DANIEL HARRIS III

Daniel Harris III – Debut Album Release

The visionary artist, dynamic trumpeter, community organizer, and cultural innovator has a multifaceted career that is creating an indelible mark on the jazz and creative scenes across California and beyond.

With a string of high-profile performances, Daniel has captivated audiences at prestigious venues such as Yoshi’s Jazz Club performing with Kev Choice and Ayo Brame, headlining shows at San Francisco’s premier Black Cat Jazz Supper Club, and performed the National Anthem as a soloist for the Oakland Ballers.

His collaborations include sharing stages with Isaiah Collier and The Chosen Few in Chicago and in San Francisco, performing with award-winning pianist Jahari Stampley and his Family Band, and joining Terrace Martin for the Los Angeles Jazz Festival Foundation Celebration. Daniel has also graced the Mendocino Music Festival as part of their premier Big Band and headlined the inaugural Just Jazz Future is Now Festival in Monterey.

The Band:

Daniel Harr III: Trumpet
Roy Mendiola: Piano
Ryan Embola: Bass
Jayla Hernandez: Drums

Cover: $35.50~$45.50

More Posts: adventure,bandleader,club,genius,instrumental,jazz,music,preserving,travel,trumpet

LIZ CALLAWAY

Emmy winner, Tony and Grammy nominee Lizz Callaway sings the songs of Stephen Schwartz with her show The Wizard and I. It is a collection of songs from a career over 60 years.

Her performance features Oscar winning tunes from Wicked, Godspell, Pippin, The Baker’s Wife as well as lending her voice to animated movies Anastacia.

Piano & Music Director: Alex Rybeck

Bass: Ritt Henn

Drums: Ron Tierno

Cover: $73.50 ~ $139.50

More Posts: adventure,bandleader,club,genius,instrumental,jazz,music,preserving,travel,vocal

Requisites

Coltrane ~ John Coltrane | By Eddie Carter

As someone who has enjoyed John Coltrane’s music for years, I’ve revisited this morning’s album from the library countless times, and each time I listen, it reveals something fresh and exciting. Coltrane (Prestige PRLP 7105) is the first chapter in a body of work that continues to challenge, inspire, and uplift listeners. John Coltrane’s path to his debut album was anything but easy. He grappled with addiction and periods of self-doubt, which eventually led to his dismissal from Miles Davis’s quintet. After returning to Philadelphia to end his addiction, John overcame his dependencies and embarked on a profound spiritual journey, allowing him to discover his singular musical voice and ultimately his first Prestige recording session.

Joining the tenor saxophonist are Johnnie Splawn on trumpet (tracks: A1, B1 to B3), Sahib Shihab on baritone sax (A1, B1, B3), Red Garland (A1 to A3), and Mal Waldron (B1 to B3) on piano, Paul Chambers on bass, and Albert “Tootie” Heath on drums. My copy of this album is the 2023 Analogue Productions mono audiophile reissue, sharing the original catalog number. “Bakai” by Cal Massey opens the first side, unveiling the ensemble’s relaxing melody. Red initiates the solos with a gentle and lyrical touch, as smooth as a calm sea. John’s following statement is grounded in a steady, unwavering rhythm of harmonic exploration. Sahib then steps in with an exquisite statement that nearly steals the show, leading back to the sextet’s theme restatement and ending.

Violets For Your Furs is a charming ballad from the 1940s by Tom Adair and Matt Dennis, which Red brings to life with a tender introduction to Coltrane’s lyrical sensitivity in the quartet’s theme, and a softer, more romantic side in the opening solo. Garland comes in next for a thoughtful, reflective reading until Coltrane gracefully reenters for the theme’s elegant climax. “Time Was” by Gabriel Luna de la Fuente, Paz Miguel Prado, and Bob Russell moves the beat upward for the quartet to give a lively melody. John leads off the solos with an abundance of passion, then Red continues soaring with joyful exuberance in the second reading. Paul has the last word and takes a short walk ahead of the theme’s return and finish.

Straight Street by John Coltrane gets the second side off to a good start. This song announces the spiritual dimension that would become central to his later albums. The sextet returns to full voice for a swinging melody with Mal taking over the piano duties. Coltrane gets right to work and wails on the opening statement. Splawn steps in next, firing on all cylinders, then Waldron takes the final spotlight preceding the group’s return for a vivacious exit. The pace slows down again for the album’s second 1940s ballad, “While My Lady Sleeps,” by Gus Kahn and Bronislaw Kaper. The ensemble presents a splendid study in soulful improvisation, with John paving the way through the melody into an affectionately intimate reading that ends as beautiful as it began.

