DEE DEE BRIDGEWATER
Dee Dee Bridgewater Quartet with Carman Staff, Amina Scott & Shirazette Tinnin
Over the course of a multifaceted career spanning four decades, Grammy and Tony Award-winning jazz giant Dee Dee Bridgewater has ascended to the upper echelon of vocalists, putting her unique spin on standards, as well as taking intrepid leaps of faith in re-envisioning jazz classics. Ever the fearless voyager, explorer, pioneer and keeper of tradition, the three-time Grammy-winner recently won the Grammy for Best Jazz Vocal Album for Eleanora Fagan (1915-1959): To Billie With Love From Dee Dee.
Bridgewater’s career has always bridged musical genres. She earned her first professional experience as a member of the legendary Thad Jones/Mel Louis Big Band, and throughout the 70s she performed with such jazz notables as Max Roach, Sonny Rollins, Dexter Gordon and Dizzy Gillespie. After a foray into the pop world during the 1980s, she relocated to Paris and began to turn her attention back to Jazz. Signing with Universal Music Group as a producer (Bridgewater produces all of her CDs), Bridgewater released a series of critically acclaimed titles beginning with Keeping Tradition in 1993. All but one, including her wildly successful double Grammy Award-winning tribute to Ella Fitzgerald, Dear Ella, have received Grammy nominations.
Friday & Saturday at 7pm & 9:30pm
Carman Staff ~ Piano & Keys
Amina Scott ~ Acoustic & Electric Bass
Shirazette Tinnin ~ Drums
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TATIANA EVA~MARIE
Nicknamed “the Gypsy-jazz Warbler” by the New York Times and acclaimed as a “millennial shaking up the jazz scene” by magazine Vanity Fair, TATIANA EVA-MARIE is a transatlantic bandleader, singer, and actress based in Brooklyn.
Best known for her work leading the Avalon Jazz Band – a band with a Parisian “vintage” flair that has gathered 80 million views on YouTube – her interests have led her to explore a wide range of musical styles, from 1930s pop to modern jazz. Tatiana Eva-Marie’s singing is always inspired by her own French and Romani heritage; a love for the Parisian art scene era spanning the 1920s to the 60s; a passion for Gypsy music and a deep connection to the Great American Songbook.
Through the lens of this musical kaleidoscope, she explores the music of Django Reinhardt, Sidney Bechet, Cole Porter, and other composers who were at the origins of French jazz, while adding her own original lyrics and arrangements to the mix.
The Band:
Tatiana Eva-Marie ~ Vocals
Gabe Terracciano ~ Violin
Dennis Pol ~ Guitar
Wallace Stelzer ~ Bass
Streaming: $15.00
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JOEY ALEXANDER
Joey Alexander has been performing professionally since 2013 when Wynton Marsalis invited him to perform at the Jazz at Lincoln Center Gala. Alexander’s albums have netted three GRAMMY® Award nominations: one for Best Jazz Instrumental Album (My Favorite Things) and two for Best Improvised Jazz Solo (“Giant Steps,” from My Favorite Things, and “Countdown” from the album of the same name), with My Favorite Things and Countdown securing the No. 1 spot on the Billboard jazz charts and Eclipse coming at No. 3.
Over the course of his astonishing career, Alexander has performed with Wayne Shorter and Esperanza Spalding at the Obama White House, for President Bill Clinton at the Arthur Ashe Learning Center Gala, at the Grand Ole Opry, the Apollo Theater, Carnegie Hall, and at major jazz festivals and nightclubs around the world with top-shelf collaborators like Larry Grenadier, Kendrick Scott, Chris Potter and many others.
Sunday at 5pm & 7:30pm
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MARIANNE SOLIVAN QUARTET
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Daily Dose Of Jazz…
Claude Ranger was born in Montréal, Canada on February 3, 1941 and studied drums briefly with several teachers and arranging with Frank Mella. Beginning his career with Montréal show bands, he was a leading figure among the city’s jazz musicians by the mid-1960s.
A sideman to Lee Gagnon, Pierre Leduc, and Ron Proby among others, Claude led the bands heard on the CBC’s Jazz en Liberté. He was a member of Aquarius Rising with Brian Barley, Michel Donato and Daniel Lessard from 1969 to 1971. Moving to Toronto, Canada he lived there for fifteen years beginning in 1972. It was here that Claude was a member of the Moe Koffman Quintet and accompanied Canadian and U.S. musicians when they came through the city, such as, Lenny Breau, George Coleman, Larry Coryell, Sonny Greenwich, James Moody, Doug Riley, Don Thompson, and Phil Woods.
His own bands appeared at the Music Gallery, Jazz City, the Festival International de Jazz de Montréal (FIJM) and the Ottawa International Jazz Festival. A Ranger quintet was a finalist in the 1986 FIJM, receiving a special jury citation for his drumming. Relocating to Vancouver, Canada he served as a mainstay of the du Maurier International Jazz Festival, again as an accompanist to Canadian and U.S. musicians and as a leader of his own groups.
West Coast musicians Ron Samworth, Clyde Reed, Bruce Freedman and drummer Dylan vander Schyff also influenced Claude’s career. He was considered a jazz musician and drummer with natural swing, in the bebop-based tradition of Max Roach. Displaying great stamina, he sometimes worked against the grain of jazz in Canada. His ensembles ranged from a trio to the 15 and 19-piece Jade Orchestra that debuted at the 1990 Vancouver festival.
Ranger played a role in Canada similar to the one created by Art Blakey in the US – that of a veteran musician whose bands served as an important platform for the development of younger players. His discography included recordings by Allen, Barley, Breau, Gagnon, Greenwich, Koffman, Riley, Thompson, Jane Bunnett, P.J. Perry, Herb Spanier, Michael Stuart, and U.S. musicians Dave Liebman, and Michael Munoz.
Drummer, composer, arranger, and teacher Claude Ranger continues to pursue his career in music.
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