91.9fm
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