Chronic Blues by John Coltrane opens with the sextet easing into the theme at a laid-back, comfortable tempo. Shihab launches the opening solo with rhythmic grace and effortless flow. Coltrane next delivers a smooth and inviting swing, as warm and familiar as a favorite homemade dish. Splawn’s turn brings a light and airy touch, infusing the piece with an appealing charm. Waldron closes things out with a breezy reading that leaves the sextet’s finale deeply satisfying. Bob Weinstock supervised the initial session, and Rudy Van Gelder was behind the recording dials. Kevin Gray mastered this audiophile reissue at Cohearant Audio. The album’s sound quality is spectacular, with a gorgeous soundstage that places the musicians directly in front of your sweet spot.

The record was pressed on 180-gram audiophile vinyl and offers an absolutely silent background until the music unfolds. Upon its release, “Coltrane” was met with excitement from jazz lovers and critics alike, though it didn’t propel John Coltrane to instant fame. That recognition would eventually arrive with “Giant Steps,” “My Favorite Things,” and “A Love Supreme.” Still, his debut firmly established Coltrane as a bandleader, composer, and innovator. It also marked the beginning of an extraordinary journey, where he would push the boundaries of jazz, explore spiritual themes, and redefine musical expression. If you haven’t experienced “Coltrane” yet, I highly recommend searching for it on your next record store visit. It’s an outstanding album by John Coltrane that provides a calming, immersive listening experience, gently enveloping you in its soothing melodies from the very first note!

A Love Supreme (Impulse A-77/AS-77), Giant Steps (Atlantic 1311/SD 1311), My Favorite Things (Atlantic 1361/SD

More Posts: choice,classic,collectible,collector,history,instrumental,jazz,music,saxophone

Daily Dose Of Jazz…

Roy Willox was born into a musical family in Welwyn, Hertfordshire, England on August 31,1929. At 16 he had a brief spell with Johnny Claes in 1945 and then with other bands before joining Ted Heath from 1950 to 1955.

About this time he worked in the jazz clubs in a group with Keith Christie, and with Jack Parnell followed with extensive freelance work in television, radio and the theatre. The jazz scene saw Willox in Harry South’s band during the 1960s and 1970s and returned to the Heath band for dates in the 1960s and 1970s.

He was in demand through the 1960s for many jazz big band dates, notably with Harry South and Tubby Hayes. He played throughout the 1990s and 2000s, first with The Ted Heath Band, (then led by Don Lusher), and in Lusher’s own big band until it’s last concert in 2007. He played in the Ted Heath band’s farewell concert at the Royal Festival Hall, London in 2000.

A fluent saxophonist, clarinetist and flutist Roy Willox, whose main instrument is alto saxophone, continues to perform and record.

More Posts: bandleader,clarinet,flute,history,instrumental,jazz,music,saxophone

JULIE DEXTER

Join the Jazz Brunch audience for Julie Dexter is a world renowned, award winning, British singer, songwriter and producer considered by many to be one of the most influential female vocalists of her generation. Having shared the spotlight with a host of cutting-edge artists, including Mint Condition, Caron Wheeler, Jill Scott, Lalah Hathaway, Omar, Ledisi, Doug Carn, Third World and Maxi Priest to name a few, Julie not only holds up her own with them but has been praised and respected by them too.

Influenced by legends such as Nancy Wilson, Abbey Lincoln, and Bob Marley, as well as popular icons Omar and Sade, Julie takes classic soul to the heart of Artistry. Fans and critics across the globe have followed her journey through the circles of Jazz, Broken-Beat, Bossa-Nova, Reggae, Afro-Beat and Soul and she was recently honored at the Black Women in Jazz Awards with the Afro Caribbean Soul of Jazz Award.

It was in 1999 that Julie took a leap of faith and moved to Atlanta, Georgia where she now resides. She launched her own label, Ketch A Vibe Records and in 2000 released the critically acclaimed EP Peace of Mind, followed by Dexterity (2002) ,Conscious (2005) and New Again (2011). Moon Bossa, a collaboration with Khari Simmons was released in 2007 and her single “Ketch A Vibe” was featured in national radio ads for Democratic Presidential Candidate Senator Barack Obama.

Julie’s latest album “Deja Vu” takes us on a journey from Bossa to reggae. From Jazz to World Music, Soul and beyond, Julie Dexter is one of an elite few whose talent can transcend genres. She makes it all work on her own terms, as an audaciously independent artist with an undeniable connection to her audience.

Cover: $25.00 ~ $35.00

More Posts: adventure,bandleader,club,jazz,music,preserving,travel,vocal